German folksongs in new and old arrangements for three-part choir (Soprano, Alto, Baritone). Par . This new collection contains 48 of the most popular German-language folksongs, arranged for three-part choir (Soprano, Alto, Baritone). Covering a wide variety of styles, it combines a selection of pieces from earlier Edition Peters anthologies with several new arrangements by leading exponents of Ge…

Dans 80 bars partout dans le monde - sans aucune hommes? ! Est-ce qui fonctionne ? Oui, c'est - et c'est superbe. Cette Choirbook Women´s fournit un riche fonds d'airs connus de différents pays et dans des styles différents, allant de swing, de soul et de groovy tune / 3 A 4 Parties Pour Choeur De Femmes (SSA/SSAA)

Par PICKER TOBIAS. Durée: 4',/ Feuillet / 4 Parties Choeur d'Enfants

/ 4 Solistes, Choeur Et Orchestre

/ 4 Parties Solo, Choeur Et Orchestre De Chambre

Anthem. Par PURCELL HENRY. The Anthem, in the post-Reformation church music of England was initially the term given to a choral work with an English biblical text. By the end of the 17th century it begins to take on Italian stylistic elements and becomes a cantata for solo voices, choir and orchestra. The anthem 'O sing unto the Lord' presented here, based on words of the 96th Psalm, is a particul…

Anthem. Par PURCELL HENRY. The Anthem, in the post-Reformation church music of England was initially the term given to a choral work with an English biblical text. By the end of the 17th century it begins to take on Italian stylistic elements and becomes a cantata for solo voices, choir and orchestra. The anthem 'O sing unto the Lord' presented here, based on words of the 96th Psalm, is a particul…

Anthem. Par PURCELL HENRY. The Anthem, in the post-Reformation church music of England was initially the term given to a choral work with an English biblical text. By the end of the 17th century it begins to take on Italian stylistic elements and becomes a cantata for solo voices, choir and orchestra. The anthem 'O sing unto the Lord' presented here, based on words of the 96th Psalm, is a particul…

Par SCHUTZ HEINRICH. Concerto for four-part select (solo) choir, two four-part ripieno choirs (ad lib), a three-part solo Violin ensemble, a three-part solo Trombone ensemble and Basso continuo (cello or organ) My soul doth magnify the Lord and my spirit hath rejoiced in God my Saviour. Schutz's impressive and musically colourful setting of the Magnifcat from 1665 shows the influence of Monteverdi…

/ 3 Parties Solo, Choeur Et Orchestre

Composed by John Rutter (1945-). Instrumental Accompaniment. Set of parts. 26 pages. Duration 4'. Oxford University Press #9780193417069. Published by Oxford University Press (OU.9780193417069).

Composed by Marty Haugen. For SATB choir, cantor, assembly. Sacred. Guitar part. Guitar chord names. 4 pages. Published by GIA Publications

Composed by Mark A. Miller. For SATB choir with piano. Sacred anthem. General. Octavo. Published by Chorister's Guild

Composed by Stuart Hine. Arranged by Mary Mcdonald. For Vocal Duet (High and Low Voice - Key of A-flat). Vocal Solo Sheet Music. Worshiping, Hymntune. Published by Hope Publishing Company

Composed by William Mac Davis. For brass choir. A sprawling fanfare inspired by the mountains of Colorado. Concert fanfare. Grade 5 (advanced). Full score and set of parts. Duration 4:05. Published by Lovebird Music

Arranged by Janet Linker and Jane McFadden. For 3-5 octave handbell choir. Handbell Choir Music. Sacred. Level 4. Handbell part. Published by Beckenhorst Press

(Marschlied Berlin, Hor' ich den Namen bloss ). Composed by Paul Lincke (1866-1946). Edited by Quirin Rische. For men's choir (TTBB) and piano. This edition: Piano part. Choral Music. Level 3. Score. Text Language: German. 4 pages. Published by Apollo Verlag

Composed by Andrae Crouch. Arranged by Jack Schrader. For 2-part mixed choir. Choral octavo. Published by Hope Publishing Company

By Joseph Haydn Johann Michael Haydn. Edited by Hans Ryschawy. For Soli SATB, SATB Choir, 2 Clarinos/Trumpets, Timpani, 2 Violins, Basso continuo. Stuttgart Urtext Edition. German title: Te Deum in C. Part: cello/double bass. Language: Latin. 4 pages. Dur

By Joseph Haydn Johann Michael Haydn. Edited by Hans Ryschawy. For Soli SATB, SATB Choir, 2 Clarinos/Trumpets, Timpani, 2 Violins, Basso continuo. Stuttgart Urtext Edition. German title: Te Deum in C. Part: violin 2. Language: Latin. 4 pages. Duration 7 m

By Ricky Lombardo. Arranged by Ricky Lombardo. For flute quartet. Sacred. Grade 1 . Duration 2:20. Published by Alry Publications

By Becki Slagle Mayo. For unison/2-part choir and piano (with optional 3-4 octave handbells). Sacred Anthem, Palm/Palm-Passion Sunday. Octavo. Published by Chorister's Guild

By Joseph Haydn Johann Michael Haydn. Edited by Hans Ryschawy. For Soli SATB, SATB Choir, 2 Clarinos/Trumpets, Timpani, 2 Violins, Basso continuo. Stuttgart Urtext Edition. German title: Te Deum in C. Part: violin 1. Language: Latin. 4 pages. Duration 7 m

By Glenn L. Rudolph. For SATB choir, organ and optional strings. Mixed Voices. Sacred, Choral Leaflet. Vocal score. 12 pages. Duration 4'. Published by Oxford University Press . Vocal Score. Sacred, Choral Leaflet.

By Robert Louis Stevenson, music and additional words by Mary Donnelly and George L. O. Strid. Choir Secular. 2-Part Choir; Women's Choir. Choral Octavo. Choral Designs. 12 pages. Published by Alfred Music Publishing

By Andy Beck. Choir Secular. 2-Part Choir. Choral Octavo. Choral Designs. 12 pages. Published by Alfred Music Publishing

Arranged by Lloyd Larson. For SATB choir. Blues-Gospel-Spirituals, Jazz/SwingStyle, General, Sacred. Octavo. 12 pages. Published by Hope Publishing Company