Par CURNOW PAUL. An expansive and electrifying tour-de-force for your developing band! Teach proper eighth-note triplet rhythms, straight eighths, and dotted eighth/sixteenth rhythms as you prepare this exciting piece for performance. Explore the power of the full ensemble and contrasting lighter sections. Demand maximum dynamic contrast. This may prove to be the centerpiece of your festival perfo…

Eine Sammlung weihnachtlicher Klaviermusik. Art and Music reflect with special clarity the various ways people in the course of history have understood and interpreted Christmas. The musical forms of CHRISTMAS literature range from gentle Pianissimo to vigorous Fortissimo, from meditative Adagio and solemn Maestoso to exciting Vivace, and from the simple sounds of triads to the charming dance of r…

Par JACKY DREKSLER. Ce livre unique est un tuteur, le livre de référence, le songbook et le dictionnaire tout en un. C'est amusant et facile à comprendre avec plein de trucs informatifs, qui le rend bien adaptée aux débutants et amateurs qui souhaitent tirer le maximum de leur clavier. Divisé en 12 sections progressives, le livre couvre pratiquement tout ce que vous devez savoir sur les claviers é…

Par HAMMERSTEIN II OSCAR. Young players sometimes need a lyric piece with built-in emotional points and dynamic variety. This easy arrangement starts softly with just clarinets and F horn on the melody, then gradually builds to a powerful climax. / Date parution : 2022-04-01/ Répertoire / Concert Band/Harmonie

Maryland, My Maryland. Par HERZOG EDGAR. After initially introducing the theme in a mere „cloud of sound', the piece, then, starts off in a Cajun/New Orleans groove. All the voices have their solo spots. More and more independent voices join in falling into the groove and, thus, intensifying the tune: The woodwind family is in high Christmas spirits. Shortly after the climax - Is it the turkey or …

for Cornet and Brass Band. Par SPARKE PHILIP. In this solo work - a commission for an 18th birthday present - the opening mood of a brooding modal blues gives way momentarily to a more optimistic central section. Following an emotional climax and reflective cadenza, the opening material returns, but now tying in with the central section, and the piece fi nally ends in a more positive mood. / Nivea…

Par SCHWEITZER BENJAMIN. The chiaroscuro-technique developed by painters of the Italian renaissance served to intensify contrasts and effects of optical depth. In Klar/Obskur, I tried to transfer the general idea of this technique on the rather unusual instrumentation of two double-reed woodwinds and piano. On the one hand, a clear, well articulated playing is characteristic for these instruments,…

Par HUMMEL BERTOLD. The overall form of this work in one movement is in seven sections. A slow introduction begins with multiphonics of the saxophone and sounds of cymbals played with a double-bass bow. Vibraphone and marimbaphone provide the chordal foundation for a fanfare-like invocation by the saxophone. The atmosphere of the following Allegro is dominated by an ostinato series of notes taken …

Aus tiefer Not. Par RENTZSCH FRIEDHELM. Friedhelm Rentzsch, long a cellist in the Dresden Philharmonic, set Psalm 130, whose character of penitence is especially impressive here, through the reduction of the musical forces to a solo alto with orchestral accompaniment, and this in a most unique, urgent manner. Through the addition of a sombre text by Erich Arendt the subective manner of the song is…