Par BUXTEHUDE DIETRICH. This work has survived in an autograph, unfortunately undated, preserved in the Düben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24–26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on “Nun danket alle Gott” create the work’s struc…

Par BUXTEHUDE DIETRICH. This setting of Luther’s hymn perfectly typifies the basic concept of a chorale cantata as Buxtehude probably envisaged it. The first two verses are set, line by line, in a four-part homophonic texture. The two violins add interludes to the chorale, and lead in a kind of ritornello to the next verse. In the third and last verse Buxtehude departs from this model as the violi…

Par BUXTEHUDE DIETRICH. This work has survived in an autograph, unfortunately undated, preserved in the Düben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24–26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on “Nun danket alle Gott” create the work’s struc…

Par BUXTEHUDE DIETRICH. This work has survived in an autograph, unfortunately undated, preserved in the Düben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24–26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on “Nun danket alle Gott” create the work’s struc…

Par BUXTEHUDE DIETRICH. This work has survived in an autograph, unfortunately undated, preserved in the Düben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24–26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on “Nun danket alle Gott” create the work’s struc…

Par BUXTEHUDE DIETRICH. This cantata combines two texts: “Erhalt uns Herr bei deinem Wort” and “Verleih uns Frieden gnädiglich. ” The Lübeckisches Gesangbuch of 1703 included both hymns, with a verse by Johann Walter added, to the melody “Erhalt uns Herr. ” This was the basis for Buxtehude’s composition. The copy of the tabulature of this cantata in the Düben Collection can be dated to the summer …

Par BUXTEHUDE DIETRICH. This cantata combines two texts: “Erhalt uns Herr bei deinem Wort” and “Verleih uns Frieden gnädiglich. ” The Lübeckisches Gesangbuch of 1703 included both hymns, with a verse by Johann Walter added, to the melody “Erhalt uns Herr. ” This was the basis for Buxtehude’s composition. The copy of the tabulature of this cantata in the Düben Collection can be dated to the summer …

Par BUXTEHUDE DIETRICH. This cantata combines two texts: “Erhalt uns Herr bei deinem Wort” and “Verleih uns Frieden gnädiglich. ” The Lübeckisches Gesangbuch of 1703 included both hymns, with a verse by Johann Walter added, to the melody “Erhalt uns Herr. ” This was the basis for Buxtehude’s composition. The copy of the tabulature of this cantata in the Düben Collection can be dated to the summer …

Par BUXTEHUDE DIETRICH. This cantata combines two texts: “Erhalt uns Herr bei deinem Wort” and “Verleih uns Frieden gnädiglich. ” The Lübeckisches Gesangbuch of 1703 included both hymns, with a verse by Johann Walter added, to the melody “Erhalt uns Herr. ” This was the basis for Buxtehude’s composition. The copy of the tabulature of this cantata in the Düben Collection can be dated to the summer …

Par BUXTEHUDE DIETRICH. In the tradition of Protestant missa brevis compositions, the music of this Mass was written in the so-called stile antico” following 16th-century models and known as Palestrina style. The surviving copy, in the Düben Collection, dates from 1675. Buxtehude adopted the strict form of the “stile antico, ” contrapuntal polyphony without instrumental accompaniment for various c…

By Dietrich Buxtehude. Edited by Kuster, Konrad. For Harpsichord (Piano). Deest. Score. 12 pages. Published by Carus Verlag (German import).

Composed by Dietrich Buxtehude (1637-1707). Arranged by Robert Hause. For Orchestra, String Orchestra (Score and Parts). Music for String Orchestra. Grade 3. Shawnee Press #J0142. Published by Shawnee Press

Organ Solo. By Petr Eben. Schott. Size 8.75x12 inches. 20 pages. Published by Schott.

By Dietrich Buxtehude. This edition: paperback. Edition Breitkopf. 92 pages. Published by Breitkopf and Haertel (German import).

Composed by Dieterich Buxtehude. Broude Brothers #BT-BUX17. Published by Broude Brothers (PE.BT-BUX17).

Composed by Dieterich Buxtehude. Broude Brothers #BT-BUX18. Published by Broude Brothers (PE.BT-BUX18).

(Chorale Settings Mi-W, BuxWV 207 - 224) Composed by Dietrich Buxtehude (1637-1707), edited by Christoph Albrecht. For organ. Format: organ solo book. With organ notation. Baroque. 83 pages. 12x9.5 inches. Published by Baerenreiter-Ausgaben.

By Dietrich Buxtehude. Edited by Schlage, Thomas. For Soli SSATB, SSATB Choir, 2 Violins, Violone (Violoncello), 5 Viola da Gamba, Basso continuo. BuxWV 75. Full score available separately - see item CA.3601300. Oratorios; Use during church year: Lent and Passiontide. Piano/Vocal…

By Dietrich Buxtehude. Edited by Keller. For Organ. Preludes and Fugues; Toccatas; Chaconne(c). Published by C.F. Peters.

Solokantate (deutsch/englisch). Der Partitur liegen die Sing- und Instrumentalstimmen bei. By Dietrich Buxtehude. Edited by Karl Matthaei. For Tenor solo, Violin (2), Basso continuo. Score; Set of Parts. Published by Baerenreiter-Ausgaben (German import).

Composed by Felix Mendelssohn, J. S. Bach, Johann Christoph Bach, Samuel Scheidt, Johann Pachelbel, Johann Ludwig , Dietrich Buxtehude, Michael Burkhardt, Johann Neinrich Buttstedt, Johann Eramus Kindermann, Matthias Weckmann. Arranged by Michael Burkhardt. Non Hymn-Based, Classi…

By Dietrich Buxtehude / Susato. Arranged by Michel. Concert Band. Swiss import. Level: 2+. Score and parts. Published by Editions Marc Reift. (EMR 1354)

By Dietrich Buxtehude. Edited by Keller. For Organ. 14 Compostions:Canzonetta(G); Chaconne(e); Fugue(C); Passacaglia(d); 8 Preludes and Fugues(D,d,E,e,F,f#,g,a); Prelude,Fugue and Chaconne(C); Toccata and Fugue(F). Published by C.F. Peters.

(Freely-Composed Organ Works) Composed by Dietrich Buxtehude (1637-1707), edited by Christoph Albrecht. For organ. Format: organ solo book. With organ notation, thematic index and introductory text. Baroque. 72 pages. 12x9.5 inches. Published by Baerenreiter-Ausgaben.

By Dietrich Buxtehude. Edited by Schlage, Thomas. For Soli SSATB, SSATB Choir, 2 Violins, Violone (Violoncello), 5 Viola da Gamba, Basso continuo. BuxWV 75. Full score available separately - see item CA.3601300. Oratorios; Use during church year: Lent and Passiontide. Set of part…

By Dietrich Buxtehude. This edition: paperback. Edition Breitkopf. 88 pages. Published by Breitkopf and Haertel (German import).

By Dietrich Buxtehude. This edition: paperback. Edition Breitkopf. 120 pages. Published by Breitkopf and Haertel (German import).

By Dietrich Buxtehude. This edition: paperback. Edition Breitkopf. 108 pages. Published by Breitkopf and Haertel (German import).

Kantate. By Dietrich Buxtehude. Edited by Bruno Grusnick. For Mixed Choir-SATB, Strings, Basso continuo. Score; Set of Parts. BuxWv 15. Published by Baerenreiter-Ausgaben (German import).