For Optional Soprano And Concert Band. Par DVORAK ANTONIN. En 1880, Antonín Dvorák compose un cycle de mélodies inspirées par la vie rurale auquel il donne le titre de Mélodies tziganes Op. 55. Als die alte Mutter (Songs My Mother Taught Me - Chansons que ma mère me chantait) est le quatrième des sept chants du cycle. Cette mélodie profonde et émouvante souligne toutes les inflexions du poème en l…

Anthem. Par PURCELL HENRY. The Anthem, in the post-Reformation church music of England was initially the term given to a choral work with an English biblical text. By the end of the 17th century it begins to take on Italian stylistic elements and becomes a cantata for solo voices, choir and orchestra. The anthem 'O sing unto the Lord' presented here, based on words of the 96th Psalm, is a particul…

Anthem. Par PURCELL HENRY. The Anthem, in the post-Reformation church music of England was initially the term given to a choral work with an English biblical text. By the end of the 17th century it begins to take on Italian stylistic elements and becomes a cantata for solo voices, choir and orchestra. The anthem 'O sing unto the Lord' presented here, based on words of the 96th Psalm, is a particul…

Anthem. Par PURCELL HENRY. The Anthem, in the post-Reformation church music of England was initially the term given to a choral work with an English biblical text. By the end of the 17th century it begins to take on Italian stylistic elements and becomes a cantata for solo voices, choir and orchestra. The anthem 'O sing unto the Lord' presented here, based on words of the 96th Psalm, is a particul…

Par VIVALDI ANTONIO. Le présent Laudate Dominum RV 614 est écrit pour soprano et alto solos, chœur à 4 voix, 2 violons, 2 cors et continuo d’orgue. Or Vivaldi écrit sa musique à 4 parties de cordes (2 violons, alto et basse) tandis que le trio d’église (2 violons et basse) est plutôt de tradition allemande (c’est le cas de toute les messes écrites par Mozart ou Michael Haydn pour Salzbourg). S’il …

Par VIVALDI ANTONIO. Le présent Laudate Dominum RV 614 est écrit pour soprano et alto solos, chœur à 4 voix, 2 violons, 2 cors et continuo d’orgue. Or Vivaldi écrit sa musique à 4 parties de cordes (2 violons, alto et basse) tandis que le trio d’église (2 violons et basse) est plutôt de tradition allemande (c’est le cas de toute les messes écrites par Mozart ou Michael Haydn pour Salzbourg). S’il …

Five Psalms were scored for Soprano solo, SATB chorus, and Orchestra or Piano. They are settings of five of the popular psalms in the bible, namely Psalm 23: The Lord Is My Shepherd - Psalm 107: O Give Thanks Unto The Lord - Psalm 120: When I Was In Trouble - Psalm 121: I Will Lift Up Mine Eyes Unto The Hills - Psalm 150: O Praise Ye The Lord.Christopher Le Fleming (1908-1985) was an English compo…

For Soprano And Chamber Ensemble. Par SCHWANTNER JOSEPH. Détails de la formation instrumentale: Soprano solo - fl(pic). Clarinette Violon . Alto Violoncelle .pno.hp.perc(Med. Bs. Dr., Lg. Timbale, Med. Tam, Lg. Susp. Cym., Vib., Glsp., Tub. Bells, Gongs, Trgls.) - Durée: 20' -/ Répertoire / Voix, Flûte Traversière (Dbl. Piccolo), Clarinette

Par MARTIN MATTHEW. Invocation to the Holy Spirit is a short and simple work, dedicated to the memory of David Trendell. It sets two Latin texts concerning baptism and the Holy Spirit. It is an ideal piece for confirmation or baptism services as well as for the season of Pentecost. SATB with Soprano Solo / Unaccompanied. Part of Faber Music’s Choral Signature Series. / Choral Music / Répertoire /…

Note du compositeurCe Noël, j'ai été inspiré pour écrire un nouveau chant, bébé dans l'étal d'un boeuf qui, j'espère, capte la saison de Noël dans une joyeuse et optimiste nouvelle chanson, et crée une émotion semblable et teinte de nostalgie qui apparaît dans certains de mes chants préférés . J'ai décidé d'écrire de nouveaux mots, parce que je voulais qu'ils correspondent à la mélodie comme un ga…

