Confitebor. Par VIVALDI ANTONIO. This composition offers an extensive palette of the baroque master's musical ideas and modes of expression. The piece owes ist attractiveness principally to ist characteristically Vivaldian transparency and formal perfection, and to the way in which the voices are allowed to blossom within clearly fashioned structures, while all the tonal possibilities of the small…

Confitebor. Par VIVALDI ANTONIO. This composition offers an extensive palette of the baroque master's musical ideas and modes of expression. The piece owes ist attractiveness principally to ist characteristically Vivaldian transparency and formal perfection, and to the way in which the voices are allowed to blossom within clearly fashioned structures, while all the tonal possibilities of the small…

Confitebor. Par VIVALDI ANTONIO. This composition offers an extensive palette of the baroque master's musical ideas and modes of expression. The piece owes ist attractiveness principally to ist characteristically Vivaldian transparency and formal perfection, and to the way in which the voices are allowed to blossom within clearly fashioned structures, while all the tonal possibilities of the small…

Confitebor. Par VIVALDI ANTONIO. This composition offers an extensive palette of the baroque master's musical ideas and modes of expression. The piece owes ist attractiveness principally to ist characteristically Vivaldian transparency and formal perfection, and to the way in which the voices are allowed to blossom within clearly fashioned structures, while all the tonal possibilities of the small…

The Library Of Baroque Music is an enormously expansive collection of the greatest works produced during that prolific period that flourished between the Renaissance and Classical eras. All arranged for solo Piano, this volume features works drawn from all the major Baroque composers, including some of the greatest pieces of music ever composed. The progression and development of music during the …

Transcription et ornementation: Alain Bouhey - Réalisation: Laurence Boulay. Contenu : Compositeur/Auteur : VIVALDI Antonio Discipline/Instrument : saxophone (Sib ou clarinette) et piano Support : Partition Style/Genre : classique Date de parution : nov.-96 Nombre de pages : 14+7+4+4

Composer : Vivaldi, AntonioInstrumentation : Vl,GitEditor : Buttmann, Rudolf

Composer : Vivaldi, AntonioEdition : Set of partsEditor : Block, Robert P. / Lasocki, Da

Ed. critica di M. Talbot - Riduzione per canto e pianoforte di A. Frigé. Par VIVALDI ANTONIO. The present volume contains all three settings by Vivaldi of the Marian antiphon Salve Regina that have come down to us. All three are for solo voice: soprano in the case of RV 617, and contralto in that of RV 616 and RV 618. The last two settings are scored for two instrumental cori and introduce woodwin…

Transcription For Pianoforte / Italian - English Edition. Par VIVALDI ANTONIO. Ever since their first publication in 1725, LE QUATTRO STAGIONI (The Four Seasons) have collectively been known as one of the most significant compositions by Vivaldi. Today they are without doubt the most frequently programmed of Vivaldi´s works, provided here in transcription for piano solo based on the critical editi…

for Violin and Piano Reduction. By Antonio Vivaldi. Arranged by Rok Klopcic. String. Published by G. Schirmer, Inc.

By Antonio Vivaldi. Viola and piano. Published by International Music Co.

Piano reduction by Ghendini G.f, composed by Antonio Vivaldi (1678-1741), edited by Janos Starker. For 2 cellos and piano accompaniment. 21 pages. Published by International Music Co.

Composed by Antonio Vivaldi (1678-1741), edited by Nikolai Graudan. For cello and piano. Schirmer's Library, volume 1794. Format: set of performance parts (includes separate pull-out cello part). With solo part, piano accompaniment and performance notes. Baroque. 73 pages. 9x12 i…

Composed by Antonio Vivaldi (1678-1741). Arranged by Ted Barclay. Set of parts. Duration 5'15. Published by Editions Marc Reift (MA.EMR-28755).

Composed by Antonio Vivaldi (1678-1741). Arranged by Ted Barclay. Set of parts. Duration 5'15. Published by Editions Marc Reift (MA.EMR-28728).

(Strings Rv580 (op. 3, No. 10) Parts). Composed by Antonio Vivaldi (1678-1741). Parts. String Orchestra. Softcover. Ricordi #NR140881. Published by Ricordi

By Antonio Vivaldi (1678-1741). Edited by Malcolm Bruno; Caroline Ritchie. For 2 soprano voice solos / alto voice solo / SATB choir / trumpet / oboe /2 violins / viola / basso continuo (cello /contrabass/ organ). This edition: Urtext edition. Score. Language: Latin, Text language…

(Parts). By Antonio Vivaldi (1678-1741). Edited by Gian Francesco Malipiero. String Orchestra. Ricordi #R134621. Published by Ricordi

By Antonio Vivaldi. For Piccolo, Piano. Classical. Solo part with piano reduction. Composed 2004. 45 pages. Published by Theodore Presser Company.

By Antonio Vivaldi. Arranged by Hartai Nagy. EMB. Size 8x11 inches. 23 pages. Published by Editio Musica Budapest.

Music Minus One Violin. Composed by Antonio Vivaldi (1678-1741). Music Minus One. Baroque and Play Along. Softcover Audio Online. Op. 8, Nos. 1-4; RV 252. 44 pages. Music Minus One #MMO3127. Published by Music Minus One

By Antonio Vivaldi. Arranged by Richard Meyer. By Antonio Vivaldi / arr. Richard Meyer. For String Orchestra. String Orchestra. Highland String Orchestra. Level: 2.5 (grade 2.5). Conductor Score and Parts. Published by Alfred Publishing.

Set of performance parts. By Antonio Vivaldi. (Flute). Woodwind. 20 pages. Published by Ricordi.

(transcribed for flute and piano by James Galway Flute and Piano Reduction). By James Galway. By Antonio Vivaldi (1678-1741). Arranged by James Galway. Score and Parts. Woodwind Solo. Softcover. 88 pages. Published by G. Schirmer

Composed by Antonio Vivaldi (1678-1741). For violin solo, violin I, violin II, viola and basso continuo. Urtext. Format: study score. With introductory text. Baroque. 95 pages. 6.5x9 inches. Duration 46m. Published by Baerenreiter-Taschenpartituren (German Import).

From Vivaldi's "Gloria" - for Unison or Two-Part Treble Voices with Keyboard Accompaniment and Optional Two Flutes. By Antonio Vivaldi. Edited by Patrick M. Liebergen. Arranged by Patrick M. Liebergen. Text: Anonymous. Treble choir. For Unison Chorus, Two-Part Treble Voices, Keyb…