SAM-Klang. Par MENDELSSOHN-BARTHOLDY FELIX. Le nom SAM-Klang reprend la premie`re lettre des parties vocales en anglais ¬? soprano, alto et men (« hommes ») - et combine cet acronyme avec le mot «Klang », signifiant «son » en danois et allemands, pour cre´er le mot-valise SAM-Klang : « son-ensemble » ou plus ge´ne´ralement, « harmonie ». La se´rie SAM-Klang propose un re´pertoire choral de base et…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

(For flute (violin, mandolin, clarinet, cello) and guitar). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Klaus Jackie. For Flute (Violin, Mandolin, Clarinet in B, Cello) and Guitar (Score and set of parts). Score. Duration 3'00. Published by Edit. Score.

Music Minus One Violin. Composed by Felix Bartholdy Mendelssohn (1809-1847). Music Minus One. Classical Period and Play Along. Sheet music (with performance parts, softcover) and online audio. 16 pages. Music Minus One #MMO3101. Published by Music Minus One

Composed by Clive Brown. Stapled. Book. Opus 64. 72 pages. Baerenreiter Verlag #BA09060. Published by Baerenreiter Verlag (BA.BA09060).

(Clarinet in B-flat and Piano). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Ernst Herttrich. Henle Music Folios. Softcover. G. Henle #HN1033. Published by G. Henle

(Complete Works for Pianoforte Solo in Two Volumes, Vol. 1). Composed by Felix Bartholdy Mendelssohn (1809-1847). For Piano. Masterworks; Piano Collection. Dover Edition. Masterwork; Romantic. Book. Published by Dover Publications

(Set of Parts). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Ernst Herttrich. For String Quintet (Parts). Henle Music Folios. Softcover. G. Henle #HN908. Published by G. Henle

Composed by Felix Bartholdy Mendelssohn (1809-1847). For 2 pianos, 4-hands. Two-piano score (1 copy). Edition Peters #EP11408. Published by Edition Peters

Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Carlton R. Young. For strings. Moderately Difficult. Instrument parts. Published by MorningStar Music Publishers

(Viola and Piano). By Felix Bartholdy Mendelssohn (1809- 1847). Edited by Ernst Herttrich. Henle Music Folios. Softcover. G. Henle Verlag #HN1035. Published by G. Henle Verlag

For 2 Violins, Viola and Violoncello - with a Critical Commentary in English. By Felix Mendelssohn. Edited by E. Herttrich. String Quartets. Pages: Vl I Part = VII and 70 * Vl II Part = 39 * Va Part = 41 * Vc Part = 36. Urtext edition without fingering-paper bound. Published by G…

For 2 Violins, Viola and Violoncello. By Felix Mendelssohn. Edited by E. Herttrich. STUDY EDITION. Pages: VII and 49. Study score-no details. Published by G. Henle.

For Violoncello and Piano. By Felix Mendelssohn. Edited by R. Elvers, E.-G. Heinemann. Violoncello. Pages: Score = IV and 50 * Vc Part = 17. Urtext edition-paper bound. Published by G. Henle.

Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Wulf Konold. This edition: urtext. Partitur-Bibliothek (Score Library). Romantic. Score. 324 pages. Published by Breitkopf and Haertel (BR.PB-5102).

Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Christian Martin Schmidt. This edition: urtext. Edition Breitkopf. Romantic. Opus 37. 36 pages. Published by Breitkopf and Haertel (BR.EB-8745).