Par SCHUMANN ROBERT. Les hauts et les bas d’un amour déçu. . . Qui pourrait ne pas ressentir ce que Schumann a mis en musique de façon si convaincante dans son cycle, sur des vers de Heine? De l’attente pleine d’espoir («Im wunderschönen Monat Mai») en passant par la douleur solitaire («Und wüßten’s die Blumen, die kleinen»), ce cycle va jusqu’à l’amertume sarcastique («Die alten bösen Lieder»). S…

for 2 Violins, Viola and Violoncello. Par SCHUMANN ROBERT. 'The next I'll do is 3 violin quartets' wrote Schumann to Clara Wieck in 1838, stating his reasons in a letter dated 17 March 1838: 'The thought of the quartets gives me pleasure. The piano is getting too narrow for me. In composing now I often hear a lot of things that I can barely suggest. For instance, it is remarkable how I invent almo…

Arranged For Clarinet, Flûte, Harp And Two Violas. Par SCHUMANN ROBERT. Dans la période précédant l'année de Schumann 2010, Reimann maintenant présente une des oeuvres de la littérature de la clarinette dans un arrangement tonalement sublime pour clarinette, flûte, harpe et deux altos dans laquelle Reimann standards a laissé inchangé complètement la partie solo originale. Reimann a écrit l'arrange…

Par SCHUMANN ROBERT. Celui qui a tenté de composer un Latin masse dans le milieu du XIXe siècle avait rivaliser avec les grands modèles et techniques de composition traditionnelle. La messe en si mineur Bach et la Missa solemnis de Beethoven, mais même sa antérieure Messe en ut majeur (interprétée par Schumann) est parmi les oeuvres clés d'une grande tradition de masse à la réception du romantisme…

Par SCHUMANN ROBERT. «Vous, qui êtes un homme, avez bien ressenti ces lieder comme n’aurait guère su le faire le coeur féminin le plus sensible! » a écrit un admirateur à Schumann, à propos de son cycle Frauenliebe und Leben. Cette sensibilité à l’égard de l’expression profondément romantique des poèmes d’Adelbert von Chamisso s’ex-plique sans doute également à travers le contexte de la compositio…

Motet after Friedrich Rückert for Double Male Choir (Organ ad lib.). Par SCHUMANN ROBERT. At first described as a 'religious song' by Schumann, the motet 'Verzweifle nicht' could be heard with organ accompaniment for the first time on 4 July 1850 on the occasion of the 25th anniversary of the University's St. Pauli choral society in Leipzig. He wrote the organ version specifically for this perform…

Par SCHUMANN ROBERT. Very intimate in their musical character are the Mädchenlieder op. 103 [in which the piano accompaniment is necessary], to poems by a German-Russian girl, Elisabeth Kulmann, who died at the age of 17, and whose fate moved Schumann deeply./ Répertoire / Choeur Mixte

Par HOLLIGER HEINZ. Heinz Holliger has dealt intensively with Friedrich Hölderlin and Robert Schumann. The third movement of his Partita, a Barcarole, is preceded by the motto: ‘We should let ourselves be cradled | As if on a boat rocking on the sea.’ These lines have been taken from the poem ‘Mnemosyne’ (Memory) by Hölderlin. The piece starts in the rhythm of old gondola songs. But sometimes it l…

For 2 Violin, Viola, Violoncello and Piano. By Robert Schumann. Edited by E. Herttrich. Piano Qunitets. Pages: Scor = VI and 82 * Vl I, Vl II and Va Parts = 13 ea * Vc Part = 12. Urtext edition (Paper-bound). Published by G. Henle.

Edition for Clarinet in A and Piano - Revised Edition. By Robert Schumann. Edited by W. Boetticher, E. Herttrich. Clarinet. Pages: Score= V and 15 * Cl in A Part = 7. Urtext edition-paper bound. Published by G. Henle.

For Violin, Viola, Violoncello and Piano. By Robert Schumann. Edited by U. Leisinger. Piano Quartets. Pages: Score = VI and 62 * Vl and Va Parts = 13 ea * Vc Part = 12. Urtext edition (Paper-bound). Published by G. Henle.

Composed by Robert Schumann (1810-1856), edited by Wiltrud Haug-freienstein. Collection and set of performance parts for Viola and piano. With introductory text and performance notes. Urtext edition-paper bound. 33 pages. Published by G. Henle.

(Piano Solo). By Robert Schumann. Edited by Ernst Herttrich. For piano solo. This edition: HN244. Piano (Harpsichord), 2-hands. Henle Music Folios. Pages: 52. SMP Level 10 (Advanced). Urtext edition-paper bound. 60 pages. Published by G. Henle Verlag

Composed by Robert Schumann (1810-1856), edited by W. Boetticher. Collection for Piano (Harpsichord), 2-hands. Urtext edition-paper bound. 15 pages. Published by G. Henle.

Composed by Robert Schumann (1810-1856), arranged by Edwin Hughes. Piano duet (two copies needed for performance) for piano duet. Schirmer Library Vol.1358. With full score notation. 104 pages. Published by G. Schirmer, Inc.

Op. 73 - Version for Violoncello and Piano - Revised Edition. By Robert Schumann. Edited by E. Herttrich. Violoncello. Pages: Score = V and 15 * Vc Part = 7. Urtext edition-paper bound. Published by G. Henle.

At the Piano. Softcover. 60 pages. G. Henle #HN1818. Published by G. Henle

By Walter Noona. For piano. Educational piano collection. Published by Heritage Music Press.
Level: Level 3.

Early and Late Version. By Robert Schumann. Edited by Wolfgang Boetticher. Piano (Harpsichord), 2-hands. Pages: Early Version = 47, Late Version = 36. Urtext edition-paper bound. Published by G. Henle.

Composed by Robert Schumann (1810-1856), edited by W. Boetticher. Single piece for Piano (Harpsichord), 2-hands. With introductory text, performance notes and fingerings. Urtext edition-paper bound. 53 pages. Published by G. Henle.

Composed by Robert Schumann (1810-1856), edited by W. Boetticher. Single piece for Piano (Harpsichord), 2-hands. With introductory text, fingerings and performance notes. Urtext edition-paper bound. 45 pages. Published by G. Henle.

Fairy Tales, Op. 132 (Märchenerzählungen) (Clarinet in B-flat (Violin), Viola and Piano). By Robert Schumann. Edited by Ernst Herttrich. Score and Parts. Henle Music Folios. Softcover. 56 pages. G. Henle #HN917. Published by G. Henle