Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

(wind set). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Thomas Schmidt-Beste. For orchestra. Breitkopf Orchestral Library. Individual part, Urtext. 168 pages

(contrabass). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Thomas Schmidt-Beste. For orchestra. Breitkopf Orchestral Library. Individual part, Urtext. 16 pages

(cello). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Thomas Schmidt-Beste. For orchestra. Breitkopf Orchestral Library. Individual part, Urtext. 20 pages

(viola). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Thomas Schmidt-Beste. For orchestra. Breitkopf Orchestral Library. Individual part, Urtext. 24 pages

Concert Overture. By Mendelssohn-Bartholdy, Felix. Edited by Hogwood, Christopher. For Viola. Single Part; Urtext Edition. Op. 21. Published by Baerenreiter-Ausgaben (German import). (BA9056 79)

Composed by Felix Bartholdy Mendelssohn (1809-1847). Masterworks; Solo Small Ensembles; String Ensemble - Mixed; Trio. Kalmus Edition. Masterwork; Romantic. Book. 88 pages. Kalmus Classic Edition #00-K09635. Published by Kalmus Classic Edition

(violin 2). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Thomas Schmidt-Beste. For orchestra. Breitkopf Orchestral Library. Individual part, Urtext. 20 pages

(violin 1). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Thomas Schmidt-Beste. For orchestra. Breitkopf Orchestral Library. Individual part, Urtext. 20 pages

(wind set). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Christian Martin Schmidt. For orchestra. Breitkopf Orchestral Library. Individual part, Urtext. 60 pages

(violin 1). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Christian Martin Schmidt. For orchestra. Breitkopf Orchestral Library. Individual part, Urtext. 8 pages

(score). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Thomas Schmidt-Beste. For orchestra. Breitkopf Full Scores. Score, Urtext. 168 pages

By Felix Bartholdy Mendelssohn (1809-1847). For SSA Choir. Classical. Intermediate. Octavo. Text language: English. 4 pages

By Felix Bartholdy Mendelssohn (1809-1847). For Soprano Voice, Alto Saxophone, Organ

By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Robert Stanton. Woodwind trio. For oboe, E. horn and bassoon/2 E. horns and bassoon/3 E. horns. Grade 3

By Felix Bartholdy Mendelssohn (1809-1847). Arranged by David Werden. Solo. For euphonium solo. Grade 3-4+

By Felix Bartholdy Mendelssohn (1809-1847). Study Score. Standard notation

By Felix Bartholdy Mendelssohn. For strings. This edition: Violin 1. Deutscher Verlag fuer Musik. 16 pages. Published by Breitkopf and Haertel (German import).