Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

By Felix Bartholdy Mendelssohn (1809-1847). Edited by Pietro Zappala. For Soli SSATB, SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, Timpani, 2 Violins, Viola, Cello/Contrabass. This edition: Paperbound. Es-Dur (E-flat major). Stuttgart Urtext editio…

(O! Come let us worship and kneel before the Lord). By Felix Bartholdy Mendelssohn (1809-1847). Edited by R. Larry Todd. For Soli SST, SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ. Th…

(O! Come let us worship and kneel before the Lord). By Felix Bartholdy Mendelssohn (1809-1847). Edited by R. Larry Todd. For Soli SST, SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ. St…

(Brass Solos and Ensemble/Trombone Or Baritone). By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Ostrander, Allen. For Trombone (Trombone). Brass Solos and Ensembles - Trombone Or Baritone. Southern Music. Grade 3. 6 pages. Southern Music Company #ST36. Published by South…

(Brass Solos & Ensemble/Brass Quintet (2tr,h). By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Reynolds, Verne. For Brass Quintet. Brass Solos & Ensembles - Brass Quintet. Southern Music. Southern Music Company #SS846. Published by Southern Music Company

By Sebastian Lee (1805-1887). Edited by Walter Schulz. For 2 cellos. Delights for Strings. Easy/moderate. 28 pages. Published by Friedrich Hofmeister Musikverlag

By Sebastian Lee (1805-1887). Edited by Walter Schulz. For 2 cellos. Delights for Strings. Easy/moderate. Published by Friedrich Hofmeister Musikverlag

By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Eric Vireton. String quartet. For 2 Violins, Viola, Cello. Classical, Chamber Music. Grade 4. Score and set of parts. 5 (score); 6 (parts). Published by FLEX Editions

By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Ralph Sauer. For Trombone solo and Piano. Romantic. Advanced. Solo part with piano. Published by Cherry Classics

By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Ralph Sauer. For Trombone and Piano. Romantic. Advanced. Solo with Piano accompaniment. Published by Cherry Classics

By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Justice / Hall. For handbell choir (3-5 octaves). Level 2. Published by Jeffers Handbell Supply

(clarinet in A). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Christian Martin Schmidt. For soli voices, choir, orchestra. This edition: Urtext. Piano reduction. 216 pages. Published by Breitkopf and Haertel

(Wie der Hirsch schreit). By Felix Bartholdy Mendelssohn (1809-1847). Edited by James Jordan. Bible Reference: Psalm 42:1. Evoking Sound. Sacred. 16 pages. Published by GIA Publications

By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Eric Vireton. For Viola Solo and Piano. Classical, Chamber Music. Grade 3. Score and set of parts. 8 (score); 2 (parts). Published by FLEX Editions

By Felix Bartholdy Mendelssohn (1809-1847). For piano. Pantheon des pianistes. Classical. Grade 4. Score. 9 pages. Published by Editions Henry Lemoine

(Finale). By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Christina Hans. Orchestra. Part(s); Score; SmartMusic; String Orchestra. Belwin Intermediate String Orchestra. Masterwork Arrangement; Romantic. Grade 3.5. 144 pages. Published by Belwin Publishing