SAM-Klang. Par MENDELSSOHN-BARTHOLDY FELIX. Le nom SAM-Klang reprend la premie`re lettre des parties vocales en anglais ¬? soprano, alto et men (« hommes ») - et combine cet acronyme avec le mot «Klang », signifiant «son » en danois et allemands, pour cre´er le mot-valise SAM-Klang : « son-ensemble » ou plus ge´ne´ralement, « harmonie ». La se´rie SAM-Klang propose un re´pertoire choral de base et…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

By Felix Bartholdy Mendelssohn (1809-1847). Edited by Gerhard Schuhmacher. For 2 Violins, Viola, Cello. This edition: 2 Violins, Viola, Cello. Paperback. Deutscher Verlag fuer Musik. Urtext edition. 66 pages

By Felix Bartholdy Mendelssohn (1809-1847). Edited by Hans Chr. Wolff. For strings. Paperback. Deutscher Verlag fuer Musik. Score, Urtext. 16 pages

By Felix Bartholdy Mendelssohn (1809-1847). Edited by Hans Chr. Wolff. For strings. Paperback. Deutscher Verlag fuer Musik. Score, Urtext. 52 pages

By Felix Bartholdy Mendelssohn (1809-1847). Edited by Hans Chr. Wolff. For strings. Paperback. Deutscher Verlag fuer Musik. Score, Urtext. 16 pages

By Felix Bartholdy Mendelssohn (1809-1847). Edited by Hans Chr. Wolff. For strings. Paperback. Deutscher Verlag fuer Musik. Score, Urtext. 16 pages

By Felix Bartholdy Mendelssohn (1809-1847). Edited by Hans Chr. Wolff. For strings. Paperback. Deutscher Verlag fuer Musik. Score, Urtext. 16 pages

By Felix Bartholdy Mendelssohn (1809-1847). Edited by Chr Hellmundt / H Dohnert. For 2 Pianos, 4-hands. This edition: 2 Pianos, 4-hands. Paperback. Edition Breitkopf. Piano reduction, Urtext. 88 pages

By Felix Bartholdy Mendelssohn (1809-1847). Edited by Felix Bartholdy Mendelssohn. For Mixed Choir, Solo Parts, Orchestra. Paperback. Edition Breitkopf. Piano reduction, Urtext. 28 pages

By Felix Bartholdy Mendelssohn (1809-1847). Edited by Felix Bartholdy Mendelssohn. For Mixed Choir, Solo Parts, Orchestra. Paperback. Edition Breitkopf. Piano reduction. 40 pages

By Felix Bartholdy Mendelssohn (1809-1847). Edited by John Haberlen. For SATB choir (SATB). Sacred. Grade 3. Choral octavo

By Felix Bartholdy Mendelssohn (1809-1847). Edited by Joachim Draheim. For Men's Choir, Soprano, Orchestra. Paperback. Edition Breitkopf. Piano reduction. 80 pages

By Felix Bartholdy Mendelssohn (1809-1847). Edited by Oswald Bill. For Soprano Solo, Mixed Choir-SATB, Str.Org Ad Lib. Chormusik des 19. Jahrhunderts. Kantaten, Romantik (Cantatas, Romantic). Chorus Score

(Kantate). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Oswald Bill. For Violoncello/Contrabass. Chormusik des 19. Jahrhunderts. Kantaten, Romantik (Cantatas, Romantic). Single Part

By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Yamamoto. Quartet. For tuba quartet (EETT)

(Kantate fur Solostimme, Chor, Streicher oder Orgel). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Oswald Bill. For Soprano Solo, Mixed Choir-SATB, Violin (2), Viola, Violoncello/Contrabass, Organ Ad Lib. Chormusik des 19. Jahrhunderts. Kantaten, Romantik (Cantatas, Roma…

By Felix Bartholdy Mendelssohn (1809-1847). For Women's Choir. 34 pages. Choral score. Text Language: German

By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Dupont. Operas, operas comiques, operettes. For Wind Band. Orchestral Music. Medium-advanced (grade 5)

By Felix Bartholdy Mendelssohn (1809-1847). For piano. Piano forte. Classical. Score

By Felix Bartholdy Mendelssohn (1809-1847). For piano. Pianino. Classical. Score

By Felix Bartholdy Mendelssohn (1809-1847). For piano. Piano forte. Classical. Score