Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Blackwell. For Trombone Quartet (3 tenor trombones, 1 bass trombone). Religious/Wedding. Published by BrassWorks4

By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Tim McCarrick. Orchestra. Masterworks; SmartMusic; String Orchestra. Belwin Intermediate String Orchestra. Masterwork Arrangement; Romantic. Grade 3.5. Conductor Score and Parts. 72 pages. Published by Belwin Publishing

By Felix Bartholdy Mendelssohn (1809-1847). Edited by Oswald Bill. For SSAA/TTBB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 4 Horn, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass. This edition: paperbound. Score available separately - see item CA.40…

(Non nobis Domine / Nicht unserm Namen, Herr). By Felix Bartholdy Mendelssohn (1809-1847). Edited by R. Larry Todd. For Soli STBar, SSAATTBB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Violins, Viola, Cello, Contrabass. Score available separately - see item CA.4…

(Ein Oratorium nach Worten des Alten Testaments). By Felix Bartholdy Mendelssohn (1809-1847). Edited by R. Larry Todd. For Soli SATB, SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 4 Horn, 2 Trumpets, 3 Trombones, Oficleide, Timpani, 2 Violins, Viola, Cello, Contrabass, …

By Felix Bartholdy Mendelssohn (1809-1847). For flute or cello and piano. Published by Wiltshire Music/Cor Publishing Co.

(Orgelwerke 2). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Christian Martin Schmidt. For organ. This edition: Urtext. Complete Works. Complete works. 204 pages. Published by Breitkopf and Haertel

(wind set). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Trio Di Clarone. For 2 Clarinets, Orchestra. This edition: Urtext. Orchester-Bibliothek (Orchestral Library). Wind set. 16 pages. Published by Breitkopf and Haertel

(contrabass). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Trio Di Clarone. For 2 Clarinets, Orchestra (contrabass). This edition: Urtext. Orchester-Bibliothek (Orchestral Library). Individual part. 4 pages. Published by Breitkopf and Haertel

(Viola 1). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Trio Di Clarone. For 2 Clarinets, Orchestra (viola 1). This edition: Urtext. Orchester-Bibliothek (Orchestral Library). Individual part. 4 pages. Published by Breitkopf and Haertel

(violin 2). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Trio Di Clarone. For 2 Clarinets, Orchestra (violin 2). This edition: Urtext. Orchester-Bibliothek (Orchestral Library). Individual part. 4 pages. Published by Breitkopf and Haertel

(violin 1). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Trio Di Clarone. For 2 Clarinets, Orchestra (violin 1). This edition: Urtext. Orchester-Bibliothek (Orchestral Library). Individual part. 4 pages. Published by Breitkopf and Haertel

(cello or contrabass). By Felix Bartholdy Mendelssohn (1809-1847). For Solo Parts, Mixed Choir, Orchestra (cello/contrabass). Orchester-Bibliothek (Orchestral Library). Individual part. 2 pages. Published by Breitkopf and Haertel

(Viola 1). By Felix Bartholdy Mendelssohn (1809-1847). For Solo Parts, Mixed Choir, Orchestra (viola 1). Orchester-Bibliothek (Orchestral Library). Individual part. 4 pages. Published by Breitkopf and Haertel

(violin 2). By Felix Bartholdy Mendelssohn (1809-1847). For Solo Parts, Mixed Choir, Orchestra (violin 2). Orchester-Bibliothek (Orchestral Library). Individual part. 4 pages. Published by Breitkopf and Haertel

(violin 1). By Felix Bartholdy Mendelssohn (1809-1847). For Solo Parts, Mixed Choir, Orchestra (violin 1). Orchester-Bibliothek (Orchestral Library). Individual part. 4 pages. Published by Breitkopf and Haertel

By Felix Bartholdy Mendelssohn (1809-1847). Edited by Christoph Hellmundt. For Violin, Piano, Orchestra. This edition: Urtext. Partitur-Bibliothek (Score Library). Score. 116 pages. Published by Breitkopf and Haertel

By Felix Bartholdy Mendelssohn (1809-1847). For SATB Choir a cappella. Published by Tonos Music

By Felix Bartholdy Mendelssohn (1809-1847). For Violin, Orchestra. Partitur-Bibliothek (Score Library). Score. 56 pages. Published by Breitkopf and Haertel