Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

(O! Come let us worship and kneel before the Lord). By Felix Bartholdy Mendelssohn (1809-1847). Edited by R. Larry Todd. For Soli SST, SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ. Th…

By Felix Bartholdy Mendelssohn (1809-1847). For Tenor voice. Choral learning aid. SingleParts with StudySpots. Classical; Choral. Novice to semi professional. 2 Choral Practice CDs. Duration 02:23:21. Published by Rehearsal Arts, LLC

By Felix Bartholdy Mendelssohn (1809-1847). For flute and guitar. Classical. Score. 16 5 pages. Published by Editions Henry Lemoine

By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Dimitri Kristolos. For SATB choir. Medium Difficullt. Octavo. Duration 3:10. Published by Jackman Music Corporation

(wind set). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Michael Marker. For Mixed Choir, Solo Parts, Orchestra. This edition: Urtext. Orchester-Bibliothek (Orchestral Library). Wind set. 260 pages. Published by Breitkopf and Haertel

(contrabass). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Michael Marker. For Mixed Choir, Solo Parts, Orchestra (contrabass). This edition: Urtext. Orchester-Bibliothek (Orchestral Library). Individual part. 44 pages. Published by Breitkopf and Haertel

(Cello 1). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Michael Marker. For Mixed Choir, Solo Parts, Orchestra (violoncello). This edition: Urtext. Orchester-Bibliothek (Orchestral Library). Individual part. 52 pages. Published by Breitkopf and Haertel

(Viola 1). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Michael Marker. For Mixed Choir, Solo Parts, Orchestra (viola). This edition: Urtext. Orchester-Bibliothek (Orchestral Library). Individual part. 52 pages. Published by Breitkopf and Haertel

(violin 2). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Michael Marker. For Mixed Choir, Solo Parts, Orchestra (violin 2). This edition: Urtext. Orchester-Bibliothek (Orchestral Library). Individual part. 52 pages. Published by Breitkopf and Haertel

(violin 1). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Michael Marker. For Mixed Choir, Solo Parts, Orchestra (violin 1). This edition: Urtext. Orchester-Bibliothek (Orchestral Library). Individual part. 52 pages. Published by Breitkopf and Haertel

(organ). By Felix Bartholdy Mendelssohn (1809-1847). For Mixed Choir, Solo Parts, Orchestra (organ). This edition: Urtext. Orchester-Bibliothek (Orchestral Library). Individual part. 20 pages. Published by Breitkopf and Haertel

By Felix Bartholdy Mendelssohn (1809-1847). Edited by Michael Webster. For clarinet and piano. Published by International Music Company

By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Georgina Dobree. For Clarinet, Piano. Standard notation. Published by Emerson Edition

By Felix Bartholdy Mendelssohn (1809-1847). Edited by Michael Marker. For Mixed Choir, Solo Parts, Orchestra. This edition: Urtext. Partitur-Bibliothek (Score Library). Score. 440 pages. Published by Breitkopf and Haertel

By Felix Bartholdy Mendelssohn (1809-1847). For Mixed Choir, Solo Parts, Orchestra. This edition: paperback. Breitkopf Full Scores. Score. 12 pages. Published by Breitkopf and Haertel

(O! Come let us worship and kneel before the Lord). By Felix Bartholdy Mendelssohn (1809-1847). Edited by R. Larry Todd. For Soli SST, SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ. St…

(O! Come let us worship and kneel before the Lord). By Felix Bartholdy Mendelssohn (1809-1847). Edited by R. Larry Todd. For Soli SST, SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ. St…

(O! Come let us worship and kneel before the Lord). By Felix Bartholdy Mendelssohn (1809-1847). Edited by R. Larry Todd. For Soli SST, SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ. St…

By Felix Bartholdy Mendelssohn (1809-1847). Edited by Pietro Zappala. For Soli SSATB, SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, Timpani, 2 Violins, Viola, Cello/Contrabass. This edition: Paperbound. Es-Dur (E-flat major). Stuttgart Urtext editio…