Traditional. Par GRAEF FRIEDEMANN. This collection of pieces for saxophone and organ or piano is designed for use in concert performances as well as for church services and other ceremonies. It contains the traditional American spirituals extended by composed introductions and endings, or interludes and written solos. The notated solos here are the results of more than ten years of personal experi…

Vol. 1: Lyric. OperAria is the ideal 'vocal coach' for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria offers in every book - a well-founded repertoire collection of common audition arias and rarities, which a…

Vol. 3: Dramatic. OperAria is the ideal 'vocal coach' for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria offers in every book - a well-founded repertoire collection of common audition arias and rarities, whic…

Par ROSE PETE. This piece, dedicated to the flutist Johann Fischer, is an “excentric” piece for solo bass recorder which includes the use of the human voice, alto recorder and gong. This challenging, jazz-oriented piece produces a great effect, during which a few scattered Telemann quotations give the piece a humorous accent./ Répertoire / Flûte à Bec Basse, Flûte à Bec Alto et Tamtam

Par L'ESTRANGE ALEXANDER (Arr.). Standing in the Need of Prayer is a simple, meditative melody with a pleasing, repetitive chord sequence. This arrangement gives you a chance to ‘crank it up a gear’ after the modulation; there is also an opportunity to thicken out the vocal harmonies towards the end with some optional alto notes. Once singers get more confident, you may wish to experiment with oth…

This wonderful carol melody is sung by the altos and is accompanied by an ostinato 'motor? in the male voices.The soprano part moves independently and comments, so to speak, on themelodic happenings. / Choeur Mixte (SATB)

'Each year at their Summer Festival in Tavistock, the Exon Singers feature the music of a living composer. In the summer of 2008 I was privileged to be the chosen composer. Salve Regina was written for the Festival and was performed once at a concert and subsequently at the broadcast of Choral Evensong in Buckfast Abbey.The music is unaccompanied and set for a six-part choir, with two parts for bo…

Confitebor. Par VIVALDI ANTONIO. This composition offers an extensive palette of the baroque master's musical ideas and modes of expression. The piece owes ist attractiveness principally to ist characteristically Vivaldian transparency and formal perfection, and to the way in which the voices are allowed to blossom within clearly fashioned structures, while all the tonal possibilities of the small…

Anthem. Par PURCELL HENRY. The Anthem, in the post-Reformation church music of England was initially the term given to a choral work with an English biblical text. By the end of the 17th century it begins to take on Italian stylistic elements and becomes a cantata for solo voices, choir and orchestra. The anthem 'O sing unto the Lord' presented here, based on words of the 96th Psalm, is a particul…

Confitebor. Par VIVALDI ANTONIO. This composition offers an extensive palette of the baroque master's musical ideas and modes of expression. The piece owes ist attractiveness principally to ist characteristically Vivaldian transparency and formal perfection, and to the way in which the voices are allowed to blossom within clearly fashioned structures, while all the tonal possibilities of the small…