Kantate Zum 1. Advent. Par BACH JOHANN SEBASTIAN. The opening chorus uses the first verse of the old plainsong hymn 'Veni redemptor gentium', which in the paraphrase by Martin Luther has become the most important Advent hymn of the Protestant Church. Bach introduces the traditional plainsong melody in the form of a French overture, here symbolizing the entry of the King of Heaven, thus creating an…

This innovative Teacher Guide for the 2nd Edition Primer Lesson Book breaks new ground with its comprehensive approach and teaching videos. The 208-page guide presents a systematic approach for teaching beginning students using the Fabers' student-centered philosophy, including complete lesson plans, tips for reinforcing concepts and skills, and ideas for creative music exploration. The comprehens…

Par ARCHER DARRELL. The word gospel means ?good news,? so it is no surprise that many songs of faith are uplifting, rhythmic and exuberant. Such is the case with the fresh piano settings of the 9 well-known gospel songs in this collection. These country-style arrangements enable the pianist to offer upbeat music that sets hands to clapping and feet tapping.These creative settings are best suited t…

Par CORP RONALD. Both as composer and conductor, Ronald Corp is steeped in the English choral tradition, and in A Spotless Rose he has traversed by his own path the hallowed ground of words immortalised by Herbert Howells. Corp’s own music, chordal yet contrapuntal, and likewise redolent in its modality of a distant past ‘of ancient seers’ foreshowing’, flows smoothly in flexible rhythm, each voic…

Par BEETHOVEN LUDWIG VAN. Beethoven's Sonata in F major op. 54 was written in 1804, just after the highly virtuosic 'Waldstein' Sonata and before the 'Appassionata' Sonata, and has unjustly stood in the shadow of its predecessor and successor ever since. Its two movements are characterized by the friction between traditional form and creative abandon. While the opening movement marked 'In Tempo d'…

Par COBHAM BILLY. 5 compositions geared to assisting a drummer reach goals such as synchronizing with the band, identifying the subtle changes in musical intensity, establishing strong, secure rhythm and playing with controlled force. These pieces incorporate fusion, ican pattern, rhythmic displacement, and samba, funk and rock elements./ Recueil / Batterie et Percussions

for Wind Orchestra, Additional European Parts. Par CESARINI FRANCO. Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 “Urban Landscapes” Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan. The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and …

Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…

THIRTY FINGERS is a series of books of various standards for three players on one piano.This book is for players of around Grades 1 to 3 and contains Beethoven - Two Contredances - Two German Dances - Minuet - The Glory of God in Nature, Boccherini - Minuet, Haydn - Three German Dances, Mozart - Auf die feierliche Johannisloge - The Birdcatcher's Song - O Isis and Osiris, Schubert To music.Also av…

Par SCHUMANN ROBERT. Schumann’s “Arabeske” and “Blumenstück” were both composed while he was living in Vienna from October 1838 to April 1839, and are thus companions to such major piano pieces as the “Fantasy in C major” (op. 17), the “Humoresque”(op. 20) and the cycles “Nachtstücke” (op. 23) and “Faschingsschwank aus Wien” (op. 26). Unlike these masterpieces, they are more ingratiating, possibly…