Par LACHNER FRANZ. 2nd version: Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb] Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble [CV …

Par LACHNER FRANZ. 2nd version: Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb] Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble [CV …

Par LACHNER FRANZ. 2nd version: Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb] Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble [CV …

Motette. Par MOZART WOLFGANG AMADEUS. Motet of an unknown arranger [ca. 1820], based on th Adagio of the Serenade KV 361 [Gran Partita]. The motet Quis te comprehendat, K-Anhang 110, is based on the Adagio in Mozart’s Wind Serenade K. 361, the “Gran Partita. ” The arrangement of this instrumental movement with the addition of a four-part choir deserves to be regarded as a successful example of the…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Motette. Par MOZART WOLFGANG AMADEUS. Motet of an unknown arranger [ca. 1820], based on th Adagio of the Serenade KV 361 [Gran Partita]. The motet Quis te comprehendat, K-Anhang 110, is based on the Adagio in Mozart’s Wind Serenade K. 361, the “Gran Partita. ” The arrangement of this instrumental movement with the addition of a four-part choir deserves to be regarded as a successful example of the…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. Also contains an arrangement for organ. In 1840 Schumann remarked: 'The small piece deserves to be world famous and will become so in the future; the Madonnas of Raphael and Murillo cannot remain hidden for long. ' Together with the orchestral version an version for choir and organ is available./ Répertoire / Choeur SATB, 2 Flûtes Traversières, 2 Cla…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. Also contains an arrangement for organ. In 1840 Schumann remarked: 'The small piece deserves to be world famous and will become so in the future; the Madonnas of Raphael and Murillo cannot remain hidden for long. ' Together with the orchestral version an version for choir and organ is available./ Répertoire / Choeur SATB, 2 Flûtes Traversières, 2 Cla…

By Michael Haydn (1737-1806). Edited by Biba, Otto. For SATB Soli, SATB Choir, 2 Violin, 2 Trumpet, [Timpani], Basso Continuo. Full score available separately - see item CA.9100900. Church music of the Viennese Classical. Choral score. Language: Latin. Composed 1760/1768. 16 page…

Composed by John Rutter (1945-). For SATB choir and organ/string orchestra. This edition: Paperback. Mixed Voices. John Rutter Anniversary Edition. Sacred. Level A (very easy). Vocal score. Duration 2.5 minutes. Published by Oxford University Press

Composed by John Rutter (1945-). For SATB choir and piano (2 flutes, oboe, 2 clarinets, bassoon, 2 horns, percussion, drum, harp, strings). This edition: Paperback. Mixed Voices. John Rutter Anniversary Edition. Sacred. Level A (very easy). Vocal score. Duration 3.5 minutes. Publ…

By John Rutter (1945-). For Children's and/or SATB choir and keyboard/orchestra ([2.1.2.1-2.0.0.0], harp, strings). Upper Voices. Sacred Choral Leaflet. Vocal score. 12 pages. Duration 4.5'. Published by Oxford University Press

For the Young Beginner. Faber Piano Adventures. Instructional and Method. Instructional book and digital download (softcover). With digital download. 87 pages. Faber Piano Adventures #FF1621. Published by Faber Piano Adventures

By Bob Chilcott. For SATB choir and percussion. This edition: BC117. Mixed Voices. Christmas Choral Leaflet. Vocal score. 12 pages. Duration 2.5'

Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Heinz Moehn, Leopold Nowak. K. 626. For SATB solos, SATB choir and piano accompaniment. Urtext of the New Mozart Edition. Format: vocal score. With choral notation and piano reduction. Classical period. D Minor. Text lang…

Composed by John Rutter (1945-). For SAB choir and piano. Mixed Voices. Vocal score. Duration 2.5 minutes. Published by Oxford University Press

(No. 4 of Four American Folk Hymns). By Mack Wilberg (1955-). For SATB choir and piano (4 hands)/orchestra/chamber orchestra/brass ensemble (Orchestra: 2.2.2.2-4.3.3.1-timpani.percussion-strings, Chamber orchestra: 3 trumpets, timpani, organ, strings, Brass: 4 horns, 3 trumpets, …

From The Greatest Showman. Composed by Benj Pasek, Justin Paul. Arranged by Mac Huff. Pop Choral Series. Broadway, Show Choir, Pop, Inspirational, Movies. Octavo. 16 pages. Published by Hal Leonard

By Christina Rossetti. Arranged by Carol Kelley. For Choir. (2-Part). Choral Octavo. Choral Designs. Choral Octavo. 8 pages. Published by Alfred Publishing.

By Mark Hayes. For SATB choir, piano. Pentecost. Octavo. Published by Lorenz Publishing Company

Tragedie Opera (Drama heroique) in 3 Akten. Pariser Fassung 1774 (franzosisch/deutsch). Klavierauszug nach dem Urtext der Gluck-Gesamtausgabe. By Christoph Willibald von Gluck. Edited by Finscher, Ludwig;Sommer, Jurgen. For 2 Soprano solo, Tenor solo, Mixed Choir-Ball, 2 Flute, 2…

Composed by John Rutter (1945-). For SA choir and piano ([2.1.2.1-2.0.0.0], percussion, harp, strings). This edition: Paperback. Upper Voices. Sacred. Level B (easy). Vocal score. Duration 3.5 minutes. Published by Oxford University Press