Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

By Felix Bartholdy Mendelssohn (1809-1847). Edited by R. Larry Todd. For SSATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello/Contrabass. D-Moll (D minor). Stuttgart Urtext editions. Score available separately…

By Felix Bartholdy Mendelssohn (1809-1847). For piano. Piano & keyboard music. Published by Stainer & Bell Ltd.

By Felix Bartholdy Mendelssohn (1809-1847). For SSAATTBB Choir. C-Dur (C major). Stuttgart Urtext editions. Sacred, Motets, Psalms, German; Stuttgart Urtext editions; Occasions: Praise and thanks, Psalms; Use during church year: Pentecost. Level 3. Full score. Language: German. C…

(Non nobis Domine / Nicht unserm Namen, Herr). By Felix Bartholdy Mendelssohn (1809-1847). Edited by R. Larry Todd. For Soli STBar, SSAATTBB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Violins, Viola, Cello, Contrabass. This edition: Paperbound. Stuttgart Urtext…

(O! Come let us worship and kneel before the Lord). By Felix Bartholdy Mendelssohn (1809-1847). Edited by R. Larry Todd. For Soli SST, SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ. Th…

By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Richard Meyer. Orchestra. For full (timp, bells, sus cymbal, vln3). Full Orchestra; Part(s); Score. Highland First Philharmonic. Masterwork Arrangement; Romantic. Grade 2. 102 pages. Published by Alfred Music Publishing

(Ouverture). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Christopher Hogwood. For piccolo, 2 flutes, 2 oboes, 2 clarinets (b flat), 2 bassoons, serpent, contrabassoon, 2 horns, 3 trumpets, kettledrum, strings. This edition: Urtext edition. Score (paperbound). Composed 1…

(Saxophone Quartet). By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Larry Teal. LKM Music. 9 pages. Hal Leonard #S154008. Published by Hal Leonard

(Vespergesang). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Gunter Graulich. For Soli TTBB, TTBB Choir, Cello, Contrabass, [Organ]. Score available separately - see item CA.4019010. Stuttgart Urtext Editions; Daily Hours. Level 3. Part: Violoncello/Contrabass (= ad lib.…

By Felix Bartholdy Mendelssohn (1809-1847). Edited by Maurice Hinson and Allison Nelson. For Piano. Book; Masterworks; Piano Collection. Alfred Masterwork Edition. Masterwork; Romantic. Advanced. 48 pages. Published by Alfred Music Publishing

By Felix Bartholdy Mendelssohn (1809-1847). For SSAA Choir (Vocal Score). Music Sales America. Romantic. 86 pages. Novello and Co Ltd. #NOV954888. Published by Novello and Co Ltd.

(cello or contrabass). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Hellmuth Chr. Wolff. For strings. This edition: cello or contrabass. Deutscher Verlag fur Musik. Individual part, urtext. 12 pages. Published by Breitkopf and Haertel

(Viola 1). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Hellmuth Chr. Wolff. For strings. This edition: Viola 1. Deutscher Verlag fur Musik. Individual part, urtext. 16 pages. Published by Breitkopf and Haertel

(violin 2). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Hellmuth Chr. Wolff. For strings. This edition: Violin 2. Deutscher Verlag fur Musik. Individual part, urtext. 12 pages. Published by Breitkopf and Haertel

By Felix Bartholdy Mendelssohn (1809-1847). String quintet. For 2 violins, 2 viols, and cello (Study Score). Eulenburg Taschenpartituren (Pocket Scores). Study Score. 76 pages. Schott Music #ETP134. Published by Schott Music

By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Jean Martin. For 2-part (SA, Mixed, or TB) & Keyboard (2-part). Standard notation. Published by Coronet Press

By Felix Bartholdy Mendelssohn (1809-1847). For SATB Soli, SATB Chorus, [2.2.2.2 Contrabassoon-4.2.3.1], Timpani, Organ, Strings. Play Along. CD. Published by Music Partner CD

((The Hymn of Praise)). By Felix Bartholdy Mendelssohn (1809-1847). For 2-part Choir (2-part). Music Sales America. Choral, Romantic, Sacred. 8 pages. Novello & Co Ltd. #NOV160094. Published by Novello & Co Ltd.