Arrangeur: Alexander L'Estrange. Par L'ESTRANGE ALEXANDER. More Songs of a Rainbow Nation brings you four more songs from South Africa for upper voices, in beautifully crafted arrangements by Alexander L'Estrange. The selection opens with Freedom is Coming, a joyful, infectious celebration of hope and freedom from oppression, and the hugely popular Siyahamba is also featured. Both songs form part …

Par HOSOKAWA TOSHIO. In my sixth work for a string quartet, there is a very simple melody concealed in the background. That melody (distant voices) is played within an extremely slow tempo, and the notes which form the melody gain different textures by becoming disassembled, and played by different techniques. In our daily lives, our inner voices become concealed by our daily customs. The act of c…

Take your singing to the next level with the exciting additions to the student repertoire featured in this book and 2 x CD set.Continuing from The First Book of Solos and The First Book of Solos - Part II, The Second Book of Mezzo-Soprano/Alto Solos contains over 30 songs that require a little more vocal range and musical sophistication but are still decidedly student material. / Mezzo-Soprano

Par L'ESTRANGE ALEXANDER. Alexander L'Estrange's New College Service (Magnificat and Nunc dimittis) is a tribute to Dr Edward Higginbottom, Director of Music and organist of the choir of New College, Oxford between 1976-2014. Featured on the Signum Classics recording On Eagles' Wings, performed by Tenebrae. Arranged for treble / soprano and alto voices and organ. Part of Faber Music's Choral Signa…

for 2 Violins, Viola and Violoncello. Par SCHUMANN ROBERT. 'The next I'll do is 3 violin quartets' wrote Schumann to Clara Wieck in 1838, stating his reasons in a letter dated 17 March 1838: 'The thought of the quartets gives me pleasure. The piano is getting too narrow for me. In composing now I often hear a lot of things that I can barely suggest. For instance, it is remarkable how I invent almo…

Step into the spotlight along with the superb backing tracks on the specially recorded CD. On the CD: Hear the full performance versions of the songs from the songs from tracks 1-10 on disc 1. The instrumental part is then omitted from tracks 2-11 of disc 2 to enable you to play along woth the recorded accompaniment. In the book: Top line arrangements of all the songs plus instrumental fingering g…

Lullay, my liking is scored for accompanied two-part choir, allowing for various upper-/lower-voice combinations: two-part trebles or sopranos, upper voices only (S/A), or men only (T/B). If performed by a four-part choir, sopranos and tenors should read the upper line, and altos and basses read the lower. The keyboard part can be played on piano or organ, or harp. An inspiring selection of new wo…

Tragedie Opera (Drama heroique) in 3 Akten. Pariser Fassung 1774 (franzosisch/deutsch). Klavierauszug nach dem Urtext der Gluck-Gesamtausgabe. By Christoph Willibald von Gluck. Edited by Finscher, Ludwig;Sommer, Jurgen. For 2 Soprano solo, Tenor solo, Mixed Choir-Ball, 2 Flute, 2…

Dramma per musica in tre atti. Klavierauszug nach dem Urtext der Hallischen H0ndel-Ausgabe (italienisch/deutsch). By George Frideric Handel. Edited by Siegfried Flesch. Arranged by Kroupova, Olga;T!Pel, Michael. For soprano solo (3), mezzo-soprano solo, alto solo, tenor solo, bas…

Composed by Johannes Brahms (1833-1897). Opus 91. For alto voice, viola (or cello) and piano. Format: set of performance parts (cello part included). Romantic Period. Text language German and English. 32 pages. 9x12 inches. Published by C.F. Peters.

(Messe fur Solostimmen, Chor und Orchester). By Johann Sebastian Bach (1685-1750). Edited by Friedrich Smend. Arranged by Gottfried Muller. For 2 soprano voice solos/alto voice solo/tenor voice solo/bass voice solo/SSAATTBB choir/orchestra/basso continuo

By Antonio Vivaldi (1678-1741). Edited by Malcolm Bruno; Caroline Ritchie. For 2 soprano voice solos / alto voice solo / SATB choir / trumpet / oboe /2 violins / viola / basso continuo (cello /contrabass/ organ). This edition: Urtext edition. Score. Language: Latin, Text language…

(for Soprano, Alto, Strings and Basso Continuo). By Giovanni Battista Pergolesi (1710-1736). Edited by Malcolm Bruno; Caroline Ritchie. Arranged by Malcolm Bruno. For soprano voice, alto voice, violin (2), viola, basso continuo (cello, double bass, organ). Reduction.

Compiled by Joan Frey Boytim. 2 accompaniment CDs for mezzo soprano voice solo and alto voice solo. CDs Only- no sheet music. Published by G. Schirmer, Inc.

By George Frideric Handel (1685-1759). Edited by Hans Joachim Marx. For soprano voice solo, alto voice solo, tenor voice solo, bass voice solo, SSATB choir , violin (2), viola (2), cello, basso continuo (cello, double bass, organ) (2 Solo Sopranos/Solo Al

(Celebrated Arias Selected From Operas By Old And Modern Composers In Five Volumes) Compiled by Kurt Adler. For voice (Mezzo-Soprano, Alto) and piano. Format: piano/vocal songbook (two copies needed for performance). With vocal melody, lyrics and piano reduction. Vocal standards.…

By Antonio Vivaldi (1678-1741). Edited by Malcolm Bruno; Caroline Ritchie. Arranged by Malcolm Bruno. For 2 soprano voice solos / alto voice solo / SATB choir / trumpet / oboe /2 violins / viola / basso continuo (cello /contrabass/ organ). This edition: Urtext edition. Piano redu…

Set of Parts. By Samuel Barber. Vocal. Size 8.5x11 inches. Published by G. Schirmer, Inc.

By George Frideric Handel (1685-1759). Edited by Hans Joachim Marx. Arranged by Andreas Kohs. For soprano voice solo, alto voice solo, tenor voice solo, bass voice solo, SSATB choir , violin (2), viola (2), cello, basso continuo (cello, double bass, organ) (2 Solo Sopranos/Solo A…