Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Frédéric Chopin composa son trio de piano quand il avait 18 ans, étudiant. À propos de la performance du trio le 31 Août 1830, il écrit: 'Le dimanche, nous avons répété le trio. Peut-être parce que je n'ai pas entendu parler pendant un moment, j'étais très heureux avec moi-même (l'homme chanceux!) 'Par ailleurs, Robert Schumann a également partagé cette opinion, écrivant dans une revue: '. N'est-c…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Par CHOPIN FREDERIC. Les quatre scherzos de Chopin, dans lesquels le compositeur a donné à un genre traditionnel un contenu complètement nouveau, représentent un sommet du piano romantique. Ils adoptent un ton sauvage et démoniaque – toute plaisanterie (au sens de scherzo) est ici quasiment absente. Si bien que Robert Schumann se demandait à propos du Premier Scherzo «comment le sérieux doit se vê…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

  Le vingtième siècle est celui du néo-positivisme, Marqué par l'empirisme radical et l'esprit de refondation qui a présidé aux ambitions de l'axiomatisme, il a donné naissance à la Gestalttheorie comme à la cybernétique, De Vienne aux Etats-unis, puis de retour en Europe, ce parcours séculaire se reflète aussi dans la modernité musicale, Les premières réunions qui donneront naissance au Cercle de…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Astie, Christophe / Cette méthode a été testée pendant de nombreuses années auprès d'élèves débutants de tous âges. Cet ouvrage répond aux exigences et aux goûts d'une majorité d'élèves avec des morceaux connus, variés, et des leçons très progressives, abordant une à une les notions essentielles du piano.



Christophe Astié a mis l'accent sur une présentation aérée, des explications…

Par MOINARD. / Musique Instrumentale / Méthode / Cor

22 Organ Pieces from the 19th and 20th Century. By Various. Arranged by Barbara Heller, Lucia Schnellbacher. Schott. Size 9x12 inches. 150 pages. Published by Schott.

The Greatest Love Of All Composed by Michael Masser, Linda Creed Homecoming Composed by Hagood Hardy Weve Got Tonight Composed by Bob Seger Song From M*a*s*h (Suicide Is Painless) Composed by Johnny Mandel, Mike Altman Misty Composed by Erroll Garner, Johnny Burke Other Side…

Voice and Piano. By Various. Arranged by Robert L. Larsen. Vocal Collection. Size 8.5x11 inches. 216 pages. Published by G. Schirmer, Inc.

Composed by Robert J. Powell, Wilbur Held, Charles E. Peery, Sam Batt Owens, Kenneth T. Kosche, Neil Harmon, Charles Callahan, Michael Burkhardt, Raymond H. Haan, Kevin Uppercue. All Saints/All Souls, Holy Week/Three Days, Lent, Memorial, 21st Century, Confess…

13 Well-Known Original Pieces in Progressive Order. Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Sylvia Hewig- Tröscher. At the Piano. Softcover. 54 pages. G. Henle #HN1813. Published by G. Henle

(Piano). By Johannes Brahms (1833-1897). Edited by Katrin Eich. Henle Music Folios. Softcover. 26 pages

For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Traditional pop and vocal standards. Series: Hal Leonard Fake Books. 424 pages. 9x12 inches. Published by Hal Leonard.

Piano Solo. Arranged by Carol Tornquist. Sacred Folio. Size 9.25x12 inches. 248 pages. Published by Word Music.

Composed by Various. Edited by Joan Frey Boytim. Vocal Collection. Instruction, Collection, Children, Classical. Softcover Audio Online. 72 pages. Published by G. Schirmer

Kinderszenen, Urtext (with critical notes) (Scenes from Childhood). Composed by Robert Schumann. Edited by J. Draheim. Arranged by J. Draheim. Edition with preface and notes on interpretation. SMP Level 8 (Early Advanced). Standard notation. Published by Wiener Urtext/Vienna Urte…

(Hal Leonard Piano Repertoire). By Various. Arranged by Jennifer Linn. Educational Piano Library. Late Elementary. Softcover. 40 pages. Published by Hal Leonard

(Hal Leonard Piano Repertoire). By Various. Arranged by Jennifer Linn. Educational Piano Library. Early Intermediate. Softcover. 48 pages. Published by Hal Leonard

by Craig Duncan. First Lessons. Level: Beginning. Book/CD Set. Size 8.75x11.75. 32 pages. Published by Mel Bay Pub., Inc.

By Robert Schumann. Edited by Friedlaender. For medium voice, piano. Dichterliebe(16 Songs); Frauenliebe und Leben(8 Songs); Liederkreis(12 Songs); Myrten(26 Songs); 15 Selected Songs(Ger). Published by C.F. Peters.

For Bagpipes. Traditional, Folk. Level: Intermediate. Sheet Music. 136 pages. Published by Paterson Ltd.

By Lennon J.A. Arranged by Robert Conway. For piano reduction. Concerto for Alto Saxophone and Orchestra Alto Saxophone and Piano. Duration 20'. Published by C.F. Peters.