In The Form Of A Partita In Seven Movements For Double Bass. Par GLASS PHILIP. The Not-Doings of an Insomniac -Partita for Solo Double Bass with spoken texts-was premiered by Robert Black at the International Society of Bassist Convention at the Griffin Concert Hall in Fort Collins, Colorado. The Not-Doings of an Insomniac developed as a result of Philip Glass's frequent travels to unfamiliar citi…

Par SAINT-SAENS CAMILLE. Far from being an isolated work in Camille Saint-Saens’ production, Le Retour de Virginie (Virginia’s Return) belongs to a small set written at the beginning of his career in the particular context of the competition for the Prix de Rome that was established in 1803 then cancelled following the events of May 1968. It had been for more than a century and a half, the most co…

Interconnecting text by Eugen Bauer. Par WEIDLE. German/ Répertoire / Choeur Mixte à 4 Voix, Récitant, Petit Orchestre o

Ed. Critica Di C. Toscani - Reduction For Voice And Piano By Antonio Frigé. Par PERGOLESI GIOVANNI BATTISTA. The present reduction derives from the critical edition of the score, also published in this catalog on Novembre 2012 (NR 139699). The critical edition returns the text of the Stabat mater thanks to a study of a particular scientifi c authority andphilological rigor: as main source the edit…

Par BYRD WILLIAM. SATB unaccompanied English text by S. Townsend Warner./ Répertoire / SATB a Cappella

Aus tiefer Not. Par RENTZSCH FRIEDHELM. Friedhelm Rentzsch, long a cellist in the Dresden Philharmonic, set Psalm 130, whose character of penitence is especially impressive here, through the reduction of the musical forces to a solo alto with orchestral accompaniment, and this in a most unique, urgent manner. Through the addition of a sombre text by Erich Arendt the subective manner of the song is…

Aus tiefer Not. Par RENTZSCH FRIEDHELM. Friedhelm Rentzsch, long a cellist in the Dresden Philharmonic, set Psalm 130, whose character of penitence is especially impressive here, through the reduction of the musical forces to a solo alto with orchestral accompaniment, and this in a most unique, urgent manner. Through the addition of a sombre text by Erich Arendt the subective manner of the song is…

Aus tiefer Not. Par RENTZSCH FRIEDHELM. Friedhelm Rentzsch, long a cellist in the Dresden Philharmonic, set Psalm 130, whose character of penitence is especially impressive here, through the reduction of the musical forces to a solo alto with orchestral accompaniment, and this in a most unique, urgent manner. Through the addition of a sombre text by Erich Arendt the subective manner of the song is…

Aus tiefer Not. Par RENTZSCH FRIEDHELM. Friedhelm Rentzsch, long a cellist in the Dresden Philharmonic, set Psalm 130, whose character of penitence is especially impressive here, through the reduction of the musical forces to a solo alto with orchestral accompaniment, and this in a most unique, urgent manner. Through the addition of a sombre text by Erich Arendt the subective manner of the song is…

Par FRANCES-HOAD CHERYL. Thinking I Hear Thee Call by Cheryl Frances-Hoad is inspired by the life of Florence Attridge, an Essex woman who, whilst working at the Marconi factory in Chelmsford during WWII, helped to make secret radio sets for spys. In this piece for soprano, speaker and electronics, we hear Florence recount her experiences, whilst, in another, secret location, in another time, a sp…

Composed by Dan R. Edwards. For Unison/two-part choir with piano and optional Bb clarinet and percussion. Sacred Anthem. General, Benedition. Octavo. Published by Chorister's Guild

Arranged by Thomas Fettke. For SATB choir. Text: Matthew 28:1-10. Choral octavo. Published by Hope Publishing Company

By Craig Phillips. For SATB choir, organ and brass. Choral, Easter. Full Score. Published by Paraclete Press

Arranged by Jack Schrader. For SATB choir. Trinity Sunday, Hymn-based, Hymntune, General, Sacred. Octavo. 8 pages. Published by Hope Publishing Company

(Revised Order of Mass 2010). By Steven R. Janco. For SAB choir, cantor, assembly, presider with keyboard. Sacred, Mass. Easy. Guitar part. Text language: English. 52 pages. Published by GIA Publications

(Revised Order of Mass 2010). By Steven R. Janco. For SAB choir, cantor, assembly, presider with keyboard. Sacred, Mass. Easy. Full score. Text language: English. 52 pages. Published by GIA Publications

(violin 2 (based on the new complete edition)). By Johannes Brahms (1833-1897). Edited by R. Pascall / M. Struck. For 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 3 trombones, tuba, timpani, strings. This edition: Urtext. Orchester-Bibliothek (Orchestral Library). Individ…

Arranged by Ronald Arnatt. For SAB Choir, organ. Choral, easter. Octavo. Published by E.C. Schirmer Publishing

(Sing to the Lord a newmade song). By Felix Bartholdy Mendelssohn (1809-1847). Edited by R. Larry Todd. For Soli SATB, SATB/SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ, Harp. Stuttga…

(O! Come let us worship and kneel before the Lord). By Felix Bartholdy Mendelssohn (1809-1847). Edited by R. Larry Todd. For Soli SST, SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ. Th…

(O! Come let us worship and kneel before the Lord). By Felix Bartholdy Mendelssohn (1809-1847). Edited by R. Larry Todd. For Soli SST, SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ. St…

(O! Come let us worship and kneel before the Lord). By Felix Bartholdy Mendelssohn (1809-1847). Edited by R. Larry Todd. For Soli SST, SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ. St…

(O! Come let us worship and kneel before the Lord). By Felix Bartholdy Mendelssohn (1809-1847). Edited by R. Larry Todd. For Soli SST, SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ. St…

(O! Come let us worship and kneel before the Lord). By Felix Bartholdy Mendelssohn (1809-1847). Edited by R. Larry Todd. For Soli SST, SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ. Th…

(O! Come let us worship and kneel before the Lord). By Felix Bartholdy Mendelssohn (1809-1847). Edited by R. Larry Todd. For Soli SST, SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ. St…

(A Comprehensive Account of Howard Shore's Scores). Book; CD; Masterworks; Music Appreciation; Reference Textbooks; Technique Musicianship. Contemporary; Masterwork; Movie. Published by Alfred Music Publishing

(Non nobis Domine / Nicht unserm Namen, Herr). By Felix Bartholdy Mendelssohn (1809-1847). Edited by R. Larry Todd. For Soli STBar, SSAATTBB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Violins, Viola, Cello, Contrabass. Score available separately - see item CA.4…

(Ein Oratorium nach Worten des Alten Testaments). By Felix Bartholdy Mendelssohn (1809-1847). Edited by R. Larry Todd. For Soli SATB, SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 4 Horn, 2 Trumpets, 3 Trombones, