Farewell to St. Petersburg. Par BRYARS GAVIN. This concerto has the unusual addition of an optional male voice choir. Many Russian elements influenced Bryars when he was writing the piece, not least the text for the bass voices which is taken from Glinka’s song cycle Farewell to St Petersburg. Bryars writes ‘The orchestration is quite light throughout, so that the singing quality of the double bas…

for bass and piano. Par GERVASONI STEFANO. Langue: Deutsch / Niveau : Intermédiaire / Répertoire / Basse et Piano

Par NORTON CHRISTOPHER. Songs from the Micromusicals Grade 4 Low Voice - the songs in this volume are from the Micromusicals series, which includes nearly 30 musicals. Apart from the fact that they are wonderfully attractive songs, the appeal of these Songs from the Micromusicals comes from their range of subject matter. Good music that has a link to the school curriculum - welcome to the world o…

In spring 1827 Schubert performed the first part of his best-known song cycle ' Winterreise ' for his friends for the first time. At this time he assumed that he had set all the texts belonging to the cycle to music. Only later did he come across the complete cycle of 24 songs in Müller's volume ' Gedichte aus den hinterlassenen Papieren eines reisenden Waldhornisten ' of 1824. As a result, he set…

The OperAria repertoire anthology was much applauded when it came on stage with three baritone volumes in 2015. The successful baritone debut was followed in 2017/18 by the appearance of the four soprano volumes, also conquering hearts in no time. Now, another performance: The curtain rises on the bass volumes, the foundation of the vocal family for heavier, darker voices, though nevertheless bril…

In 80 bars around the world â?? without any men'! Does that work' Yes, it does â?? and it sounds superb. This Women´s Choirbook provides a rich fund of well-known tunes from different countries and in different styles, ranging from swing, soul and groovy tunes to melodious ballads. The new arrangements are modern and charming and can be used in various ways and contexts: Apart from the 3-4 female…

Diamonds Are Forever is the theme song of the seventh film in the James Bond series. The sensual lyrics of the song are voiced by Shirley Bassey, written by Don Black and set to music by John Barry. This SAB arrangement by Thomas Lydon captures the longing of the song with its luxurious harmonies and mimicry of the James Bond signature brass stabs in the piano accompaniment. / Choeur Mixte (SAB) E…

/ Voix Basses

for countertenor (or alto, or bass baritone) and piano. Par GERVASONI STEFANO. German / Niveau : Intermédiaire / Répertoire / Tenor et Piano

(Opera seria in two acts). Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Franz Giegling. For 4 soprano voice solos, tenor voice solo, bass voice solo, mixed choir, 2 flutes, 2 oboes, 2 clarinets, bass clarinet, basset horn, 2 bassoons, 2 horns, 2 trumpets, timpani, s…

Composed by Heinrich Schutz (1585-1672). Edited by Wilhelm Ehmann. For 2 soprano voice solos, 2 tenor voice solos, basso continuo. This edition: Urtext edition. Stapled. Level 3. Score, Part(s), Anthology. Language: Latin. Published by Baerenreiter Verlag

(Solo Feature). Composed by George Frideric Handel (1685-1759). Arranged by H. Popp. For Soloist(s) with String Orchestra (solo voice or Instrument, violin I, violin II, viola, cello, double bass). String Music. Grade 2. Score only. Duration 3:00. Published by C. Alan Publication…

Composed by Marie Stultz. Arranged by Marie Stultz. For 2-part or 3-part treble voices, keyboard, optional cello/bass instrument. Epiphany. Moderately Difficult to Difficult. Choral score. Published by MorningStar Music Publishers

Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Richard Maunder. For SATB choir, SATB soloists, 3 trombones, 2 violins, basses, 2 organs (3 trombones, 2 violins, basses, 2 organs). Mixed Voices. Classic Choral Works. Standard Choral Works. Level B-C (easy - moderately …

