Three Movements For Improvising Oboe, Soprano Sax, Viola, Cello. Par LIEBMAN DAVID. It is natural as we age to contemplate the finality of passing on, if not personally, then certainly as an effect from others around you whom have left this space. Having to endure the passing of family and friends is of course very trying. This is especially true when the perception is that someone 'passed before …

Par DOWNLAND JOHN. For years, classical guitarists have enjoyed playing the lute music of the English composer, John Dowland (1563-1626). Forty of his beautiful compositions are included in this volume. The book is intended for the guitarist with intermediate to advanced fingerstyle technique, and can be played on both nylon and steel string instruments. In order to help capture the unique charact…

Par BACH JOHANN SEBASTIAN. The suites are the very core of cello literature, with their timeless beauty accompanying cellists from their student years throughout the height of their professional careers. Considering the works’ significance, the great number of editions in existence is not surprising. However, the composer’s autograph has not been preserved and is considered lost. This circumstanc…

A Modern Music Production Course That Makes Basic Music Technology Fun! A perfect approach for students with a passion for music outside of traditional programs, Alfred's Music Tech 101 covers the basics of music technology without heavy technical reading, using plain-English explanations. No musical experience is required, and classroom-tested course material has been developed through years of s…

from Tone and Performance Studies. Par WEISSENBORN JULIUS. Julius Weissenborn is best remembered today for the teaching material written for use at the Leipzig Conservatorium where he taught bassoon from 1882. His two famous tutor books are still the most popular bassoon etudes in use today, well over 120 years after they were written. This anthology represents the first-ever publication that cont…

Tune Book 1. Par ENGEL GERHARD / HEYENS GUDRUN. This Method for Alto Recorder, which is a continuation of the three volumes for soprano recorder, will continue to place great importance on developing musicianship, breathing technique, sound production, rhythmic security and the introduction of music theory. At the heart of this method lies a seamless crossover from soprano to alto recorder whilst …

Passionskantate. Par HOMILIUS GOTTFRIED AUGUST. He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passions…

Passionskantate. Par HOMILIUS GOTTFRIED AUGUST. He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passions…

Arr. Timothy Johnson. Par BRAHMS JOHANNES. Brahms was known to be extremely careful when composing his music. When he decided to compose a symphony he wanted to be sure to exceed the standard that had been set by Beethoven. His first symphony, completed in 1876 when he was 43 years old, took several years to complete because of his attention to detail. This arrangement of the theme from the finale…

Tonalité : D-Dur - Mh 826. Par HAYDN JOHANN MICHAEL. Johann Michael Haydn worked for over 40 years at the Court of the Prince Bishop in Salzburg, in whose employment he composed most of his music. However, the Missa sub titulo Sancti Francisci Seraphici was composed in 1803 on commission from the Viennese Imperial Court, on the occasion of the name day of Emperor Franz I. Two years previously, his…

By Dvorak Antonin. Czech title: Capriccio (koncertni rondo pro housle a klavir). Published by Praha (Czech import).

Composed by Felix Mendelssohn (1809-1847), edited by Yehudi Menuhin. Set of performance parts (includes separate pull-out violin part) for violin and piano. With solo part, piano reduction and introductory text. 52 pages. Published by C.F. Peters.

Violin and Piano. By Hilary Hahn. By Various. Boosey and Hawkes Chamber Music. Classical, Contemporary. Softcover. 340 pages. Boosey and Hawkes #M051107933. Published by Boosey and Hawkes (HL.48023059).

Violin and Piano. Composed by Peter Ilyich Tchaikovsky (1840-1893). Edited by Alexander Komarov. Henle Music Folios. Classical. Softcover. 16 pages. G. Henle #HN1274. Published by G. Henle (HL.51481274).

(27 Recital Pieces from Baroque to Modern). By Various. Edited by Eric Wen. For violin and piano. Book. 48 pages. Published by Carl Fischer

By William Alwyn (1905-1985). For violin and piano. String music. Published by Stainer and Bell Ltd.

(38 Works for Violin and Piano With a CD of Performances and Accom). By Various. Edited by Walter Reiter. Arranged by Robin Bigwood. For Violin, Piano Accompaniment. String. Softcover with CD. 64 pages. Schott Music #ED13447. Published by Schott Music (HL

Violin and Piano. By Olivier Messiaen. Editions Durand. 28 pages. Published by Editions Durand.

(20 Recital Pieces in First Position for Violin and Piano or Two Violins). Edited by Kurt Sassmannshaus / Christoph Sassmannshaus / Melissa Lusk. For violin, piano. Stapled. Barenreiter's Sassmannshaus. Level 2. Solo part and performance score. Published by Baerenreiter Verlag

(Movements I and II Arranged for Violin and Piano). By Igor Fyodorovich Stravinsky. Arranged by David Dutkanicz. For violin piano. 8 2 pages. Duration 7 minutes. Published by Carl Fischer

(with analytical studies and exercises by Otakar Sevcik, Op. 16 Violin and Piano critical violin part). By Henri Wieniawski (1835-1880). Edited by Stephen Shipps. LKM Music. Softcover. 52 pages

(13 Recital Pieces in First Position for Violin and Piano or Two Violins). Edited by Kurt Sassmannshaus / Christoph Sassmannshaus / Melissa Lusk. For violin, piano. Stapled. Barenreiter's Sassmannshaus. Level 2. Solo part and performance score. Published by Baerenreiter Verlag

By Various. Arranged by Various/Eric Wen. violin and piano. Published by Carl Fischer.

And Piano,- Version for Violin and Piano. By Robert Schumann. Edited by W. Haug-Freienstein. Violin. Pages: Score = VII and 29 * Vl Part = 8. Edition for Violin-paper bound. Published by G. Henle.

(with analytical studies and exercises by Otakar Sevcik, Op. 22 Violin and Piano Critical Violin Part). By Henri Wieniawski (1835-1880). Edited by Endre Granat. LKM Music. 97 pages. Hal Leonard #S511014. Published by Hal Leonard

(for Violin and Piano). By Rodion Shchedrin (1932-). Violin-Bibliothek (Violin Library). 30 pages. Schott Music #VLB102. Published by Schott Music

For Violin and Piano. By Ludwig van Beethoven. Edited by S. Brandenburg. This edition: HN291. Violin. Henle Music Folios. Pages: Score = 24 * Vl Part = 8. Urtext edition-paper bound. 32 pages. Published by G. Henle

(with analytical studies and exercises by Otakar Sevcik, Op. 21 Violin and Piano critical violin part). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Endre Granat. LKM Music. Softcover. 116 pages

Violin, Piano - Level 3

SKU: BA.BA09428

Composed by Maurice Ravel. Edited by Douglas Woodfull-Harris. This edition: urtext edition. Stapled. Barenreiter Urtext. Performance score, Part. Baerenreiter Verlag #BA09428. Published by Baerenreiter Verlag (BA.BA09428).

ISBN 97…