The composer Rudolf Kelterborn about his work: 'I call the ten compositions for female voice and piano 'DUOS' because the voice and instrument parts are treated musically with absolute equality and indeed often go their own independent ways. In the vocal part there are several variants, and this makes them accessible for different types of voice. The 10 duos do not form a complete cycle that can b…

Vesperpsalm. Par HASSE JOHANN ADOLF. The Laudate pueri was composed between 1735 and 1749 for the Ospedale degl’Incurabili in Venice. Since the Ospedale was an institution for the musical training of gifted girls and young women, the vocal parts are scored for female voices. As Director of Music at the Saxon-Polish Court of Dresden, Hasse was also responsible for church music, and therefore he arr…

Vesperpsalm. Par HASSE JOHANN ADOLF. The Laudate pueri was composed between 1735 and 1749 for the Ospedale degl’Incurabili in Venice. Since the Ospedale was an institution for the musical training of gifted girls and young women, the vocal parts are scored for female voices. As Director of Music at the Saxon-Polish Court of Dresden, Hasse was also responsible for church music, and therefore he arr…

Vesperpsalm. Par HASSE JOHANN ADOLF. The Laudate pueri was composed between 1735 and 1749 for the Ospedale degl’Incurabili in Venice. Since the Ospedale was an institution for the musical training of gifted girls and young women, the vocal parts are scored for female voices. As Director of Music at the Saxon-Polish Court of Dresden, Hasse was also responsible for church music, and therefore he arr…

Vesperpsalm. Par HASSE JOHANN ADOLF. The Laudate pueri was composed between 1735 and 1749 for the Ospedale degl’Incurabili in Venice. Since the Ospedale was an institution for the musical training of gifted girls and young women, the vocal parts are scored for female voices. As Director of Music at the Saxon-Polish Court of Dresden, Hasse was also responsible for church music, and therefore he arr…

Par SCHUMANN CLARA. Clara Schumann (née Wieck) was undoubtedly the most important female pianist of the 19th century. As a young child she toured Europe as a prodigy: her entire career as a celebrated piano virtuoso spanned more than 60 years. Equally important, but less well known, is the composer Clara Schumann, who published her Opus 1 at the age of eleven. Despite the domestic duties expected …

Par BARTOK BELA. Based on the Béla Bartók Complete Critical Edition (Z. 15009), this volume includes Bartók's complete works for children's and female voices. The lyrics in this Urtext edition are in the original languages, but literal English translations are provided in the appendix, which also includes English versions of those of the 27 Two- and Three-Part Choruses that were authorized by the …

Par BARTOK BELA. Based on the Béla Bartók Complete Critical Edition (Z. 15009), this volume includes Bartók's complete works for mixed voices. The lyrics in this Urtext edition are in the original languages and in the translations authorized by the composer. Literal English translations are provided in the appendix.The edition is complete with an informative preface (in Hungarian, English, and Ger…

For Male or Female Voice. Fast Track Music Instruction. Softcover Audio Online. Size 9x12 inches. 48 pages. Published by Hal Leonard.

A Baroque Burlesque in Two Acts(Eng). Score. By Charles Wuorinen. For 3 soprano, alto, 2 tenor, baritone, bass, female speaking voice soli, 2 (piccolo) 2 (english horn) 2 (bass clarinet) 2 (contrabassoon) 2221 percussion (3), piano, harp, strings. This edition: score. Photoprint …

For Female Voice and Piano. By Bernard Rands. Schott. 16 pages. Published by Helicon.

Score, ad lib. Flutes and string orchestra. By Walther Schneider. Arranged by . For Female voice choir (SSA), 2 Flutes, String orchestra. Published by Tonos (German import).

Vol. 2 A. By Jacques Offenbach. For Female Voice, Piano. Published by Lemoine.

For Male or Female Voice. Performed by Various Artists. Fast Track Music Instruction. Softcover with CD. Size 9x12 inches. 24 pages. Published by Hal Leonard.

Composed by Emile Paladilhe (1844-1926). Edited by Hugh Chandler. National/Emerson Fred Bock. Concert, Contest, Female Voices, Festival, French, Romantic. Octavo. 8 pages. National Music Publishers #NM1014. Published by National Music Publishers

From The King and I. Composed by Richard Rodgers. Arranged by John Leavitt. Voices Together. Broadway, Children, Inspirational, Musicals. Octavo. 12 pages. Published by Hal Leonard

(For Two-Part Treble Voices with Keyboard Adn Optional Flute and Percussion). By Anonymous. Arranged by Patrick M. Liebergen. Female chorus. For Mixed Chorus, Flute, Keyboard, Percussion. Choral. Piano/Vocal Score. Standard notation. 12 pages

Instruction by Rose Coppola. Instructional video: DVD and two accompaniment CDs for voice. Published by Alfred Publishing.

Edited by Miklos Forrai. Collection for 2 female voices and piano accompaniment. 87 pages. Published by Editio Musica Budapest.

(Motet for Two Four-Part Choirs of Equal Voices, A Cappella). By Jacob Handl (Gallus). Female chorus. For Soprano I, Soprano II, Soprano III, Soprano IV, Alto I, Alto II, Alto III, Alto IV. Dessoff Choir Series. Sacred, Choral. Piano/Vocal Score. Standard notation. 7 pages