Farewell to St. Petersburg. Par BRYARS GAVIN. This concerto has the unusual addition of an optional male voice choir. Many Russian elements influenced Bryars when he was writing the piece, not least the text for the bass voices which is taken from Glinka’s song cycle Farewell to St Petersburg. Bryars writes ‘The orchestration is quite light throughout, so that the singing quality of the double bas…

for bass and piano. Par GERVASONI STEFANO. Langue: Deutsch / Niveau : Intermédiaire / Répertoire / Basse et Piano

Par . Edited by Ilaria Narici, Ricordi's Ausgewählte italienische Lieder (Essential Italian Art Songs) present songs from the 19th and 20th centuries. Available for high and low voice, Ausgewählte italienische Lieder is perfect for students, teachers and art song overs as the collection comes with biographical information, text translation in Italian, German and English, and recorded diction lesso…

Par SCHUMANN CLARA. Clara Schumann (née Wieck) was undoubtedly the most important female pianist of the 19th century. As a young child she toured Europe as a prodigy: her entire career as a celebrated piano virtuoso spanned more than 60 years. Equally important, but less well known, is the composer Clara Schumann, who published her Opus 1 at the age of eleven. Despite the domestic duties expected …

Diamonds Are Forever is the theme song of the seventh film in the James Bond series. The sensual lyrics of the song are voiced by Shirley Bassey, written by Don Black and set to music by John Barry. This SAB arrangement by Thomas Lydon captures the longing of the song with its luxurious harmonies and mimicry of the James Bond signature brass stabs in the piano accompaniment. / Choeur Mixte (SAB) E…

/ Voix Basses

for countertenor (or alto, or bass baritone) and piano. Par GERVASONI STEFANO. German / Niveau : Intermédiaire / Répertoire / Tenor et Piano

30 of the best Grades 1-3 Songs selected by the major Examination Boards. Par PEGLER HEIDI. The Best Of Singing Grades 1-3 (Low Voice) celebrates the wealth of exciting repertoire featured on the current ABRSM and Trinity College London singing syllabuses. As well as carefully selected range of classical, contemporary and folk songs, these books bring together some of the greatest jazz standards a…

Composed by Franz Schubert (1797-1828). Edited by Thomas A. Denny; Christine Martin. Arranged by Hans Schellevis. For 2 soprano voice solos/mezzo-soprano voice solo/3 tenor voice solos/baritone voice solo/2 bass voice solos/4 narrators/mixed choir (SSAATTBB)/piano. This edition: …

(for percussion ensemble). Composed by Rick Dior. For Percussion Ensemble (9-13 players). Percussion Ensembles. Medium-Advanced. Folio and Parts on CD-ROM. 18 pages. Duration 4 minutes, 15 seconds. Published by Tapspace Publications

(Opera in two acts). Composed by Gioachino Rossini (1792-1868). Edited by Damien Colas. For soprano voice solo/5 mezzo-soprano voice solos/4 tenor voice solos/4 baritone voice solos/mixed choir/female choir/men's choir/orchestra (flute/2 flutes/2 oboe/2 clarinet/2 bassoon/4 horn/…

(March). Composed by Getty Herschel Huffine (1889-1947). Arranged by Van B. Ragsdale. For concert band. Symphonic Band. Score and parts. 16 29 pages. Duration 2 minutes, 3 seconds. Published by Carl Fischer

Composed by Daniel Pinkham (1923-2006). For low voice and piano. General, 20th Century. Scripture: Ecclesiastes 1, 2, 2, 22-3, 8, 15. Published by E.C. Schirmer Publishing

Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Heribert Breuer. For female choir (SMezAA) (soprano voice solo/mezzo-soprano voice solo/2 solo alto voices/SMezAA choir/2 clarin trumpets/timpani/2 violins/basso continuo (violone/bassoon/organ)). Stapled. Frauenchor. L…

(Wie der Hirsch schreit). Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by John Michael Cooper. For solo voices, choir, orchestra (soprano voice solo/2 tenor voice solos/2 bass voice solos/SATB choir/2 flutes/2 oboes/2 clarinets/2 bassoons/4 horns/2 trumpets/3 tromb…

Arranged by Ryan Murphy. For SATB choir and piano/orchestra (piccolo, flute, oboe, english horn, clarinet, 2 bassoons, 2 horns, 2 trumpets, 2 trombones, tuba, 2 percussion [triangle, tambourine, suspended cymbal, snare drum, glockenspiel], harp(opt), strings). Mixed Voices. Chris…

Composed by John Bacchus Dykes. Arranged by Ruth Elaine Schram. For soprano voice, alto voice, tenor voice, bass voice, keyboard, optional flute and glockenspiel. Octavo. 12 pages. Duration 3 minutes, 5 seconds. Published by Carl Fischer

Composed by David Meece. Arranged by Lloyd Larson. For medium voice. Voice solo. Published by Hope Publishing Company

Composed by Nicolaus Bruhns (1665-1697). Edited by Fritz Stein. For 2 tenor voices (soprano voices), 2 violins and basso continuo. Vocal music. 2 scores and 3 parts. Language: German. Published by Noten Roehr

Composed by Nicolaus Bruhns (1665-1697). Edited by Fritz Stein. For bass voice solo, 2 violins and basso continuo. Vocal music. 2 scores and 3 parts. Language: Latin. Published by Noten Roehr

(A Comprehensive Guide to Exploring New Techniques and Styles from Heavy Metal to Jazz). Composed by Raleigh Green. For Guitar. Book; CD; Guitar Method or Supplement; Method/Instruction. Style Resource Series. Funk; Jazz; Metal; Rock. 96 pages. Published by Alfred Music

(Symphonie-Kantate). Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Douglass Seaton. For SST vocal soli, SSAATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ. Stuttgart Urte…

(Percussion Trio Feature). Composed by Gregory Danner. For Soloist(s) with Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Bassoon, Eb Alto Saxophone 1, Eb Alto Saxophone 2, Bb Tenor Saxophone, Eb Baritone Saxophone,…