Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

The New Novello Book Of Short and Easy Anthems For Upper Voices is a wonderful collection and an invaluable resource for Upper Voice choirs who have the desire to sing a variety of beautiful anthems, but who have an unfortunately limited amount of rehearsal time. Selected and edited by David Hill, this collection includes anthems that are easy to learn, enjoyable to sing but also sound simply fant…

Lullay my liking is scored for accompanied two-part choir allowing for various upper-/lower-voice combinations: two-part trebles or sopranos upper voices only (S/A) or men only (T/B). If performed by a four-part choir sopranos and tenors should read the upper line and altos and basses read the lower. The keyboard part can be played on piano or organ or harp.An inspiring selection of new wor…

Carole King's classic hit from 1971 and covered by James Taylor offers a universal message of hope and reassurance. Recently included in the Broadway musical Beautiful  this is a wonderful feel-good song for choirs of all types and many concert occasions!

For the Young Beginner. Faber Piano Adventures. Instructional and Method. Instructional book and digital download (softcover). With digital download. 87 pages. Faber Piano Adventures #FF1621. Published by Faber Piano Adventures

(50 Christmas Favorites for Church, School, and Community) Arranged by Janet Day. SATB songbook for SATB or mixed choir. With choral notation, lyrics and performance suggestions. 56 pages. Published by Hal Leonard.

By Christina Rossetti. Arranged by Carol Kelley. For Choir. (2-Part). Choral Octavo. Choral Designs. Choral Octavo. 8 pages. Published by Alfred Publishing.

By Keith Getty and Stuart Townend. For SATB choir and piano (with optional orchestra). Christ the King, Eastertide, General, Lent, Palm Sunday, Sacred. Sacred Anthem

By Nancy Faber, Randall Faber. For Piano. Accelerated Piano Adventures. Level: Primer/Level 1. Book. Published by The FJH Music Company, Inc.

By Ruth Elaine Schram. For SATB/SAB choir, piano (with optional cello). Ready to Worship Series. Advent. Octavo. Published by Lorenz Publishing Company

100 Carols for Choirs by David Willcocks; John Rutter. For Mostly SATB and piano. Mixed Voices. . . . for Choirs Collections. Advent, Christmas, Epiphany, Easter, Sacred, Secular. Paperback. 388 pages. Published by Oxford University Press

Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages. Published by Hal Leonard.

Composed by Mark Sirett (1952-). For SATB choir with piano. Canadian Folk Song. Octavo. Published by Cypress Choral Music

By John Rutter (1945-). For Soprano and Baritone solo voices, children's and SATB choirs, orchestra/chamber ensemble (Orchestra: [2.2.2.2-2.2.0.0], timpani, percussion (2 players).hp-str Chamber ensemble: fl, ob, cl, bsn, hn, timp, perc (1 or 2 players), hp

Lyrics by W.S. Gilbert, music by Arthur Sullivan (1842-1900). For mixed choir (with solos) and piano accompaniment. From the Broadway musical "The Pirates Of Penzance". Format: vocal score. With choral notation, piano reduction, introductory text and black and white illustrations…

(Songbook). By The King's Singers. Arranged by The King's Singers. For choir (one, two, or three-part voices) (Songbook). King's Singer's Choral. Pop Vocal, Traditional Folk, Baroque and Classical Period. Difficulty: easy-medium. Vocal score (one, two and three part rounds). Voca…

By Various. For Choral Collection: Mixed Choir Spiralbound. Published by Oxford University Press.

Composed by Mark Hayes. For 2-part choir, piano, finger snaps. Secular Christmas. Octavo. Heritage Music Press #15/3275H. Published by Heritage Music Press