Par HANNICKEL MIKE. Now your pre-Grade 1 band can honor these African-American heroes of World War II with their performance of TUSKEGEE AIRMEN. Carefully scored with very limited brass ranges and flute parts which avoid difficult fingering combinations, it is playable by groups which have completed only a few pages of their first year method book. Your beginners will sound beyond their years as t…

Par CURNOW JAMES. What a wonderful idea! Make beautiful music such as this available at the Grade 1 level! Even young bands love to play enchantingly beautiful melodies. You’ve spent a lot of time and effort in helping your students learn to play full value notes, breathe in appropriate places, and stretch out their phrases so that they sound more mature and less like beginners. In the Bleak Mid-W…

This collection features a wide selection of original works from the Renaissance, Baroque and Modern eras arranged for two guitars. Focusing on easy repertoire Duets for Fun will provide hours of enjoyment for aspiring musicians wishing to discover new material as well as develop their playing.This collection is ideal for use as teaching material, or for playing at home or in a concert with a frie…

Par BARGIELSKI ZBIGNIEW . After the first performance of my Fourth Quartet, in Salzburg in 1997, the artists of the excellent Hugo Wolf Quartett approached me with the appealing proposition that I write a new quartet. Rather problematic, however, proved to be the musicians’ delicate suggestion that I invest the work with elements of a more pungent expression and elements of folklore – ideally Poli…

for Viola. Instrumentalists will love this jam-packed collection of 101 holiday favorites!/ Recueil / Alto

Flowing, melodic lines and a simple bass line recreate the feeling of a beautiful spring day. Written in C major and 3/4 meter, this piece includes recurring eighth-note patterns, subtle dynamic contrasts, and basic dotted rhythms. These elements, combined with simple pedaling, create a satisfying piece that intermediate students will enjoy playing. A distinct middle section allows the right hand …

Goldfinger will always call to mind Shirley Bassey 's assertive vocal on the soundtrack of the James Bond film of the same name. Written by John Barry, Lesley Bricusse and Anthony Newley, it became the definitive in-your-face Bond song before the series' theme tunes became quieter and more pop-oriented. This version has been arranged for SATB choir with piano accompaniment by Thomas Lydon. / Choeu…

Volume 1. Par LE TOUZE DENIS. Specialising in teaching music, Denis Le Touze currently researches the tonal system and notation of classical music. Therefore, his Writing Music In 30 Lessons is very well-informed. Le Touze 's Writing Music In 30 Lessons is divided into two volumes. The first volume incorporates three types of exercises; technical exercises for the understanding of chords, figured …

Intro 0'58 / L'eau et le vin 6'38 / Sundays Mondays 6'58 / Dans mon café 4'14 / Walk on the wild side 4'36 / Dis lui que je t'aime 6'20 / L'eau à la bouche 2'13 / Joe le taxi 5'35 / St Germain 5'17 / Requiem pour un con 2'22 / Que fait la vie 4'22 / I'm waiting for the man 3'26 / Natural high 4'33 / La la la song 5'47 / Flagrant délire 1'00 / This will be our year 2'37 / Pourtant 7'25 / Tandem 4'1…

Par SHELDON ROBERT. Otter Point Holiday, by Robert Sheldon, begins with a playful, fast tempo with interesting harmonies and meters, students will be immediately enamored by this piece. There is a contrasting, beautiful, and expressive lyrical section that follows before the opening feel returns---bringing the piece to an exciting conclusion. This delightful work is very tuneful and filled with jo…