Par HARVEY JONATHAN. Predominantly hushed and serene, Plainsongs for Peace and Light proved to be Jonathan Harvey’s final work. It sees Harvey re-examining the very fundamentals of his craft – superimposing lines of plainsong, relishing the simple clash of note againstnote and creating rich, otherworldly sonorities through an elaborate use of canon. Harvey was a composer who always embraced and so…

Kantate Zum 1. Advent. Par BACH JOHANN SEBASTIAN. The opening chorus uses the first verse of the old plainsong hymn 'Veni redemptor gentium', which in the paraphrase by Martin Luther has become the most important Advent hymn of the Protestant Church. Bach introduces the traditional plainsong melody in the form of a French overture, here symbolizing the entry of the King of Heaven, thus creating an…

Kantate Zum 1. Advent. Par BACH JOHANN SEBASTIAN. The opening chorus uses the first verse of the old plainsong hymn 'Veni redemptor gentium', which in the paraphrase by Martin Luther has become the most important Advent hymn of the Protestant Church. Bach introduces the traditional plainsong melody in the form of a French overture, here symbolizing the entry of the King of Heaven, thus creating an…

Kantate Zum 1. Advent. Par BACH JOHANN SEBASTIAN. The opening chorus uses the first verse of the old plainsong hymn 'Veni redemptor gentium', which in the paraphrase by Martin Luther has become the most important Advent hymn of the Protestant Church. Bach introduces the traditional plainsong melody in the form of a French overture, here symbolizing the entry of the King of Heaven, thus creating an…

Kantate Zum 1. Advent. Par BACH JOHANN SEBASTIAN. The opening chorus uses the first verse of the old plainsong hymn 'Veni redemptor gentium', which in the paraphrase by Martin Luther has become the most important Advent hymn of the Protestant Church. Bach introduces the traditional plainsong melody in the form of a French overture, here symbolizing the entry of the King of Heaven, thus creating an…

Par NOURSE NANCY. Psalm 126 is a reading heard most frequently at the time of harvest. It is also particularly appropriate for the second Sunday of Advent or the fifth Sunday of Lent. The vocal line is reminiscent of mediaeval plainsong and is sung nonmetrically, with the flute often serving as both the accompaniment, as well as providing refrains at the ends of phrases. Psalm 126 is a reading hea…

Par SCULTHORPE PETER. Sculthorpe uses the Plainsong Requiem Mass as the source material for this work for Solo Cello, using the music to reflect the words of the Latin text. This is a most interesting concept, particularly so as the timbral and expressive qualities of the cello seem appropriate for this type of work (or influenced-type of work, at least). The cello has a very rich and warm tonal q…

Kantate Zum 1. Advent. Par BACH JOHANN SEBASTIAN. The opening chorus uses the first verse of the old plainsong hymn 'Veni redemptor gentium', which in the paraphrase by Martin Luther has become the most important Advent hymn of the Protestant Church. Bach introduces the traditional plainsong melody in the form of a French overture, here symbolizing the entry of the King of Heaven, thus creating an…

Aus: Selva Morale et Spirituale. Par MONTEVERDI CLAUDIO. The four-part 'Magnificat' presented in this edition is an alternatim setting - i. e. polyphony alternating with plainsong - and as such represents the conservative side of Monteverdi's output. / Hymnes et chorals / Répertoire / Choeur SATB (SAABar) et (Basse Continue)

Aus: Selva morale et spirituale. By Claudio Monteverdi. Edited by Blazey, David. Arranged by Paul Horn. For SATB (SAABar) Choir, [Basso continuo]. Magnificat; Occasions: Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary; Use during church year: Advent, Christm…

By Mode I Plainsong. Arranged by Wayne B. Bisbee. For Voices: SATB. Instruments: 8 handbells (instruments required). Christmas Sacred. Level: easy. 4 pages. Published by GIA Publications.

By Plainsong. Arranged by Gene; Everson Grier. For Voices: 2 mixed voices. Piano. Guess on publication date: sent to Ed 2-19-98, noticed by 6-22-98. Christmas Sacred. Level: easy. 5 pages. Published by GIA Publications.

By Mode I Plainsong. Arranged by Richard Proulx. For Voices: Unison. Instruments: 10 Handbells. Christmas Sacred. Published by GIA Publications.

By Plainsong. Arranged by Michael M. Birkley. For Voices: 2 mixed voices. Instruments: 22 handbells or harp or piano or synthesizer or tuned percussion (vibraphone, glockenspiel) (instruments optional). Keyboard accompaniment. Christmas Sacred. Level: easy. 6 pages. Published by …

By Mode 8 Plainsong. Edited by Richard Proulx. Arranged by Gilles Faux-Bourdon By Binchois. For Voices: SAT. Ars Antiqua Choralis Series Sacred. Level: easy/medium. 3 pages. Published by GIA Publications.

SATB and Harp (Piano). By Benjamin Britten. Arranged by Julius Harrison. (SATB). Boosey and Hawkes Sacred Choral. Size 6.8x10.5 inches. 8 pages. Published by Boosey and Hawkes.

By Jacob Obrecht. Edited by Buxton. For SATB a cappella. (Lat). Sacred Choral Works. Published by Notre Dame Choral Editions.

By Conditor Alme Siderum Plainsong. Arranged by Noel Goemanne. For Voices: SATB, opt. Assembly. Piano reduction. Christmas Sacred. Level: easy. 5 pages. Published by GIA Publications.

By Plainsong. Arranged by Richard Proulx. For Voices: Unison or SATB. Piano reduction. Choral Sacred. Level: easy. 4 pages. Published by GIA Publications.

SATB and Organ. By Benjamin Britten. (SATB). Boosey and Hawkes Large Choral. Size 7.25x10.25 inches. 14 pages. Published by Boosey and Hawkes.

By Plainsong. Arranged by Rory Cooney. For Voices: SATB, cantor, assembly. Instruments: Flute; string quartet (2 violins, viola, cello); brass quartet (2 trumpets in B or C, 2 trombones) (instruments optional). Keyboard accompaniment. Celebration Series Sacred. Level: easy. 4 pag…