Volume 20 - Sez. Prima - Partitura in 2 Vol. + Commento Critico / Ed. Critica A. Zedda. Par ROSSINI GIOACHINO. Vol.20 - Sez. Prima - Partitura In 2 Vol. + Commento Critico / Ed. Critica A. Zedda / Opéra-opérette / Date parution : 1905-06-21/ Répertoire / Solistes, Choeur et Orchestre

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Volume 10 - Sez. Prima - Partitura In 2 Vol. e Commento Critico / Ed. Critica P. Gossett. Par ROSSINI GIOACHINO. Vol.10 - Sez. Prima - Partitura In 2 Vol. E Commento Critico / Ed. Critica P. Gossett / Opéra-opérette / Répertoire / Solistes, Choeur et Orchestre

Tonalité : C-Dur -. Par RICHTER FRANZ XAVER. It may assumed that this Mass dates from the earlier part of Richter's career. The scoring is relatively light, and in its overall dimensions the C major Mass belongs to the category of the missa brevis rather than that of the cantata mass such as Richter often composed. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Violons,

Tonalité : D-Dur -. Par HEINICHEN JOHANN DAVID. The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto …

Adventskantate. Par GRAF WOLFRAM. The first impression from playing through it: exciting! A composition for children’s choir that is demanding in every respect. Nicolai’s hymn is transformed by a modern, truly original musical language. [Musica Sacra 6/2000]/ Répertoire / Choeur d'Enfants à 2 Parties et Instruments (Flûte

Waisenhausmesse. Par MOZART WOLFGANG AMADEUS. Bei Mozarts Missa in c-Moll KV 139 [114a] von 1768/69, der sog. Waisenhausmesse, handelt es sich sehr wahrscheinlich um den ersten Beitrag des Komponisten im Genre der Missa solemnis [mit Blechbläser], wie sie für kirchliche Hochfeste und andere besonders repräsentative geistliche Anlässe gepflegt wurde. Wie die Nähe von Kyrie und Agnus etwa zu Glucks …

Tonalité : C-Dur -. Par RICHTER FRANZ XAVER. It may assumed that this Mass dates from the earlier part of Richter's career. The scoring is relatively light, and in its overall dimensions the C major Mass belongs to the category of the missa brevis rather than that of the cantata mass such as Richter often composed. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Violons,

Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …

Arrangeur: Klaus Hofmann. Par TELEMANN GEORG PHILIPP. This psalm setting was originally the opening and concluding movement in the Epiphany cantata from the annual cycle “Musicalisches Lob Gottes in der Gemeine des Herrn, ” published at Nuremberg in 1744, and it is also from the “Biblische Sprüche” [see p. 12]. As in the cantata, here the vocal bass part may also be omitted. The lively alternation…