Confitebor. Par VIVALDI ANTONIO. This composition offers an extensive palette of the baroque master's musical ideas and modes of expression. The piece owes ist attractiveness principally to ist characteristically Vivaldian transparency and formal perfection, and to the way in which the voices are allowed to blossom within clearly fashioned structures, while all the tonal possibilities of the small…

Arch Gwyn (Arranger). Par ARCH GWYN. Get on Board! offers a wonderful selection of gospel favourites on the theme 'travelling to freedom', in dynamic yet straightforward arrangements. The Faber Young Voices series is devised specifically to address the needs of young or newly-formed choirs looking for easy, yet rewarding new repertoire. For SA(B) (optional Baritone/Alto line) Choir and Piano, as a…

Confitebor. Par VIVALDI ANTONIO. This composition offers an extensive palette of the baroque master's musical ideas and modes of expression. The piece owes ist attractiveness principally to ist characteristically Vivaldian transparency and formal perfection, and to the way in which the voices are allowed to blossom within clearly fashioned structures, while all the tonal possibilities of the small…

Welcomed repetition and smart voice leading pave the way to success for developing 3-part choirs. The guys sing in their easiest range- the sopranos, a mostly step-wise melody- and the altos, intuitive harmonies. Add the optional sleighbells and it's ready to go for Christmas. / 3 Parties Mixtes

Par L'ESTRANGE ALEXANDER (Arr.). Oh Shenandoah dates back to the early nineteenth century, with possible origins in Virginia. Sometimes referred to as a ‘shanty’ song because of its refrain (‘away, you rolling river,’ etc.), its lyrics exist in many versions and can be seen as a paean either to the river itself, or perhaps to the (mythical?) daughter of an Indian chief of that name. Regardless of …

Par L'ESTRANGE ALEXANDER (Arr.). The poignant words of The Last Rose Of Summer, by Thomas Moore, match this Irish song’s mournful, drooping melody. After a temporarily uplifting modulation for the third verse, where the men of the choir echo the melody two measures behind, the arrangement ends as it began – in a solitary mood, with an empty, bare fifth. This piece is part of the Faber Choral Sing…

Par SAINT-SAENS CAMILLE. Psalm 137 'Super flumina Babylonis' also known as 'By the rivers of Babylon' was an inspiration for many composers including Camille Saint-Saëns. He repeatedly occupied himself with his psalm motet for solo soprano, mixed choir, saxophone quartet, string orchestra and organ, originally composed in 1854. Two of the four versions – the first version in Latin and a much later…

Par KANDER JOHN / BEALE CHARLES (Arr.). This is a vibrant and accessible arrangement of All I care about, from the Broadway hit Chicago! With opportunities for whistling, staging and lyrics full of double meanings, this will add a bit of spice to your concert programme. This piece is part of the Faber Choral Singles series, offering a selection of beautifully crafted arrangements in a diversity o…

Par KANDER JOHN / BEALE CHARLES (Arr.). John Kander and Fred Ebb created a number of 20th-century show classics, including Cabaret and Kiss of the Spider woman, but Chicago is perhaps their greatest and best-loved show of them all. On the surface And All That Jazz is a celebration of bohemian excess of every conceivable kind. Sing the fantastic, showstopping melody with great energy, have a ball a…

Beginning intermediate LevelJazz Phrasing for Saxophone features ten melodic pieces which are easy to play, yet convey the essence of mainstream (Swing/Bebop/Bossa) jazz vocabulary. The pieces are catchy and melodic, demonstrating the use of sequence and voice-leading to make a musical statement.The book includes two play-along CDs (one for alto and one for tenor) featuring a world-class rhythm se…