In this arrangement of Faure's Requiem for soloists, female choir and organ, the tenor and bass parts are distributed among the altos which has necessitated some judicious adaptations in the part-writing. The second soprano replicates the original alto part largely unchanged, while the original baritone solo now resounds in the alto. The organ arrangement takes all three versions of the Requiem in…

This work will become a permanent fixture not only in church services, but also as grand opening piece of a sacred concert. The piece is not overly difficult and mostly in four parts while nevertheless bringing out the full sound of a women's choir. / Choeur SSAA A Cappella

This work is a celebration of the journey towards womanhood with its joys, mysteries and possibilities. Spirited ascending melodies, dance-like rhythms and vocal percussive sounds unfold into a structured improvisation wherein the members of the choir whisper their aspirations for the future, together forming a sea of sonic dreams. / Choeur SSAA Et Piano

Commissioned by the 2012 ACDA Women's Choir R and S Commissioning Consortium, the entire piece drives toward the last line of the Stacy Gnall poem 'big brother, I am catching up to you.? One long, rhythmic race, this selection will be a wonderful contrast to much of the repertoire often included in women's choral concerts. / Choeur SSAA A Cappella

Written for SSA chorus and Piano. This is the original arrangement as sung by the Military Wives Choir. Commissioned by Gareth Malone for Series Four of BBC TV's 'The Choir' and first performed by Malone and the Military Wives' choir as part of The Royal British Legion's Festival of Remembrance at the Royal Albert Hall on 12th November 2011 in the presence of Her Majesty The Queen. A favourite for…

As the name suggests, the 'Missa Popularis? has its musical roots in folk music.This becomes clear in the very first bars of the Kyrie, where the violin plays amelody in the style of a Swedish folk tune above a bass ostinato. The musical charm of the Mass derives from the combination of choir [SSA(TB)] and string quartet.The choral parts enable performances by female choir or mixed choir. In the l…

Dans 80 bars partout dans le monde - sans aucune hommes? ! Est-ce qui fonctionne ? Oui, c'est - et c'est superbe. Cette Choirbook Women´s fournit un riche fonds d'airs connus de différents pays et dans des styles différents, allant de swing, de soul et de groovy tune / 3 A 4 Parties Pour Choeur De Femmes (SSA/SSAA)

mixed choir (SSATB) a cappella

Horn, Paul (Arr.) - Mh 837. Par HAYDN JOHANN MICHAEL. The Missa sub titulo Sti. Leopoldi pro festo Innocentium MH 837, written for the choir boys of the Salzburg Cathedral, was the last completed work of Johann Michael Haydn. Haydn composed more than thirty works to Latin and German settings for his “beloved choir boys” in a scoring for two or three treble voices. The composition of the Leopoldi-M…

Horn, Paul (Arr.) - Mh 837. Par HAYDN JOHANN MICHAEL. The Missa sub titulo Sti. Leopoldi pro festo Innocentium MH 837, written for the choir boys of the Salzburg Cathedral, was the last completed work of Johann Michael Haydn. Haydn composed more than thirty works to Latin and German settings for his “beloved choir boys” in a scoring for two or three treble voices. The composition of the Leopoldi-M…