for voices and instruments. Par BRYARS GAVIN. Laude were short mediaeval devotional songs to the Virgin Mary, and Gavin Bryars has kept to the pure, lyrical style of the originals. Following the successful publication of Bryars’ first and second volume of laude, which singers around the world have added to their repertoire, this third volume for various combinations of soprano, tenor, viola, cello…

Batteur de rock Powerhouse Ray Luzier vous emmène à travers une étude approfondie de l'art du tambour de double coup franc avec des explications claires étape par étape et une foule d'exercices. Ray révèle les détails techniques essentielles, dont: * chaleureux ups * Accent et accident vasculaire cérébral double rouleau exercices * exercices de coordination des mains et des pieds * exercices de l'…

/ Violoncelle (Alto Ou Viole De Gambe), Orchestre A Cordes Et Basse Continue

Par BIRKENKOTTER JORG. / Répertoire / Clarinette et Clarinette Basse

Par VANHAL JOHANN BAPTIST. The unbroken popularity of Vanhal's sole double bass concerto in competitions and for practice and concert purposes is reason enough for us to publish the work in Breitkopf Urtext. The new edition profits from Tobias Glöckler's experience of many years. As with the other great double-bass concertos of the classical Viennese repertoire (Dittersdorf, Hoffmeister), Glöckler…

A trumpeter is a cavalry or artillery soldier who gives signals with a trumpet. (Gerald Barry, 1998)This piece may be performed on any of the following instruments in different transpositions. If played by a string instrument, there should be no vibrato. It may be played by Flute, Alto Flute, Bass Flute, Piccolo, Oboe, Cor Anglais, Clarinet, Basset Clarinet, Bass Clarinet, Bassoon, Contrabassoon, …

Description Benedetto Marcello: Six Sonatas For Cello Or Double Bass Six Sonatas for Cello or Double Bass with Piano accompaniment. Songlist Six Sonatas For Cello (Double Bass) And Piano

The ?Easy Concert Pieces? series offers a wide spectrum of pieces from the Renaissance, Baroque, Classical, Romantic and Modern eras. The repertoire enriches the daily exercises and double bass tutor and is suited for all kinds of auditions. It contains original works for double bass solo as well as orchestral excerpts and arrangements of famous classical masterpieces. Volume 1 (easy) contains pie…

Par RAVENNI COSIMO. / Méthode / Contrebasse

By Nancy Faber, Randall Faber. For Piano. Level: 3A. Book. Published by The FJH Music Company, Inc.

Composed by Annette Costanzi, George Vance. Instructional book and accompaniment CD for String bass (Double Bass). With bowings and fingerings. 37 pages. Published by Carl Fischer.

Composed by George Vance. Instructional book and accompaniment CD for String bass (Double Bass). With bowings and fingerings. Published by Carl Fischer.

Textbook - General. Essentials of Music Theory. General Theory. Instructional book. Introductory text, instructional text, musical examples and glossary. 120 pages. Published by Alfred Music Publishing

Composed by George Vance. Instructional book for String bass (Double Bass). With bowings and fingerings. 46 pages. Published by Carl Fischer.

Composed by Antonio Capuzzi, edited by Philip Catelinet. For tuba (or euphonium, trombone, Eb bass, Bb bass) and piano. Format: set of performance parts (euphonium, trombone, bass Eb and Bb parts included). With solo parts and piano reduction. Classical period. 31 pages. 9x12 inc…

By Anne Marsden Thomas. For Organ. Oxford Service Music for Organ. ABRSM Exam: Grade 4-5. Collection. 64 pages. Published by Oxford University Press

For Oboe, Clarinet, Violin, Viola and Double Bass. By Sergei Prokofiev. (Score). Boosey and Hawkes Scores and Books. Book only. Size 5.5x7.5 inches. 54 pages. Published by Boosey and Hawkes.

By Jean Sibelius (1865-1957). For String Quartet

Composed by Antonin Dvorak (1841-1904). Edited by Frantisek Bartos and Antonin Pokorny. For string quintet. Level 3. Set of parts. Opus 77. 11/11/11/12/11 pages. Published by Baerenreiter Verlag

(for Soprano, Alto, Strings and Basso Continuo). By Giovanni Battista Pergolesi (1710-1736). Edited by Malcolm Bruno; Caroline Ritchie. Arranged by Malcolm Bruno. For soprano voice, alto voice, violin (2), viola, basso continuo (cello, double bass, organ). Reduction.