Par BUXTEHUDE DIETRICH. This setting of Luther’s hymn perfectly typifies the basic concept of a chorale cantata as Buxtehude probably envisaged it. The first two verses are set, line by line, in a four-part homophonic texture. The two violins add interludes to the chorale, and lead in a kind of ritornello to the next verse. In the third and last verse Buxtehude departs from this model as the violi…

Par BUXTEHUDE DIETRICH. This setting of Luther’s hymn perfectly typifies the basic concept of a chorale cantata as Buxtehude probably envisaged it. The first two verses are set, line by line, in a four-part homophonic texture. The two violins add interludes to the chorale, and lead in a kind of ritornello to the next verse. In the third and last verse Buxtehude departs from this model as the violi…

Kantate Zum 3. Advent. Par BACH JOHANN SEBASTIAN. Original version with text by Salomo Franck, Weimar 1716 [lost]; later revison Leipzig 1723; reconstruction: Diethard Hellman/ Répertoire / Solistes SATB, Choeur SATB, (2 Hautbois), Basson,

Kantate Zum 2. Osterfesttag. Par BACH JOHANN SEBASTIAN. The composition of this parody was begun in 1718 and completed with the final version in 1731. The original work [the basis of the parody] was 'Der Himmel lacht auf Anhalts Ruhm und Glück', which was a cantata for the birthday of Count Leopold von Anhalt-Köthen [1718, BWV 66a], with a text by Christian Friedrich Hunold, alias Menantes./ Réper…

Kantate Zum 3. Advent. Par BACH JOHANN SEBASTIAN. Original version with text by Salomo Franck, Weimar 1716 [lost]; later revison Leipzig 1723; reconstruction: Diethard Hellman/ Répertoire / Solistes SATB, Choeur SATB, ou 2 HautboiSBasson, I

Kantate Zum 3. Advent. Par BACH JOHANN SEBASTIAN. Original version with text by Salomo Franck, Weimar 1716 (lost); later revison Leipzig 1723; reconstruction: Diethard Hellman/ Répertoire / Solistes SATB, Choeur SATB, ou 2 HautboiSBasson, I

Kantate Zum 2. Osterfesttag. Par BACH JOHANN SEBASTIAN. The composition of this parody was begun in 1718 and completed with the final version in 1731. The original work [the basis of the parody] was 'Der Himmel lacht auf Anhalts Ruhm und Glück', which was a cantata for the birthday of Count Leopold von Anhalt-Köthen [1718, BWV 66a], with a text by Christian Friedrich Hunold, alias Menantes./ Réper…

Kantate Zum 3. Advent. Par BACH JOHANN SEBASTIAN. Original version with text by Salomo Franck, Weimar 1716 [lost]; later revison Leipzig 1723; reconstruction: Diethard Hellman/ Répertoire / Solistes SATB, Choeur SATB, (2 Hautbois), Basson,

Kantate Zum 3. Advent. Par BACH JOHANN SEBASTIAN. Original version with text by Salomo Franck, Weimar 1716 [lost]; later revison Leipzig 1723; reconstruction: Diethard Hellman/ Répertoire / Solistes SATB, Choeur SATB, (2 Hautbois), Basson,

Kantate Zum 2. Osterfesttag. Par BACH JOHANN SEBASTIAN. The composition of this parody was begun in 1718 and completed with the final version in 1731. The original work (the basis of the parody) was 'Der Himmel lacht auf Anhalts Ruhm und Glück', which was a cantata for the birthday of Count Leopold von Anhalt-Köthen (1718, BWV 66a), with a text by Christian Friedrich Hunold, alias Menantes./ Réper…

By James McGranahan, Robert Lowry. Arranged by A. Laurence Lyon. Text: Eliza R. Snow, Mosiah 2:41, Annie S. Hawkes, Lloyd T. Hansen, S. Michael Free and William Clayton. For Vocal Solo Book. Level: Medium Difficullt. Published by Jackman Music Corporation.