We Have All the Time in the World is the classic James Bond theme featuring the warm, graceful vocals of Louis Armstrong. Beloved for its sophisticated, smooth sound, the track - written by John Barry and Hal David - has transcended its tie to cinema, becoming one of the most requested songs at weddings, anniversaries and other celebrations. This brand new arrangement by Thomas Lydon for TTBB choi…

Arranged for TTBB chorus and Piano accompaniment. Commissioned by Gareth Malone for Series Four of BBC TV's 'The Choir' and first performed by Malone and the Military Wives' choir as part of The Royal British Legion's Festival of Remembrance at the Royal Albert Hall on 12th November 2011 in the presence of Her Majesty The Queen. A favourite for the 2011 Christmas Number One, with support from radi…

Singin' In The Rain was already a classic before it featured in the famous 1952 Gene Kelly film musical - Arthur Freed and Nacio Herb Brown wrote it in the 1920s when many artists recorded it, but more notably Cliff Edwards enjoyed success from his recording in 1929. Now forever associated with Kelly's puddle-splashing routine and more recently reprised in stage adaptations, Singin' In The Rain re…

Over the Rainbow is a standard that has become forever associated with its most famous interpreter, Judy Garland. Her troubled adult years only added poignancy to her guileless interpretation of the song, preserved on celluloid in The Wizard of Oz when she was seventeen. The song would also do something similar for Eva Cassidy whose 1992 version brought her posthumous fame almost a decade later. A…

Blue Moon , written by Richard Rodgers and Lorenz Hart in 1934, has had many treatments over the decades. Mel Tormé made a smooth hit version in the 1940s, Elvis Presley put it on his first album in 1956 and The Marcels had a doo-wop hit with it in 1961, but 'An American Werewolf in London' was the first movie to associate this most romantic of songs with lycanthropy. This brand new arrangement by…

Develop your choir's a cappella skills with this straightforward original madrigal for Christmas or general use. Traditional harmonies, appropriate ranges, and plenty of repetition make it a quick-to-learn piece. Contrasting dynamics and a lilting triple meter create a joyful effect. Now available for four-part men! / Choeur TTBB

For TTBB Choir and Orchestra / Classique / Partition /

for solo piano, male choir (TTBB, 18 voices) and orchestra / piano, male choir (TTBB, 18 voices) and orchestra

Arrangeur : Kirchner, Shawn / men's choir (TTBB) and piano

Aus: Drei geistliche Gesange. By Josef Gabriel Rheinberger. Edited by Graulich, Gunter. For SSATTB Choir. Chamber Choir - Recommended by Frieder Bernius; Occasions: Morning, Midday, Evening; Use during church year: Easter and Eastertide. Score. Language: German/English. Composed …

By Ben Allaway. For TTBB Choir, a cappella, conga drums. Choral. Medium. Choral octavo

By Franz Schubert (1797-1828). Choir. For TTBB choir and piano

Liebes Madchen, hor mir zu. By Franz Joseph Haydn. Arranged by . For Male voice choir (TTBB). Published by Tonos (German import).

By Douglas E. Wagner. For TTB/TBB choir and piano (with optional concert band). Secular Christmas. Octavo

By Paul Tschesnokoff. Arranged by Norden. For Choir. (TTBB, a cappella). Choral Octavo. Level: Moderately Difficult (grade IV). Choral Octavo. 8 pages. Published by Alfred Publishing.

Arranged by Mark Hayes. For Choir. (TTBB). Choral Octavo. Spiritual, Christmas. Level: Level 3 (grade L3). Choral Octavo. 12 pages. Published by Alfred Publishing.

By Johann Sebastian Bach. Text: Martin Luther. For TTBB choir. (Men's Voices). Easter. Choral. Published by E.C. Schirmer Publishing.

By Samuel Scheidt (1587-1654). For SSAT/SATB/TTBB Choir, Cap SSATB/SSATTB and/or 2 Violins, 2 Violas, 4 Recorders (c2, c2, f1, c1), Cello, 2 Horn/Zink (2 Trumpets), 3 Trombones, Basso continuo. This edition: paperbound. Sacred, Motets; Occasions: Praise and thanks. Level 2. Score…

Arranged by Gwynn S. Bement. Text: Polish Carol. For Tenor voice solo, TTBB Choir. (Men's Voices). Christmas. Choral. Published by E.C. Schirmer Publishing.

((O. v. Redwitz)). By Franz Liszt (1811-1886). Edited by K. Etti. Various Sacred. For TTBB choir. Singing part

By Mark Hayes. For TTB/TBB choir and piano (with optional concert band). Concert. Octavo

(18 neue Steirerlieder). Edited by Franz Koringer. Various Sacred. For TTBB choir. Collection. 16 pages

(4 Standards aus dem Repertoire des Boheme-Qaurtetts). By Robert Katscher. Edited by Josef Drexler / Fritz Brucker. Percussion. For TTBB choir and piano. Score and 4 choral score

Arranged by Jennifer B. Scoggin. For TTB choir, a cappella. Choral octavo

By Matthew Harris. For TTBB choir a cappella. Modern

(Ahren stehen wie vor Gott, Die). By Robert Ernst. Various Sacred. For SSSAATTBB choir. Score

By Howard Helvey. For TTBB Choir. Sacred Choral Collections

By Harold Atteridge, Harry Carroll. Arranged by Dot Calvin. Male barbershop choir. Men's voices, TTBB. Suitable for contest. Barbershop, Uptune. Medium