SAM-Klang. Par MENDELSSOHN-BARTHOLDY FELIX. Le nom SAM-Klang reprend la premie`re lettre des parties vocales en anglais ¬? soprano, alto et men (« hommes ») - et combine cet acronyme avec le mot «Klang », signifiant «son » en danois et allemands, pour cre´er le mot-valise SAM-Klang : « son-ensemble » ou plus ge´ne´ralement, « harmonie ». La se´rie SAM-Klang propose un re´pertoire choral de base et…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

By Felix Bartholdy Mendelssohn. Edited by Todd, R. Larry. For Soli SATB, SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello/Contrabass. Full score available separately - see item CA.4007700. Stuttgart Urtext …

((parts only unless otherwise specified)). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Ira Weller. For string quintet. String ensembles without piano

By Felix Bartholdy Mendelssohn (1809-1847). Edited by Michael Marker. Arranged by J. Rietz / Hellmut Dohnert. Paperback. Edition Breitkopf. Piano reduction, Urtext. 200 pages

By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Greg Furlong. For 4 Tenor Trombones. Trombone Quartet. Christmas. Grade 2+

By Felix Bartholdy Mendelssohn (1809-1847) and Heinrich Werner. Arranged by Ludwig Erk. For SSA Women's Choir

By Felix Bartholdy Mendelssohn. Edited by Todd, R. Larry. For Soli SATB, SATB/SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ, Harp. Full score available separately - see item CA.4007500…

By Felix Bartholdy Mendelssohn. For organ or harmonium. Keyboard/Piano. Published by Editorial de Musica Boileau (Spanish import).

By Felix Bartholdy Mendelssohn (1809-1847). For TTBB Men's Choir a cappella

By Felix Bartholdy Mendelssohn (1809-1847). For TTBB Men's Choir a cappella

By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Sheen, Graham, Transcriber. For 1, 2, 0, 2 - 2, 0, 0, 0, soli clarinet & bassethorn in set. German: Romantic. Full score. Composed 1833. Duration 8 minutes

By Felix Bartholdy Mendelssohn (1809-1847). Edited by Gerhard Schuhmacher. For 2 Violins, Viola, Cello. This edition: 2 Violins, Viola, Cello. Paperback. Deutscher Verlag fuer Musik. Urtext edition. 66 pages

By Felix Bartholdy Mendelssohn (1809-1847). Edited by Hans Chr. Wolff. For strings. Paperback. Deutscher Verlag fuer Musik. Score, Urtext. 16 pages

By Felix Bartholdy Mendelssohn (1809-1847). Edited by Hans Chr. Wolff. For strings. Paperback. Deutscher Verlag fuer Musik. Score, Urtext. 52 pages

By Felix Bartholdy Mendelssohn (1809-1847). Edited by Hans Chr. Wolff. For strings. Paperback. Deutscher Verlag fuer Musik. Score, Urtext. 16 pages

By Felix Bartholdy Mendelssohn (1809-1847). Edited by Hans Chr. Wolff. For strings. Paperback. Deutscher Verlag fuer Musik. Score, Urtext. 16 pages

By Felix Bartholdy Mendelssohn (1809-1847). Edited by Hans Chr. Wolff. For strings. Paperback. Deutscher Verlag fuer Musik. Score, Urtext. 16 pages

By Felix Bartholdy Mendelssohn (1809-1847). Edited by Chr Hellmundt / H Dohnert. For 2 Pianos, 4-hands. This edition: 2 Pianos, 4-hands. Paperback. Edition Breitkopf. Piano reduction, Urtext. 88 pages

By Felix Bartholdy Mendelssohn (1809-1847). Edited by Felix Bartholdy Mendelssohn. For Mixed Choir, Solo Parts, Orchestra. Paperback. Edition Breitkopf. Piano reduction, Urtext. 28 pages