| Fantasy Pieces For Violoncello And Piano Op. 73 Violoncelle, Piano Wiener Urtext
Written in just two days in February 1849, Robert Schumann's Fantasy Pieces Op. 73 were first performed by his wife Clara and the clarinettist Johann Gottlieb Kotte. Initially entitled Soirée Pieces, the composer later had the works published under the name of Fantasy Pieces, thus establishing a connection with poetical aspects. The first edition published in July 1849 contained not only a clarine…
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| Tune Book 1 op. 63 Band 1 (BAERMANN CARL) Clarinette et Piano Schott
Concert Pieces from the Clarinet Method. Par BAERMANN CARL. The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents.
The editor who …
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| Songs II For Low Voice And Piano Piano, Voix Barenreiter
Following the publication of Dvorák's early set of love songs 'Cypresses?, all his other songs with piano accompaniment are now appearing in Urtext editions.'Songs II? includes the mature works from Dvorák's late period. Besides the well-known cycle 'Love Songs? and the less well-known cycle 'Three Modern Greek Songs?, the volume also contains some entirely unknown and previously unpublished piece…
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| PIANO QUARTET E FLAT MAJOR OP (DVORAK ANTONIN) (DVORAK ANTONIN) Piano Quatuor: piano, 2 violons, violoncelle [Partition] G. Henle
Par DVORAK ANTONIN. For several years following composition of his first piano quartet, Dvorák?s publisher Simrock pushed him to compose a follow-up piece in the genre. The work, written during a few short weeks in summer 1889, fulfilled Simrock?s wishes. With his op. 87, Dvorák delivered a challenging and mature work in which a mastery of form is combined with memorable themes and surprising harm…
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| Romance Op. 11 (Arrangement For Violin And Piano) Violon et Piano Barenreiter
First ever publication based on the autographOriginally written for violin and orchestra between 1873 and 1877, Dvorák's 'Romance? immediately followed his String Quartet in F minor (1873) and draws on the theme from its slow movement. He probably wrote the 'Romance? for his friend, the violin virtuoso Franti?ek Ondrícek, who later premiered Dvorák's Violin Concerto in 1883.Our edition is the firs…
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| Sonata For Pianoforte And Violoncello Op. 104 Violoncelle, Piano Barenreiter
Famous in his day, the Austrian composer and pianist Johann Nepomuk Hummel (1778-1837) studied with Mozart and befriended Beethoven.Among his many works is a relatively late sonata for violoncello and piano composed in 1824 and published in 1826 - a delightful early Romantic piece in three movements supported by a capricious piano part.The expressive cello cantilena in the 'Romance? will capture t…
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| Beethoven, Ludwig Van : Concerto for Pianoforte and Orchestra no. 2 B-flat major op. 19 2 Pianos, 4 mains [Partition] Barenreiter
Although the sources to Beethoven's piano concerto op. 19 are generally known, many misconceptions and misinterpretations are put right in this Bärenreiter Urtext edition. Up till now, no edition was based exclusively on the authentic sources. Previous publications tended to rely on earlier editions, such as the old Beethoven Complete Edition which in turn also did not take exclusively authentic s…
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| Grande Sestetto Concertante Für Streichsextett (1808) Violon 1, Violon 2, Alto, Violoncelle, Violoncelle [Partition] Barenreiter
for String Sextett. Par MOZART WOLFGANG AMADEUS. For String Sextet (2 Violins, 2 Violas, 2 Cellos, Bass) set of parts. Mozart ’s Sinfonia Concertante for Violin and Viola, K. 364 (320d), is his only complete surviving work in this genre. He wrote it in 1779 after returning from Paris and Mannheim. For two decades it was known only in a few copyists’ manuscripts. The first edition did not appear un…
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| Symphony #2 Chorale SATB SATB, Piano Universal Edition
Over the years, the need for a new edition of Mahler's Symphony #2 became apparent for several reasons. First, many new sources for this work have become accessible since 1970, when Erwin Ratz completed the first critical edition of this symphony, the most significant being Mahler's personal reference score in which he recorded changes to be made (his last entries were made in September 1910). The…
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| Symphonie 2 "Ressurection" (MAHLER GUSTAV) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur d'étude / Miniature] Universal Edition
Par MAHLER GUSTAV. Over the years, the need for a new edition of Mahler's Symphony No. 2 became apparent for several reasons. First, many new sources for this work have become accessible since 1970, when Erwin Ratz completed the first critical edition of this symphony, the most significant being Mahler's personal reference score in which he recorded changes to be made (his last entries were made i…
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| STRING QUARTET NO. 2 OP. 17 (BARTOK BELA) (BARTOK BELA) Quatuor à cordes: 2 violons, alto, violoncelle [Partition] G. Henle
Par BARTOK BELA. Bartók?s Second String Quartet was composed ? with several long interruptions ? between 1915 and 1918, after he had spent several years almost solely devoted to collecting folk music. The melody and rhythms of the riotous middle movement ?Allegro, molto capriccioso? provide impressive testimony of how his research trips had taken him as far as North Africa. The first edition of th…
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| STRING QUARTET NO. 2 OP. 17 (BARTOK BELA) (BARTOK BELA) Quatuor à cordes: 2 violons, alto, violoncelle [Partition] G. Henle
Par BARTOK BELA. Bartók?s Second String Quartet was composed ? with several long interruptions ? between 1915 and 1918, after he had spent several years almost solely devoted to collecting folk music. The melody and rhythms of the riotous middle movement ?Allegro, molto capriccioso? provide impressive testimony of how his research trips had taken him as far as North Africa. The first edition of th…
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| Romanian Christmas Songs (BARTOK BELA) Piano seul [Partition] G. Henle
Par BARTOK BELA. Bartók'
s 'Romanian Christmas Songs' are based on folk melodies that originated in a pagan celebration of the winter solstice, and which he felt gave '
the impression of a fiery, war-like type of song, rather than a pious and religious one”. Nevertheless, he chose 20 melodies from this collection of '
colinde” and published them under the title of '
Christmas Songs”. In the first …
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