| Sechs Blockflötensonaten For alto recorder Flûte à bec Alto, Basse continue [Partition] G. Henle
Performance score with basso continuo (without figured bass realisation). At the beginning of the 18th century, the recorder enjoyed great popularity as a solo instrument for amateurs. Among these were also the princesses of the English court, for whose musical entertainment and training Handel?s six recorder sonatas were probably written in 1725/26. Only four of them appeared shortly thereafter i…
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| Character Songs From Musical Theatre Chant de Femmes et Piano [Partition] Hal Leonard
31 Songs From Featured Character Roles (Women'S Edition). Character roles are a staple of theatre, film, television, and musical theatre. Rather than romantic leads, they are featured comic roles, villains, or off-beat secondary parts. These are their songs from stage and screen musicals./ Recueil / Chant de Femmes et Piano
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| Rheinberger Ga 11 (RHEINBERGER JOSEF GABRIEL) Solistes SSATBB et Orchestre [Partition] Carus Verlag
Oper In 3 Akten. Par RHEINBERGER JOSEF GABRIEL. Rheinberger was inspired to compose his first opera by the great cycle of aquarelles entitled “Von den Sieben Raben” by the painter Moritz von Schwind [1804–1871], with whom he was acquainted. The libretto by Franz Bonn [1830–1904] follows in its essentials the story depicted in these pictures, rather than the Grimm fairytale of the same name. The wo…
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| Das Dornröschen (PAUSET BRICE) Quatuor à Cordes et Orchestre [Partition] Lemoine, Henry
Par PAUSET BRICE. 'Sleeping Beauty', one of the most famous of the Grimm Brothers' fairy tales, has been the object of numerous analyses, commentaries, and renditions of all sorts. Its motifs, typical of the genre (pact, numeral symbolism, destiny, curses, enclosed space) abound in the crude and concise text from the 1812 version, the one I chose from among the seven versions spanning 1812 to 1857…
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| Modern Course : Classical Piano Solos - Fifth Grade Piano seul [Partition] Hal Leonard
This fifth volume in the Classical Piano Solos series features 19 original pieces from the masters, suitable for pianists at a Grade 5 standard.This series was compiled to correlate loosely with the Modern Course method and can be used to supplement any teaching method or situation. This volume features a mix of well-known pieces such as Beethoven's 'Moonlight? sonata (1st mvmt) and Rachmaninoff's…
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| Music Theory For Bass Players (GORENBERG STEVE) Contre Basse Hal Leonard
Demystify the Fretboard and Reveal Your Full Bass Potential!. Par GORENBERG STEVE. Finally, a music theory book designed for bass players of all levels! With this comprehensive workbook, you'll expand your fretboard knowledge and gain the freedom and confidence needed to tackle any musical challenge. Rather than overwhelm the reader with lots of complex theory that may be useful for jazz guitarist…
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| Suite de Pieces (COLERIDGE-TAYLOR SAMUEL) Violon, Orgue [Partition] Ut Orpheus
Par COLERIDGE-TAYLOR SAMUEL. The period of composition (ca. 1893) for the Suite de Pièces for violin and piano or violin and organ was especially productive for Samuel Coleridge-Taylor (1875-1912) in the realm of chamber music. Unpublished works include a piano quintet, clarinet sonata, nonet, piano trio, and a piano sonata. It is notable that the different versions of the Suite for piano and orga…
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| Up To Now (SNOW PATROL) Piano, Voix et Guitare [Partition] Amsco Wise Publications
Arrangeur: Vasco Hexel. Par SNOW PATROL. Snow Patrol 's Up To Now is not a greatest hits album but rather a collection of the band's best-loved songs encompassing their fiteen year musical career. Arranged here for Piano, Voice and Guitar are a selection of tracks spanning four studio albums, also including the brand new track for this album Just Say Yes and Signal Fire from the Spiderman 3 soundt…
