ré mineur. Par BEETHOVEN LUDWIG VAN. It owes its much-quoted nickname 'Tempest' to a note by Beethoven's famulus Anton Schindler, whom the composer advised to 'read Shakespeare's Tempest' as a key to the work. But Schindler had also asked for the Sonata op. 57 in the same breath, so that in the end it remained unclear which of the two sonatas was really meant. The preface of the new edition explai…

Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. The cantata text by Erdmann Neumeister known from Bach’s work of the same name [BWV 61], appears here in a much shorter composition by Telemann. Definitely it has a charm of its own. / Date parution : 1979-06-01/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Violons,

Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. The cantata text by Erdmann Neumeister known from Bach’s work of the same name (BWV 61), appears here in a much shorter composition by Telemann. Definitely it has a charm of its own. / Date parution : 1979-07-01/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Violons,

Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. The cantata text by Erdmann Neumeister known from Bach’s work of the same name (BWV 61), appears here in a much shorter composition by Telemann. Definitely it has a charm of its own. / Date parution : 1979-07-01/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Violons,

Performance Score and Parts. Par VIVALDI ANTONIO. This scholarly-critical edition is based on all the known sources, whether printed or handwritten, that have come down to us for these frequently played pieces. By closely scrutinizing the source material, the editor has arrived at interesting findings that considerably differ from earlier editions of these works. Rather than taking as her principa…

Luke 2. Par TROTTA MICHAEL JOHN. Explore the majesty, mystery, and wonder of the Nativity with this five-movement work for choir, soprano, bass, and orchestra which tells the story of the Nativity according to the Gospel of Luke. Within the full work are two a cappella movements that paint a more intimate portrait of the birth using traditional text and a text by Margaret Deland. Songs included ar…

A Requiem For Victims Of Power. Par CUOMO DOUGLAS J.. The text for this piece is derived from the Epistle to the Reader of Sir Thomas Browne’s Hydriotaphia, (1658). Subtitled Urn Burial, the essay is a reflection on the discovery of a Roman urn burial site in Norfolk and the practice of disinterment. I compiled the text by redacting (i.e. eliminating) many of the words of the original, leaving beh…

In spring 1827 Schubert performed the first part of his best-known song cycle ' Winterreise ' for his friends for the first time. At this time he assumed that he had set all the texts belonging to the cycle to music. Only later did he come across the complete cycle of 24 songs in Müller's volume ' Gedichte aus den hinterlassenen Papieren eines reisenden Waldhornisten ' of 1824. As a result, he set…

Trois mélodies pour ténor et piano. Par ABOULKER ISABELLE. Être heureux ou ne pas l’être est un recueil de trois mélodies pour ténor et piano composé par Isabelle Aboulker sur des textes de Pierre de Ronsard, Jean de La Fontaine et Octave Mirbeau. « À la désespérance profonde d’Octave Mirbeau devant un paysage de montagnes, j’ai opposé la philosophie souriante de Jean de La Fontaine et la leçon de…

Par BUXTEHUDE DIETRICH. This setting of Luther’s hymn perfectly typifies the basic concept of a chorale cantata as Buxtehude probably envisaged it. The first two verses are set, line by line, in a four-part homophonic texture. The two violins add interludes to the chorale, and lead in a kind of ritornello to the next verse. In the third and last verse Buxtehude departs from this model as the violi…