Farewell to St. Petersburg. Par BRYARS GAVIN. This concerto has the unusual addition of an optional male voice choir. Many Russian elements influenced Bryars when he was writing the piece, not least the text for the bass voices which is taken from Glinka’s song cycle Farewell to St Petersburg. Bryars writes ‘The orchestration is quite light throughout, so that the singing quality of the double bas…

for bass and piano. Par GERVASONI STEFANO. Langue: Deutsch / Niveau : Intermédiaire / Répertoire / Basse et Piano

Par . Edited by Ilaria Narici, Ricordi's Ausgewählte italienische Lieder (Essential Italian Art Songs) present songs from the 19th and 20th centuries. Available for high and low voice, Ausgewählte italienische Lieder is perfect for students, teachers and art song overs as the collection comes with biographical information, text translation in Italian, German and English, and recorded diction lesso…

Par SCHUMANN CLARA. Clara Schumann (née Wieck) was undoubtedly the most important female pianist of the 19th century. As a young child she toured Europe as a prodigy: her entire career as a celebrated piano virtuoso spanned more than 60 years. Equally important, but less well known, is the composer Clara Schumann, who published her Opus 1 at the age of eleven. Despite the domestic duties expected …

Diamonds Are Forever is the theme song of the seventh film in the James Bond series. The sensual lyrics of the song are voiced by Shirley Bassey, written by Don Black and set to music by John Barry. This SAB arrangement by Thomas Lydon captures the longing of the song with its luxurious harmonies and mimicry of the James Bond signature brass stabs in the piano accompaniment. / Choeur Mixte (SAB) E…

/ Voix Basses

for countertenor (or alto, or bass baritone) and piano. Par GERVASONI STEFANO. German / Niveau : Intermédiaire / Répertoire / Tenor et Piano

30 of the best Grades 1-3 Songs selected by the major Examination Boards. Par PEGLER HEIDI. The Best Of Singing Grades 1-3 (Low Voice) celebrates the wealth of exciting repertoire featured on the current ABRSM and Trinity College London singing syllabuses. As well as carefully selected range of classical, contemporary and folk songs, these books bring together some of the greatest jazz standards a…

By George Frideric Handel ; Donald Burrows (Editor). For Soprano, Tenor, Bass, SATB Choir, Piano Accompaniment. Baroque. Sheet Music. 168 pages. Published by Novello and Co Ltd.

The heavenly aeroplane by John Rutter (1945-). For 2-part/SATB choir and small ensemble/orchestra ([2, 2, 2, 2-2, 2, 3, 1, 2], percussion, harp, strings). Mixed Voices. Secular, Choral Leaflet. Vocal score. 12 pages. Duration 2'. Published by Oxford University Press

By Hopkins. Arranged by Cynthia Dobrinski. For handbell choir (3-5 octaves). Advent, Sacred. Grade 3. Handbell score

(Low Voice). By Franz Schubert (1797-1828). Edited by Walther Durr. For Low Voice, Piano. Playing Score; Urtext Edition (paperbound). Op. 89 D 911

Performed by Charles Mingus. Arranged by Sy Johnson. Charles Mingus Big Band Jazz. Size 9x12 inches. Published by Hal Leonard.

(Oratorium 1799-1801). By Franz Joseph Haydn (1732-1809). Edited by Armin Raab. Arranged by August Eberhard Muller; Andreas Kohs. For Soprano Solo, Tenor Solo, Bass Solo, Mixed Choir-SATB, Orchestra. Piano Reduction/Vocal Score; Urtext Edition (paperbound). Hob. XXI:3

By Jacques Berthier. For Voices: SATB, cantor,. Instruments: Recorder(s), flute(s), oboe, B clarinet, B trumpet, bassoon, french horn, trombone, cello (instruments optional). Keyboard accompaniment. Taize Community Sacred. Level: easy. 3 pages. Published by GIA Publications.

By Mack Wilberg (1955-). For Mezzo-soprano and baritone solo voices, SATB choir and full orchestra (3 flutes (III piccolo), 2 oboes (both oboe d'caccia), 2 clarinet, 2 bassoon, 4 horn, celeste (or glockenspiel), harp, piano, organ (optional), strings). Mixed Voices. Contempor…

Gloria '1' by John Rutter (1945-). For SATB choir and brass/orchestra ([2, 2, 2, 2-4, 3, 3, 4], timpani, percussion, harp, strings). Mixed Voices. Contemporary, Choral Works. Vocal score. 16 pages. Duration 5'. Published by Oxford University Press

By Irv Rothenberg. For Choir. (2-/3-Part Treble). Choral Octavo. Choral Designs. Novelty; Secular, Christmas. Choral Octavo. 8 pages. Published by Alfred Publishing.

By Conrad Susa. Text: Anne Sexton. For Opera. Opera, Vocal Music. Published by E.C. Schirmer Publishing.

By Sara Groves. Sacred. Print Music Single (Vocal Solo (Medium Voice)). Published by Hope Publishing Company.

By Antonio Vivaldi (1678-1741). Edited by Antonio Vivaldi. Arranged by Clayton Westermann. For Soprano voice, Alto voice, Tenor voice, and Bass voice (Soli), Choir / Piano (Chorus and piano). New Issues. Baroque: Rococco/Gallant; Sacred/Hymns. Vocal Score. Text Language: Latin, E…

By Barbara Strozzi. Edited by Susan J. Mardinly. Voices and basso continuo. For SSB / SSA / SS voices with basso continuo. Madrigals with continuo. Baroque madrigals with continuo. Baroque. Level: Medium. Score and Set of parts. Sheet music. 41 pages. Published by ClarNan Edition…

By Frank Ticheli. Concert band. Suitable for high school, community, and college bands. Level: Grade 4. Conductor score and set of parts. Duration 11:10. Published by Manhattan Beach Music.

By Jamey Aebersold. For any C, Eb, Bb, bass instrument or voice. Play-Along series with accompaniment CD. Play Blues with Hammond Organ, Guitar, and Drums. Book with CD. Published by Jamey Aebersold Jazz.

Vespers (1610) by Claudio Monteverdi (1567-1643). Arranged by Jeffrey Kurtzman. For SSTTBB soloists, SATTB chorus, orchestra (2/3 violins, 3 trumpets in D, 1 trumpet in B flat, 2/3 violas, 2 cellos, 1 double bass, 3 trombones, 1 bass trombone, 2 recorders, 2 flutes). Mixed Voices…