B Minor. Par DVORAK ANTONIN. Like every other great 19th-century solo concerto, Dvorák ’s famous Cello Concerto was a collaboration between composer and virtuoso. It has long been known that certain solo passages in Dvorák ’s autograph score were actually written by the cellist Hanuš Wihan; but Bärenreiter’s edition now reveals that some details in the Orchestral parts are also in his writing, sho…

Lent and Easter Cantatas. Par TELEMANN GEORG PHILIPP. 72 Solo Cantatas for Voice, Melodic Instrument and Basso continuo. Lent & Easter - High Voice. When Telemann issued his first annual cycle of printed cantatas, Der Harmonische Gottesdienst (Hamburg, 1725-6), he was already one of the leading cantata composers of his time. Thanks to their brevity and their simple scoring, the 72 solo cantatas ha…

Par IGUDESMAN ALEKSEY. Aleksey Igudesman might reasonably be described as a modern day Victor Borge. With his cabaret partner, Hyung-ki Joo, he has toured concert halls all over the world, wringing all that is humorous out of classical music with just the basic tools of violin and piano. The “Happy Birthday Variations” for violin and piano are dedicated to his good friend, the late Sir Roger Moore…

Weihnachtskantate. Par MENDELSSOHN-BARTHOLDY FELIX / LUTHER MARTIN. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas b…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Par SPARKE PHILIP. Merry-Go-Round is a mini concerto for band in which each section takes a turn as soloist. On a merry-go-round the viewpoint is constantly changing, this being portrayed by different instrumental groups playing variations on the main theme, continually coming to the fore. This attractive work will bring all the excitement of the fairground to your concert. / Niveau : 3 / Musiqu…

(Key: F). Par STITZEL RICK (Arr.). This appealing jazz standard is a great way to liven up a concert and feature your vocal soloist. The style is medium swing and every section of the band gets a chance to shine. / Date parution : 2022-11-29/ Répertoire / Chant et Jazz Ensemble

Par PART ARVO. Composed in 1990, and revised in 1991, for SATB Choir or soloists with organ accompaniment, Pärt's setting of The Beatitudes is one of only a handful of works (Litany and And One of the Pharisees also falling into that category) composed in English. Taken from Jesus' Sermon on the Mount, as found in Matthew 5:1-12, The Beatitudes provide a fitting structure for Pärt's setting. Each …

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX / LUTHER MARTIN. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based…

Infectious from the very beginning, this Christmas spiritual is dynamic and delightful! The classic call/answer format allows for select soloists or sections. The anthem builds to an exciting finish. The piano accompaniment supports the solid choral scoring. / Choeur Mixte (SATB)