(Three Concertos for Soprano, Alto, Tenor and Bass). Composed by Heinrich Schutz (1585-1672). Edited by Hans Hoffmann; Wilhelm Ehmann. For soprano voice solo/alto voice solo/tenor voice solo/bass voice solo/basso continuo. This edition: Urtext edition. Stapled. Level 3. Vocal sco…

Arranged by Elizabeth Campbell. For TTBB choir. Octavo. 12 pages. Duration 2 minutes, 25 seconds. Published by Carl Fischer

Composed by Twila Paris. Arranged by Lloyd Larson. For medium high voice and low voice duet. Sacred non-seasonal. Vocal score. Published by Hope Publishing Company

(Volume 7). Composed by Franz Schubert (1797-1828). Edited by Walther Durr. For Low Voice and piano accompaniment. This edition: Urtext edition. Paperback. Tiefe Stimme. SingScore, Anthology. Language: German, Text Language: German/English. Published by Baerenreiter Verlag

Arranged by Mack Wilberg. For SATB choir and organ or large orchestra (3 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, 2 percussion (suspended cymbal, chimes), organ, strings). Mixed Voices. Sacred. Level B (easy). Octavo. Duration 3 m…

Composed by Gabriel Jackson (1962-). For SATB choir divisi, soprano voice solo, tenor voice solo, and 10 players (piccolo/alto flute, bass clarinet, soprano saxophone (B flat) / alto saxophone (E flat), horn, percussion (1 player) (bass drum, vibraphone, tub, wind chimes (metal),…

Composed by Buddy Greene. Arranged by Jack Schrader. For medium and high voice duet (key of D Minor). Hope's All-Time Best Sellers series. Christmas, Devotion, Contemporary, Contemporary Gospel. Vocal score. 12 pages. Published by Hope Publishing Company

(Cantata for St. Michael). Composed by Johann Sebastian Bach (1685-1750). Edited by Ingrid Jach. Arranged by Paul Horn. For SATB vocal soli, SATB choir, 3 oboes, bassoon, 3 trumpets, timpani, 2 violins, viola, basso continuo. This edition: paperback. Stuttgart Urtext edition. Can…

Composed by American Spiritual. Arranged by Michael Engelhardt. For Bass, Choral, Percussion (SSAATTBB). Walton Choral. 24 pages. Walton Music #WW1530. Published by Walton Music

Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by John Michael Cooper. For soprano voice solo/2 tenor voice solos/2 bass voice solos/mixed choir: SATB/2 flutes/2 oboes/2 clarinets/2 bassoons/4 horns/2 trumpets/3 trombones/timpani/2 violins/viola/cello/double bass/org…

(Ballet heroique in a prologue and 3 acts). Composed by Jean-Philippe Rameau (1683-1764). Edited by Thomas Soury. Arranged by Francois Saint-Yves. For 6 soprano voice solos/2 mezzo-soprano voice solos/5 alto voice solos/4 bass voice solos/mixed choir: SATB/Ballett/piccolo/flute/M…

(Tragedie en un prologue et cinq actes). Composed by Jean-Philippe Rameau (1683-1764). Edited by Cecile Davy-Rigaux/Denis Herlin/Sylvie Bouissou. Arranged by Francois Saint-Yves. For 7 Solo Soprano Voices/2 Solo Alto Voices/5 Solo Bass Voices/Mixed Choir: SATB/Ballet/Flute/Oboe/V…

Composed by Claudio Monteverdi (1567-1643). Edited by Hendrik Schulze. For 2 solo soprano voices/3 solo tenor voices/2 solo bass voicees/mixed choir: SSATTB/mixed choir 2: SATTB/3 cornets/3 violins/3 violas/violoncello/contrabass/2 flutes/2 Recorders/3 trombones/bass trombone/bas…

Arranged by Mack Wilberg. For TTBB choir and piano/orchestra (3 flutes ( piccolo), 2 oboes, 2 clarinets, 2 bassoons, 4 horns. 3 trumpets (C), 3 trombones, tuba, timpani, 3 percussion (triangle, suspended cymbal, bass drum, chimes), harp, organ, strings). Male Voices. Spirituals, …