SAM-Klang. Par MENDELSSOHN-BARTHOLDY FELIX. Le nom SAM-Klang reprend la premie`re lettre des parties vocales en anglais ¬? soprano, alto et men (« hommes ») - et combine cet acronyme avec le mot «Klang », signifiant «son » en danois et allemands, pour cre´er le mot-valise SAM-Klang : « son-ensemble » ou plus ge´ne´ralement, « harmonie ». La se´rie SAM-Klang propose un re´pertoire choral de base et…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Presenter: Daniel Grimwood. Composed by Felix Bartholdy Mendelssohn (1809-1847). More than the score ... Score. 12 pages. Edition Peters #EP73157. Published by Edition Peters

Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Christopher Hogwood. This edition: urtext edition. Stapled. Set of wind parts. Opus 107. 138 pages. Published by Baerenreiter Verlag (BA.BA9095-65).

(Symphonie-Kantate). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Douglass Seaton. For Soli SST, Choir SSAATB, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 4 horns, 2 Trumpets, 3 Trombones, timpani, 2 Violins, viola, cello, contrabass, organ. Stuttgart Urtext Edition. Sco…

By Felix Bartholdy Mendelssohn (1809-1847). Edited by Bernhard Pauler. For clarinet, cello and piano. Score and parts. Published by Amadeus Verlag

for Violin, Violoncello and Piano. By Felix Mendelssohn Bartholdy. Edited by S. Grossmann. Piano Trios. Pages: Score = 131 * Vl Part = 26 * Vc Part = 26. Urtext edition-paper bound. Published by G. Henle.

Composed by Felix Bartholdy Mendelssohn (1809-1847). Masterworks; Piano Collection. Kalmus Edition. Masterwork; Romantic. Book. 112 pages. Kalmus Classic Edition #00-K03681. Published by Kalmus Classic Edition

By Felix Mendelssohn. Edited by E. Herttrich. STUDY EDITION. Pages: VI and 178. Study score-no details. Published by G. Henle.

(The Nightingale). By Felix Bartholdy Mendelssohn, Johann Wolfgang Von Goethe. Arranged by Russell L. Robinson. (SAB optional a cappella). This edition: WW1420. Walton Choral. 8 pages. Published by Walton Music.

By Craig Courtney. (Piano Collection). Sacred. Published by Beckenhorst Press.

(from Elijah). By Felix Bartholdy Mendelssohn. (VoiceTrax CD). This edition: OC2498. Choral. CD only. Published by G. Schirmer.

Second Version 1845. Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Todd, R. Larry / Brown, Clive. This edition: urtext edition. Stapled. Barenreiter Urtext. Late version. Vocal score, Part(s). Opus 64. Duration 12 hours. Baerenreiter Verlag #BA09099-90. P…

Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Christopher Hogwood. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. Opus 107. 15 pages. Baerenreiter Verlag #BA09095-75. Published by Baerenreiter Verlag (BA.BA09095-75).

Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Christopher Hogwood. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. Opus 107. 16 pages. Baerenreiter Verlag #BA09095-79. Published by Baerenreiter Verlag (BA.BA09095-79).

Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Christopher Hogwood. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. Opus 107. 14 pages. Baerenreiter Verlag #BA09095-82. Published by Baerenreiter Verlag (BA.BA09095-82).

Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Christopher Hogwood. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. Opus 107. 12 pages. Baerenreiter Verlag #BA09095-85. Published by Baerenreiter Verlag (BA.BA09095-85).