Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

(Wie der Hirsch schreit). Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by John Michael Cooper. For solo voices, choir, orchestra (soprano voice solo/2 tenor voice solos/2 bass voice solos/SATB choir/2 flutes/2 oboes/2 clarinets/2 bassoons/4 horns/2 trumpets/3 tromb…

Composed by Felix Bartholdy Mendelssohn (1809-1847). For violin, piano. Solo part with score. 13 pages-score + 6 pages-parts. Published by Verlag Dohr

(Completion of the fragment by R. Lutz). Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Rudolf Lutz. Arranged by Rudolf Lutz. For organ solo. This edition: Paperbound. Instrumental music based on hymns. Full score. Language: Italian. Composed 1840(?) / 2007/2008. …

(Song of Simeon). Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by James Jordan. For SATB choir and SATB vocal soli, piano reduction. Evoking Sound Series. Music Education. Medium/Difficult. Octavo. Text language: German, English. 20 pages. Published by GIA Publicat…

(Chorale cantata). Composed by Johann Cruger / Felix Mendelssohn Bartholdy. Edited by Gunter Graulich. Arranged by Paul Horn. For SATB choir, 2 violins, viola, cello/double bass, [oboe, bassoon] (arr: organ). Stuttgart Urtext Edition. German title: Jesu, meine Freude. Cantatas, P…

(Chorale cantata). Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Oswald Bill. For SATB choir, 2 violins, viola, cello/contrabass, [flute or oboe or clarinet]. Stuttgart Urtext Edition. German title: Christe, du Lamm Gottes. Cantatas, Mass sections, Lent and Passi…

(Christmas cantata). Composed by Felix Mendelssohn Bartholdy / Martin Luther. Edited by Karen Lehmann. For SBar vocal soli, SSATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, 2 violas, 2 cellos, contrabass. Stuttgart Urtext Edition. …

Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by R. Larry Todd. Stuttgart Urtext Edition. German title: Hymne Hor mein Bitten . Hymns, Whitsun. Complete orchestral parts. Published by Carus Verlag

Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by R. Larry Todd. For SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello/contrabass. Stuttgart Urtext Edition. German title: Lauda …

(Symphonie-Kantate). Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Douglass Seaton. For SST vocal soli, SSAATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ. Stuttgart Urte…

Composed by Felix Bartholdy Mendelssohn (1809-1847). For voice and piano. Vocal music. Language: German. Published by Noten Roehr

Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Todd Stalter. Concert Band. Concert Band; Masterworks; Part(s); Score; SmartMusic. Challenger Band Series. Form: March; Transcription. Masterwork Arrangement. Grade 1.5. 122 pages. Published by Alfred Music

Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Christian Martin Schmidt. For orchestra. Complete Works. Complete works. Opus 21, 26, 27, 32. 364 pages. Published by Breitkopf and Haertel

Composed by Felix Bartholdy Mendelssohn (1809-1847). German title: Musica sacra (Schuber). Set of parts. Published by Carus Verlag

(3 excerpts form Christus). Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Ivor Keys. For SATB choir, organ accompaniment. Royal School of Church Music. Sacred. Easy. Text language: English. 20 pages. Published by GIA Publications

(Symphonie C-dur op. 11). Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Ralf Wehner. This edition: urtext. Complete Works. Complete works. 248 pages. Published by Breitkopf and Haertel

Composed by Ludwig van Beethoven (1770-1827), Felix Bartholdy Mendelssohn (1809-1847), and Peter Ilyich Tchaikovsky (1840-1893). For Violin. Masterworks; String - Violin Collection. Dover Edition. Masterwork. Book. Published by Dover Publications