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| Veni, Creator Spiritus op. 103g (HUMMEL BERTOLD) Voix Moyenne et Orgue [Conducteur] Schott
for medium voice and organ. Par HUMMEL BERTOLD. The rushing of the Holy Spirit to which the hymn 'Veni creator' refers is symbolized by fast semiquaver runs of the organ which return again and again during the whole piece. Alternately, the text is interpreted musically in seven verses according to the respective content. Traditional melodies appear in a contemporary harmonic makeup. From this cont…
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| Nice Day for a Stroll Ensemble flexible à 4 parties [Conducteur et Parties séparées] Norsk Noteservice
Par ESPLO HAAKON. Nice Day for a Stroll depicts just this, a leisurely stroll around the park. Make sure the piece is not played too fast. With its light jazz touch, the rhythm and the triplets should rather be a bit behind to get the right style. All instruments have small solo parts and melodies that change. The piece is easy to listen to for the audience and will fit well for almost any concert…
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| Belle of the Ball (ANDERSON LEROY) Orchestre d'harmonie [Conducteur et Parties séparées] Hal Leonard
Par ANDERSON LEROY. Like most of Leroy Anderson\'s efforts, Belle of the Ball is light, effervescent, and devoid of conflict or disharmony. Anderson looked upon the piece as a modern-day American revival -- or revitalization -- of the Viennese waltz tradition. Having said that, the main theme sounds rather unlike a Strauss waltz, but the voice of Tchaikovsky is evident in its playful, fantasy-like…
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| Belle of the Ball (ANDERSON LEROY) Orchestre d'harmonie [Conducteur] Hal Leonard
Par ANDERSON LEROY. Like most of Leroy Anderson\'s efforts, Belle of the Ball is light, effervescent, and devoid of conflict or disharmony. Anderson looked upon the piece as a modern-day American revival -- or revitalization -- of the Viennese waltz tradition. Having said that, the main theme sounds rather unlike a Strauss waltz, but the voice of Tchaikovsky is evident in its playful, fantasy-like…
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| In Memoriam Anton Bruckner Op. 91A Orgue Schott
The three-movement piece refers to Bruckner's music in different ways: in the first movement, Hummel used the initials A-B and the beginning of the main theme from Symphony #8- in the second movement, the first four tones of the 'Adagio' from Symphony #9 play a major role, and the third movement, a toccata-like finale, gets its life from further tone sequences and motifs of Bruckner. The work ends…
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| Bizet Georges - L'arlesienne Suite No. 1 - Orchestra Eulenburg
INSTRUMENTATION : ORCHESTRA VERSION : STUDY SCORE DESCRIPTION : THE PREMIÈRE OF DAUDET'S PLAY, L'ARLÉSIENNE, WITH INCIDENTAL MUSIC BY BIZET, AT THE THÉÂTRE DU VAUDEVILLE ON 3 SEPTEMBER 1872, WAS A DEVASTATING EVENT FOR BOTH PLAYWRIGHT AND COMPOSER AND THE PRODUCTION WAS REMOVED FROM THE REPERTORY AFTER 19 PERFORMANCES. THE CRITIC JOHANNÈS WEBER, HOWEVER, WAS ALERT TO THE QUALITY OF BIZET'S SCORE …
17.50 EUR - Expédié par Woodbrass Délais: Sur commande |
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| Six Character Pieces Op. 17 Book 2 (ZELENSKI WLADYSLAW) Piano seul [Partition] PWM (Polskie Wydawnictwo Muzyczne)
Par ZELENSKI WLADYSLAW. Wladyslaw Zelenski had the Six Character Pieces for piano, op. 17 ready around 1871, although it is quite possible that he composed them earlier, even in 1864. Such is indicated by the opus number. At that time he was giving opus numbers to works in chronological order of composition. This set is dedicated to Auguste Auspitz-Kolár, a pianist whom Zelenski could have met on …
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| Sacred Classics For Solo Piano Piano seul Hal Leonard
10 timeless songs of faith, masterfully arranged by John Purifoy. Perfect for church services or personal enjoyment. Titles: Because He Lives - Easter Song - Glorify Thy Name - Here Am I, Send Me - I'd Rather Have Jesus - Majesty - On Eagle's Wings - There's Something About That Name - We Shall Behold Him - Worthy Is the Lamb. / Piano
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