A plus de 27 chansons de la nouvelle génération de roche qui sonnent juste grands ! Chaque chanson est complète avec des paroles, des boîtes de corde de guitare et des symboles de la corde et dans la même clé que les enregistrements originaux et, si possible, voicings corde authentiques sont utilisés. Certaines chansons sont très explicites et le livre porte un avertissement consultatif parental. …

The simplicity and innocence of young Cosette are wonderfully expressed in one of the most moving selections from Les Misérables. This musical treasure will be a sure-fire concert highlight. Arranged here for 2-Part Choir and Piano accompaniment by Linda Spevacek. / Niveau : Assez Facile / Rép International / Feuillet / Chant

Tonalité : C-Dur -. Par RICHTER FRANZ XAVER. It may assumed that this Mass dates from the earlier part of Richter's career. The scoring is relatively light, and in its overall dimensions the C major Mass belongs to the category of the missa brevis rather than that of the cantata mass such as Richter often composed. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Violons,

Tonalité : C-Dur -. Par RICHTER FRANZ XAVER. It may assumed that this Mass dates from the earlier part of Richter's career. The scoring is relatively light, and in its overall dimensions the C major Mass belongs to the category of the missa brevis rather than that of the cantata mass such as Richter often composed. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Violons,

Arrangeur: Klaus Hofmann. Par TELEMANN GEORG PHILIPP. This psalm setting was originally the opening and concluding movement in the Epiphany cantata from the annual cycle “Musicalisches Lob Gottes in der Gemeine des Herrn, ” published at Nuremberg in 1744, and it is also from the “Biblische Sprüche” [see p. 12]. As in the cantata, here the vocal bass part may also be omitted. The lively alternation…

Tonalité : C-Dur -. Par RICHTER FRANZ XAVER. It may assumed that this Mass dates from the earlier part of Richter's career. The scoring is relatively light, and in its overall dimensions the C major Mass belongs to the category of the missa brevis rather than that of the cantata mass such as Richter often composed. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Violons,

Arrangeur: Klaus Hofmann. Par TELEMANN GEORG PHILIPP. This psalm setting was originally the opening and concluding movement in the Epiphany cantata from the annual cycle “Musicalisches Lob Gottes in der Gemeine des Herrn, ” published at Nuremberg in 1744, and it is also from the “Biblische Sprüche” [see p. 12]. As in the cantata, here the vocal bass part may also be omitted. The lively alternation…

Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …

Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …