for 2 Violins, Viola and Violoncello. Par SCHUMANN ROBERT. 'The next I'll do is 3 violin quartets' wrote Schumann to Clara Wieck in 1838, stating his reasons in a letter dated 17 March 1838: 'The thought of the quartets gives me pleasure. The piano is getting too narrow for me. In composing now I often hear a lot of things that I can barely suggest. For instance, it is remarkable how I invent almo…

Step into the spotlight along with the superb backing tracks on the specially recorded CD. On the CD: Hear the full performance versions of the songs from the songs from tracks 1-10 on disc 1. The instrumental part is then omitted from tracks 2-11 of disc 2 to enable you to play along woth the recorded accompaniment. In the book: Top line arrangements of all the songs plus instrumental fingering g…

Lullay, my liking is scored for accompanied two-part choir, allowing for various upper-/lower-voice combinations: two-part trebles or sopranos, upper voices only (S/A), or men only (T/B). If performed by a four-part choir, sopranos and tenors should read the upper line, and altos and basses read the lower. The keyboard part can be played on piano or organ, or harp. An inspiring selection of new wo…

Weihnachtskantate. Par SCHMELZER JOHANN HEINRICH. With this pastoral Christmas cantata by the long-serving Royal Hofkapellmeister of Vienna, Johann Heinrich Schmelzer, we wish to draw attention to a prominent baroque composer whose vocal and instrumental works have yet to achieve their historical place in the “early music scene“ which they richly deserve. Schmelzer’s easily performable pastoral mu…

Par KING ROBERT. Oxford Choral Classics: Musique Eglise d'Angleterre se réunit en deux volumes d'environ 100 des plus beaux exemples de l'anglais musique chorale sacrée. Le second volume présente une richesse de matériel de service adapté à une utilisation tout au long de l'année. Les cantiques du soir sont donnés l'espace en raison, avec dix-sept paramètres, y compris ceux de Byrd, Gibbons, Purce…

Aus: Matthäuspassion 'Laßt Uns Mit Ernst Betrachten'. Par TELEMANN GEORG PHILIPP. This aria is equally suitable for use in a service or as Passion music. The voice and recorder alternate with the tutti strings. The voice part has the unusually limited range e1–e2, but it demands some vocal agility. / Date parution : 1980-12-01/ Répertoire / Solo Ms, Flûte à Bec F1, 2 Violons, Alto et Basse

Aus: Matthäuspassion 'Laßt Uns Mit Ernst Betrachten'. Par TELEMANN GEORG PHILIPP. This aria is equally suitable for use in a service or as Passion music. The voice and recorder alternate with the tutti strings. The voice part has the unusually limited range e1–e2, but it demands some vocal agility. / Date parution : 1980-12-01/ Répertoire / Solo Ms, Flûte à Bec F1, 2 Violons, Alto et Basse

Aus: Matthäuspassion 'Laßt Uns Mit Ernst Betrachten'. Par TELEMANN GEORG PHILIPP. This aria is equally suitable for use in a service or as Passion music. The voice and recorder alternate with the tutti strings. The voice part has the unusually limited range e1–e2, but it demands some vocal agility. / Date parution : 1980-12-01/ Répertoire / Solo Ms, Flûte à Bec F1, 2 Violons, Alto et Basse