Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn's contemporaries frequently mentioned his 'Hymn of Praise” in the same breath as Beethoven's Ninth - and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper, in his extensive Introduction to this new Urtext edition, shows that the comparison is completely unfounded: with this work Mendelssohn created a new genre to which he…

Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…

Edited after: Paul Hindemith, Complete Works, Vol. V/7Instrument : viola and pianoNombre de Pages : 64The genesis of the viola sonata reflects the eventful life of Hindemith in the winter of 1938/39 and owes its completion to Hindemith's ability to compose even while travelling, especially on trains. Hindemith himself said about his viola sonata: '... It is a powerful, well-fed piece with durable …

Johannes Brahms:The Works for one Instrument and PianoJohannes Brahms' compositions for one instrument and piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless, we rarely approach the music taking into consideration the possibilities…

Mozart?s Requiem Truth and Legend Mozart?s ?Requiem? is fraught with questions and emotions: the expressive depth of its music, sorrow at the great composer?s early death, truth and legend, fragments and attempts to complete the work. The surviving manuscript reflects its dramatic history: Mozart?s handwriting often appears on the same page as inscriptions by Süssmayr and others. One corner of a …

Bärenreiter?s new scholarly-critical edition of op. 87 edited by Christopher Hogwood is based on the score and parts from the first edition; where necessary he also consulted the autograph.

The first edition parts were engraved after the manuscript parts and not after the score. Here the readings of the legato phrasing and the dynamics more accurately reflect the composer?s intentions th…

Par CHOPIN FREDERIC. In 1845/46 Chopin composed his bel canto inspired “Barcarolle” in F-sharp major op. 60, which became a model for subsequent generations of composers. In his evaluation of the divergent and partly even contradictory sources – due to the different engraving models (Stichvorlagen) for the first editions published almost simultaneously in Paris, London, and Leipzig – the editor o…

Vienna version 1781. Par GLUCK CHRISTOPH WILLIBALD. Gluck Iphigenie auf Tauris (Vienna version 1781) (Vocal Score) Music drama in four acts Following upon the great success of “Iphigénie en Tauride”, Gluck arranged the popular drama of human passions, guilt and unconditional friendship once again for Vienna’s Burgtheater, where it was premièred in 1781. Especially remarkable is the masterly orche…

The ?Sonata in F minor? op. 57 (1804/05), a key work in the classical sonata repertoire, is part of Bärenreiter?s ongoing publication of selected Beethoven piano sonatas in Urtext editions. The nickname ?Appassionata? was ascribed to the sonata only in 1838, long after Beethoven?s death.'
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This Urtext edition is edited by the Beethoven expert Jonathan Del Mar. His editorial approach and pri…

By Morten Lauridsen (1943-). SATB A Cappella. Peermusic Classical. Softcover. 10 pages. Peermusic #61860-121. Published by Peermusic

Composed by Frank Martin (1890-1974). Edited by Antje Wissemann. For Double Choir a cappella. This edition: Urtext edition. Stapled. Choral score. Language: Latin, Text Language: German/English. 48 pages. Published by Baerenreiter Verlag

By George Frideric Handel (1685-1759). Edited by Hans Joachim Marx. For soprano voice solo, alto voice solo, tenor voice solo, bass voice solo, SSATB choir , violin (2), viola (2), cello, basso continuo (cello, double bass, organ) (2 Solo Sopranos/Solo Al

Arranged for piano and viola. Composed by Cesar Auguste Franck (1822-1890). Edited by Douglas Woodfull-Harris. Arranged by Douglas Woodfull-Harris. Stapled. Performance score. Published by Baerenreiter Verlag (BA.BA10918).

By Johannes Brahms. This edition: HN75. Henle Music Folios. Book only. 40 pages. Published by Henle Urtext Edition.

(Revised Edition). Composed by Frederic Chopin (1810-1849). For Piano (Piano). Henle Music Folios. Softcover. G. Henle #HN1258. Published by G. Henle

(10 Piano Solos Inspired by Great Works of Art). Composed by Catherine Rollin. For Piano. Book; Graded Standard Repertoire; Piano Collection; Piano Supplemental. Museum Masterpieces. Early Intermediate; Intermediate. 28 pages. Published by Alfred Music

(Capriccios C, c#, f#, b Intermezzi A, a , A-flat, B-flat). By Johannes Brahms (1833-1897). Edited by Katrin Eich. For Piano. Henle Music Folios. Softcover. 40 pages. G. Henle #HN1184. Published by G. Henle

(Set of Parts). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Ernst Herttrich. For String Quintet (Parts). Henle Music Folios. Softcover. G. Henle #HN908. Published by G. Henle

By Johannes Brahms (1833-1897). Edited by Christopher Hogwood. For Clarinet/Viola/Violoncello/Piano (Clarinet/(Viola)/Violoncello/Piano). This edition: Stapled, Urtext edition. Performance score, Set of parts. Text Language: English/German. Opus 114. 41/8/8/11 pages. Published by…

By Hal H. Hopson. For unison/2-part choir. General, Spiritual, Sacred. Sacred Anthem. Published by Chorister's Guild.

(12 Fantasy-Pieces After The Zodiac For Amplified Piano) Composed by George Crumb (1929-). Piano score for amplified piano. With performance notes and introductory text. Composed 1972. 19 pages. Published by C.F. Peters.

Piano Solo. Composed by Bela Bartok (1881-1945). Edited by Laszlo Somfai. Henle Music Folios. Softcover. 10 pages. G. Henle #HN1401. Published by G. Henle (HL.51481401).

Piano Solo. Composed by Anton Webern (1883-1945). Edited by Ullrich Scheideler. Henle Music Folios. Softcover. 20 pages. G. Henle #HN1344. Published by G. Henle (HL.51481344).

Composed by Ludwig van Beethoven (1770-1827). Edited by Barry Cooper. Arranged by Andrea Campora. For SATB vocal soli, SATB choir, orchestra. This edition: urtext edition. Paperback. Vocal score. Opus 86. Published by Baerenreiter Verlag

Composed by Nicolo Paganini (1782-1840). Edited by Daniela Macchione. For violin. This edition: Urtext edition. Paperback. Level 5. Performance score, anthology. Text Language: English/German. Published by Baerenreiter Verlag

Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da Costa. For viola and piano. This edition: urtext edition. Paperback. Level 3. Score with parts. Opus 120. Published by Baerenreiter Verlag