Gilpin Why We Sing (Sab)

Written by Phil Everly of The Everly Brothers this popular song was a huge hit when the incomparable Linda Ronstadt covered it in 1975. This arrangement is straight-ahead fun with the energy and drive of the original recording. Well-written harmony will appeal to all mixed choirs as well as men's and women's ensembles as a pop choral for concert or show! Written by Phil Everly of The Everly Bro…

This is a strong and spirited selection for your small younger-voiced or middle school choir as an opener or theme song for your musical performance. “We have a common purpose we have a common theme. Let's celebrate withmusic all our hopes and all our dreams.” Lyrics are uplifting and challenge the singer and listener to make a difference in our world. Use the StudioTrax CD add some…

Ruthie Schram raises the bar with her arrangement of the traditional spiritual Little Lamb Little Lamb Little Innocent Lamb. The choir will enjoy singing and the congregation will enjoy hearing this one.

Sleigh Ride

Together We Sing Series-In this celebratory choral each part sings its own melody which later combine in partner-style form. It's an excellent choice for smaller choirs and younger singers learning to harmonize as well as to sing independently and in unison. The lyric uses English and easy Latin phrases to make learning quick while giving the opportunity for musical development.

This sparkling creation by James Eliot using the Latin Gloria in Excelsis Deo text is a wonderful dialogue between the choir and piano accompaniment. It works as a winter/holiday selection as well as a general title for afestival or contest. Contrasting sections add charm and learning opportunities abound throughout. Fresh and appealing! Available separately: SATB 3-part mixed.

The Piñata Dance

An all-star writing team created this beautiful gospel-style song based on a secular text spun from the river-is-life metaphor. River in Judea is suitable for virtually any performance. Perfect for graduation. Availableseparately: SATB SSA TTBB SAB 2-part StudioTrax CD Full Orchestration Instrumental Parts.

Nancy Grundahl has once again arranged a wonderful classic for two-part treble voices. “O God of Love” from Gluck's Orfeo is simply lovely with a pastoral flute obligato and much of the vocal harmony moving inear-pleasing thirds and sixths. Use as a sung prayer or general anthem and enjoy the purity and clarity of the treble voice.