Cette collection regroupe plusieurs des plus belles chansons dans les tradition irlandaise--chansons d'amour perdent et a remporté, chansons de famine et l'émigration, chants patriotiques et des chansons de bataille, des ballades rues et des airs anciens, chansons d'amour classique pour la terre et ses gens--au superbes arrangements pour voix et piano avec les symboles de corde de guitare. Ce trés…

Par PUCCINI GIACOMO. Puccini wrote the short Requiem – actually the setting of the antiphon to the Introit of the Mass for the Dead – as a commission for the publisher Giulio Ricordi for the fourth anniversary of the death of Giuseppe Verdi, which occurred on _x000D_27 January 1905. Today the work is often performed, since this setting for three voices can be easily performed by amateur choirs and…

Paganini’s Sei Sonate op. 2 (M.S. 26), his Cantabile (M.S. 109) and his Sonata concertata (M.S. 2) bring out all of the timbral and sonic possibilities of both the viola and the guitar. In these pieces, the two voices blend together in a natural way, creating a compelling and well-balanced duo. These three transcriptions make up a perfect introduction to Paganini by way of his chamber compositions…

Composed in 1741 Handel's Messiah has remained a popular choice for choir performances for nearly 275 years. With 3 Steps To Sing anyone can now learn and rehearse the piece at home, regardless of their ability to read music.This easy-to-follow learning method for the Tenor part includes the following steps:Step 1 - Visual Learning DVDA voice part recorded by a professional singer (Soprano, Alto, …

Par LACHNER FRANZ. 2nd version: Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb] Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble [CV …

Par LACHNER FRANZ. 2nd version: Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb] Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble [CV …

Par LACHNER FRANZ. 2nd version: Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb] Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble [CV …

Par LACHNER FRANZ. 2nd version: Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb] Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble [CV …

Par HOSOKAWA TOSHIO. In my sixth work for a string quartet, there is a very simple melody concealed in the background. That melody (distant voices) is played within an extremely slow tempo, and the notes which form the melody gain different textures by becoming disassembled, and played by different techniques. In our daily lives, our inner voices become concealed by our daily customs. The act of c…