Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

(drums). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Hans Chr. Wolff. For strings. This edition: percussion. Deutscher Verlag fuer Musik. Individual part, Urtext. 10 pages

By Felix Bartholdy Mendelssohn. J. V. Eichendorff. For SATB Choir a cappella. Published by Tonos (German import).

(cello or contrabass). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Hans Chr. Wolff. For strings. This edition: cello or contrabass. Deutscher Verlag fuer Musik. Individual part, Urtext. 20 pages

(Viola 2). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Hans Chr. Wolff. For strings. This edition: Viola 2. Deutscher Verlag fuer Musik. Individual part, Urtext. 20 pages

Fun and Easy Arrangements for Beginning and Amateur Guitarists. By Benjamin R. Hanby; Felix Mendelssohn Bartholdy; James Pierpont; James R. Murray; John Francis Wade; John Henry Hopkins; Theodoricus Petrus Of Nyland; Thomas Helmore. Edited by Bill Rhoads. Arranged by Bill Rhoads.…

(Viola 1). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Hans Chr. Wolff. For strings. This edition: Viola 1. Deutscher Verlag fuer Musik. Individual part, Urtext. 20 pages

(violin 2). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Hans Chr. Wolff. For strings. This edition: Violin 2. Deutscher Verlag fuer Musik. Individual part, Urtext. 20 pages

(violin 1). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Hans Chr. Wolff. For strings. This edition: Violin 1. Deutscher Verlag fuer Musik. Individual part, Urtext. 20 pages

(Viola 2). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Hellmuth Chr. Wolff. For strings. This edition: Viola 2. Deutscher Verlag fuer Musik. Individual part, Urtext. 16 pages

Voice, Recorder, Guitar, Piano. By George Frideric Handel, Felix Bartholdy Mendelssohn, Franz Xaver Gruber, Benjamin R. Hanby. Arranged by David Feldstein; Sandy Feldstein; Thomas Helmore. Text: Charles Wesley; Edward H. Sears; John Francis Wade; John M. Neale; Joseph Mohr; Phill…

(cello or contrabass). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Hans Chr. Wolff. For strings. This edition: cello or contrabass. Deutscher Verlag fuer Musik. Individual part, Urtext. 8 pages

(Viola 1). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Hans Chr. Wolff. For strings. This edition: Viola 1. Deutscher Verlag fuer Musik. Individual part, Urtext. 8 pages

(violin 2). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Hans Chr. Wolff. For strings. This edition: Violin 2. Deutscher Verlag fuer Musik. Individual part, Urtext. 8 pages

(violin 1). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Hans Chr. Wolff. For strings. This edition: Violin 1. Deutscher Verlag fuer Musik. Individual part, Urtext. 8 pages

(Viola 1). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Hans Chr. Wolff. For strings. This edition: Viola 1. Deutscher Verlag fuer Musik. Individual part, Urtext. 8 pages

(wind set). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Christian Martin Schmidt. For orchestra. Breitkopf Orchestral Library. Wind set, Urtext. 52 pages

(Cello 1). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Trio Di Clarone. For 2 Clarinets, Orchestra. This edition: Cello 1. Breitkopf Orchestral Library. Individual part, Urtext. 4 pages

From "ST. Paul". By Felix Bartholdy Mendelssohn. Arranged by William Livingston. For SATB, Keyboard. Duration 3:10. Published by Coronet Press.