SAM-Klang. Par MENDELSSOHN-BARTHOLDY FELIX. Le nom SAM-Klang reprend la premie`re lettre des parties vocales en anglais ¬? soprano, alto et men (« hommes ») - et combine cet acronyme avec le mot «Klang », signifiant «son » en danois et allemands, pour cre´er le mot-valise SAM-Klang : « son-ensemble » ou plus ge´ne´ralement, « harmonie ». La se´rie SAM-Klang propose un re´pertoire choral de base et…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

(Oratorio). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Douglass Seaton. For Violin 2. Single Part; Urtext Edition. Op. 70

(Oratorio). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Douglass Seaton. For Violin 1. Single Part; Urtext Edition. Op. 70

By Felix Bartholdy Mendelssohn (1809-1847). For Full score (Mixed Voices). General. Choral

(Oratorio). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Douglass Seaton. For Organ. Single Part; Urtext Edition. Op. 70

((with Mendelssohn's Spring Song)). By Felix Bartholdy Mendelssohn (1809-1847) and Jill Gallina. 2-Part. Choral. 8 pages

By Felix Bartholdy Mendelssohn (1809-1847). VoiceTrax CD. Choral. CD only

By Felix Bartholdy Mendelssohn (1809-1847). Edited by Michael Cooper. For Flute (2), Oboe (2), Clarinet (B Flat) (2), Bassoon (2), Contrabassoon, Horn (4), Trumpet (2), Alto Trombone, Tenor Trombone, Bass Trombone, Serpent, Kettledrum. Oratorium (Oratorios). Wind Parts; Urtext Ed…

Low Voice (German Language Edition). Composed by Felix Bartholdy Mendelssohn (1809-1847). Masterworks; Vocal Collection. Kalmus Edition. Masterwork; Romantic. Book. 172 pages. Kalmus Classic Edition #00-K09888. Published by Kalmus Classic Edition

By Felix Bartholdy Mendelssohn (1809-1847). For piano. Pantheon des pianistes. Classical. Grade 4. Score

By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Eric Vireton. Violin and Piano. Classical, Chamber Music. Grade 4. Score and Set of Parts

By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Eric Vireton. Clarinet and Piano. Classical, Chamber Music. Grade 3. Score and Set of Parts

By Felix Bartholdy Mendelssohn (1809-1847). For 2 Violins and Piano. Score & Parts

Composed by Felix Bartholdy Mendelssohn (1809-1847). Masterworks; Quartet; Solo Small Ensembles; String Ensemble - Mixed. Kalmus Edition. Masterwork; Romantic. Book. 60 pages. Kalmus Classic Edition #00-K09718. Published by Kalmus Classic Edition

With a Critical Commentary. By Felix Mendelssohn. Edited by R. Elvers, E. Herttrich. Piano (Harpsichord), 2-hands. Pages: VII and 174. Urtext edition-cloth bound. Published by G. Henle.

(Oratorio). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Douglass Seaton. For Soprano Solo (2), Alto Solo (2), Tsolo (2), Bass Solo (2), Mixed Choir: Ssaattbb, Orchestra. Score; Urtext Edition (hard bound). Op. 70

By Felix Bartholdy Mendelssohn (1809-1847). Edited by Joseph Schwartz. Mixed choir. Choral Score

By Felix Bartholdy Mendelssohn (1809-1847). Mixed choir. Choral Score