This single-movement for String quartet employs some of the more familiar elements of Herrmannâ??s compositional style: short musical phrases repeated and then repeated again in other positions sharp use of dynamics among them. It is a fascinating sidelight into the work of one of the 20th centuryâ??s most brilliant composers.Bernard Herrmann was among the greatest of all composers of music for …

10 Pieces for Guitar. Par . Playing with Rhythm: 10 Pieces for Guitar Rhythm is a challenge for many guitar students and is only treated marginally in current pedagogical guitar literature. Precisely this subject is now addressed in the album ?Playing with Rhythm? which was created in cooperation with the Prague Guitar Forum festival. The small compositions written by renowned guitar teachers, c…

Par HALVORSON BRENDA. / Répertoire / Big Band

Par GALUPPI BALDASSARE. Transcribed and edited by Edith Woodcock from manuscripts in Bologna, Brussels, London, Marburg and Munich. Sonata No. 1 in A minorSonata No. 2 in C minorSonata No. 3 in B flatSonata No. 4 in C minorSonata No. 5 in ASonata No. 6 in G minorTranscribed and edited by Edith Woodcock from manuscripts in Bologna, Brussels, London, Marburg and Munich. To purchase in the USA contac…

Performance Score and Parts. Par VIVALDI ANTONIO. This scholarly-critical edition is based on all the known sources, whether printed or handwritten, that have come down to us for these frequently played pieces. By closely scrutinizing the source material, the editor has arrived at interesting findings that considerably differ from earlier editions of these works. Rather than taking as her principa…

Her Kommer Jesus Dine Små arranged by Michael Bojesen for SATB choir. This piece incorporates words by Hans Adolph Brorson.

Uses: General Concert Easter AdventScripture: Isaiah 40:5; Revelation 5:13Raw power characterizes the opening of this festival anthem from the Cathedral Series. Massive chords sweep forwardbringing in fanfare-like choral acclamations of praise. Use of a solo reed adds shine and the martial like theme is a confident call to worship and invitation to prepare the way of the Lord with praise. The …

On ne connaît pas encore avec certitude les origines de la mélodie sur laquelle se base Norwegian Overture. Les sources indiquent pour la plupart un certain J.H. Nebelong dans les environs de 1881. Il est également possible qu'il ait été le premier à avoir transcrit cette mélodie transmise de génération en génération et qu'il l'ait mise à son nom. Le texte est signé par un certain A.H. Brorson et …