Facsimile of the autograph score in the British Library, London. Par HAENDEL GEORG FRIEDRICH. The first performance of George Frideric Handel’s oratorio “Messiah” on 13 April 1742 in Dublin aroused unqualified rapture. A newspaper report a few days later declared that it combined “the Sublime, the Grand, and the Tender”. Its success has remained undiminished ever since, and the “Messiah” has taken…

Facsimile of the autograph manuscript in the Staatsbibliothek zu Berlin - Preussischer KulturbesitzWith a Commentary by Christoph Wolff and Martina Rebmann Documenta musicologica II/5090 pages of facsimile and 28 pages of Commentary (Eng/Ger). The preludes and fugues of The Well-Tempered Clavier embrace an entire cosmos of compositional devices and musical characters. Here Bach not only presented …

Schumann's song cycle 'Frauenliebe und Leben?, on poems by Adelbert von Chamisso, deals with the trauma of a woman who loses the man who was her first love and the guiding light of her life. Schumann himself completed what is perhaps his most unified song cycle in blissful anticipation of his union with Clara Wieck.This new edition presents the work on the basis of the first print, using Schumann'…

Par SCHUMANN ROBERT. Robert Schumann once described his lieder as a ”mirror image of his self”. This applies particularly to his compositions from Heinrich Heine's 'Buch der Lieder”. What began as a lyrical intermezzo, then developed into 'Dichterliebe”, a work with which Schumann identified the ardour of his love for Clara Wieck. This work still presents an enigma to performers- how Schumann in…

Edité par Baroque savant Judith Schneider, avec doigté experts suggérés par Stuttgart Professeur Maria Sofianska, cette édition du second volume de chef-d'oeuvre essentielle de Bach contient 30 pages de recherches approfondies et un aperçu de la musique baroque. Soigneusement rapport avec les sources de manuscrit autographe le plus important et, cette édition complète comprend une analyse approfon…

Facsimile of Mozarts autograph score. Par MOZART WOLFGANG AMADEUS. Hrsg Dietrich Berke, Ulrich Konrad, David Packard, Wolfgang Rehm Und Christoph Wolff (Keine Auslieferung Nach U.S.A Und Kanada)/ Répertoire / Divers

Facsimile of Mozarts autograph score. Par MOZART WOLFGANG AMADEUS. Hrsg Dietrich Berke, Ulrich Konrad, David Packard, Wolfgang Rehm Und Christoph Wolff (Keine Auslieferung Nach U.S.A Und Kanada)/ Répertoire / Divers

Facsimile of Mozarts autograph score. Par MOZART WOLFGANG AMADEUS. Hrsg Dietrich Berke, Ulrich Konrad, David Packard, Wolfgang Rehm Und Christoph Wolff (Keine Auslieferung Nach U.S.A Und Kanada)/ Répertoire / Divers

Facsimile of Mozarts autograph score. Par MOZART WOLFGANG AMADEUS. Hrsg Dietrich Berke, Ulrich Konrad, David Packard, Wolfgang Rehm Und Christoph Wolff (Keine Auslieferung Nach U.S.A Und Kanada)/ Répertoire / Divers

Wv 445/6. Par WAGENSEIL GEORG CHRISTOPH. Die Quartette nehmen im kammermusikalischen Schaffen Wagenseils eine Sonderstellung ein. Die dritte Sonate ist im Autograph enthalten§ sie trägt den Titel “Suite de(s) pieces” und ist mit 1764 datiert. / Niveau : 4/3/3/2 / Répertoire / Musique de Chambre

By Gioachino Rossini. Edited by Philip Gossett. For Violoncello, Contrabass. This edition: Urtext Edition; Stapled. Score; Set of Parts. Published by Baerenreiter Verlag (German import).

(Study Score). By Franz Joseph Haydn (1732-1809). Edited by Georg Feder. Henle Music Folios. Book only. 100 pages

Pieces de Fantaisie en quatre suites, Livre III (1927) op. 54. By Louis Vierne. Edited by Helga Schauerte-Maubouet. For Organ. This edition: Urtext Edition. Samtliche Orgelwerke, Band VII.3. Score. 76 pages. Published by Baerenreiter Verlag (German import).

By Valerie Lippoldt Mack. Resource book. Text language: English. 68 pages

Composed by Ottorino Respighi (1879-1936). Edited by Christine Haustein. This edition: urtext. 1x 10.084/21 flute, 1x 10.084/22 piccolo, 1x 10.084/23 oboe, 1x 10.084/24 English horn, 1x 10.084/25 bassoon 1, 1x 10.084/26 bassoon 2, 1x 10.084/41 percussion. Stuttgart Urtext Edition…

Parts. Composed by Claude Debussy (1862-1918). Edited by Edmond Lema�®tre. Editions Durand. Editions Durand #DD1625801. Published by Editions Durand (HL.50565819).

(for Horn in F and Piano). Composed by Alexander Glazunov (1865-1936). Edited by Dominik Rahmer. For French Horn, Piano Accompaniment. Henle Music Folios. Softcover. G. Henle #HN1285. Published by G. Henle

Composed by George Frideric Handel (1685-1759). For Solo Instrument, Basso Continuo, Soprano. Henle Music Folios. Softcover. G. Henle #HN968. Published by G. Henle

(Violoncello and Piano With Marked and Unmarked String Parts). Composed by Edward Elgar (1857-1934). Edited by Claus Kanngiesser, Rolf Koenen, and Rupert Marshall-Luck. For Cello, Piano Accompaniment. Henle Music Folios. Softcover. 8 pages. G. Henle #HN1189. Published by G. Henle…

(Piano Hardcover, facsimile edition). By Claude Debussy (1862-1918). Henle Facsimile. Hardcover. G. Henle #HN3224. Published by G. Henle

By Frederic Chopin (1810-1849). Edited by Christian Ubber. For Piano. Opus22. Published by Wiener Urtext/Vienna Urtext

(Passionskantate). By Wolfgang Amadeus Mozart (1756-1791). Edited by Bernhard Janz. Arranged by Mathias Siedel. For Soli SB, SATB Choir, 2 Oboes, 2 Horns, 2 Violins, 2 Violas, Basso continuo. This edition: paperbound. KV 42 (35a). Full score available separately - see item CA.510…

("Das Lebewohl"). By Ludwig van Beethoven (1770-1827). Edited by Stewart Gordon. For Piano. Book; Masterworks; Piano Solo. Alfred Masterwork Edition. Form: Sonata. Classical; Masterwork; Recital; Romantic. Early Advanced. 28 pages. Published by Alfred Music Publishing

(Sonata quasi una Fantasia) Composed by Ludwig van Beethoven (1770-1827), edited by Willard A. Palmer. For piano solo. Format: piano solo single. With standard notation, fingerings and introductory text. Classical period and romantic period. 23 pages. 9x12 inches. Published by Al…

Fantasy Pieces, Op. 43 (Clarinet and Piano). By Niels Wilhelm Gade. Edited by Rudolf Mauz. Woodwind. Softcover. 35 pages. Schott Music #KLB63. Published by Schott Music

With a Critical Commentary. By Frederic Chopin. Edited by E. Zimmermann. Piano (Harpsichord), 2-hands. Pages: 144. Urtext edition-cloth bound. Published by G. Henle.