Arr. Peter Kleine Schaars_John Blanken. Par MERCURY / JOHN DEACON / BRIAN MAY. Le titre résume parfaitement le contenu du medley : les plus grands succès commerciaux du groupe Queen : Bohemian Rhapsody, Another One Bites the Dust, Crazy Little Thing Called Love, We Will Rock You et We Are the Champions. / Niveau : 3 / Pop and rock / Recueil / Brass Band

The Real Book you know and love has now been updated to include backing tracks for 240 songs on one convenient USB flash drive stick! The play-along CDs alone are worth $100 so this is an amazing package price! The Real Books are the best-selling jazz books of all time. Since the 1970s, musicians have trusted these volumes to get them through every gig, night after night. The problem is that the …

Les racines de la guitare classique sont trouvent dans les instruments à cordes au début de la Renaissance, et cette collection spéciale comporte 50 solos arrangés pour guitare solo avec tablature. L'ensemble des pièces comprend la musique de Thomas Campian, Francis Cutting, John Dowland, Orlando Gibbons, Michael Praetorius et autres, avec chaque arrangement présenté en notation standard et onglet…

This beautifully illustrated and easy to use songbook is a unique volume which includes over a hundred folk songs from the British Isles, chosen specifically for the beauty of their words and music. Songs of longing, of love, of the Irish and Scottish rebelions, as well as lullabies, children's songs, and even a few composed songs which have become a part of the folk heritage can be found in this…

Arcadia is a work for Violin, Soprano Saxophone and Piano, inspired by the painting 'Pastoral for E.W.' by John Craxton. As a painter, John was sometimes dubbed a 'neo-Romantic', but much preferred the term 'Arcadian' - hence the title of the piece. Pastoral for E.W. was painted in 1948 in St John's Wood after one of John's early trips to the island of Crete, and is a homage to Peter Watson, (co-f…

The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white n…