Composed by Johannes Brahms (1833-1897). Opus 45. For soprano voice solo, baritone voice solo, SATB choir and piano accompaniment. Format: vocal score. With choral notation and piano reduction. Romantic period. Text language German. 96 pages. 7.5x10.5 inches. Published by C.F. Pe…

(A sacred oratorio). By George Frideric Handel (1685-1759). Edited by Watkins Shaw. For soprano solo voice, alto solo voice, tenor solo voice, bass solo voice, SATB choir and piano accompaniment. Novello Handel Edition. Baroque, Choral, Christmas and Easter. Difficulty: medium. V…

By Dan Forrest. For SATB choir with soprano voice solo and tenor voice solos (keyboard accompaniment). Extended Works. Dan Forrest Series. Sacred, Concert. Difficulty: Medium Advanced (Adult). 64 pages. Published by Hinshaw Music Inc.

(Vocal Score based on the Urtext of the New Bach Edition (English/German) Organ Chorus I and Organ Chorus II available). By Johann Sebastian Bach (1685-1750). Edited by Alfred Durr. For soprano solo voice, alto solo voice, tenor solo voice, bass solo voice, SATB choir and piano a…

Composed by Dan Forrest. Hinshaw Concert. Octavo. 94 pages. Hinshaw Music Inc. #HMB269. Published by Hinshaw Music Inc. (HL.8763268).

Tragedie Opera (Drama heroique) in 3 Akten. Pariser Fassung 1774 (franzosisch/deutsch). Klavierauszug nach dem Urtext der Gluck-Gesamtausgabe. By Christoph Willibald von Gluck. Edited by Finscher, Ludwig;Sommer, Jurgen. For 2 Soprano solo, Tenor solo, Mixed Choir-Ball, 2 Flute, 2…

Compiled by Joan Frey Boytim. Collection for soprano voice solo and piano accompaniment. Text language English, German, Italian, Spanish, French. 128 pages. Published by G. Schirmer, Inc.

Composed by Philip W. J. Stopford. For SATB choir a cappella, soprano voice solo. Hope/Assurance, Lament/Grief/Sorrow, Hope/Assurance, Lament/Grief/Sorrow, 21st Century. Moderately Easy. Octavo. Text Language: English. Published by MorningStar Music Publishers

(Cantiones Profanae) Composed by Carl Orff (1895-1982). For soprano voice solo, tenor voice solo, baritone voice solo, SATB choir and piano accompaniment. Format: vocal score. With vocal score, lyrics and piano reduction. 20th Century. Text language Latin and German. 128 pages. 9…

(Opera Buffa In Four Acts) Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Eugen Epplee, Ludwig Finscher. K. 492. For 5 soprano soloists, 2 tenor soloists, 4 bass soloists, mixed choir and piano accompaniment. Urtext of the New Mozart Edition. Format: vocal score (hard…

Compiled by Richard Walters. For soprano voice and piano. Format: piano/vocal songbook. With vocal melody, piano accompaniment, lyrics and introductory text. Broadway and vocal standards. 248 pages. 9x12 inches

Edited by Richard Walters, compiled by Richard Walters. Collection for soprano voice solo and piano accompaniment. Text language Latin, German, English. 223 pages. Published by Hal Leonard.

By John Rutter (1945-). For Soprano and Baritone solo voices, children's and SATB choirs, orchestra/chamber ensemble (Orchestra: [2.2.2.2-2.2.0.0], timpani, percussion (2 players).hp-str Chamber ensemble: fl, ob, cl, bsn, hn, timp, perc (1 or 2 players), hp

Dramma per musica in tre atti. Klavierauszug nach dem Urtext der Hallischen H0ndel-Ausgabe (italienisch/deutsch). By George Frideric Handel. Edited by Siegfried Flesch. Arranged by Kroupova, Olga;T!Pel, Michael. For soprano solo (3), mezzo-soprano solo, alto solo, tenor solo, bas…

By John Rutter (1945-). For SATB choir and full orchestra/chamber orchestra (Full orchestra: [2.2.2.2.-4.3.3.1], timpani, percussion, harp, strings / Chamber orchestra: [1.1.1.1.-1.0.0.0], timpani, percussion, harp, organ, strings). Mixed Voices. Contempo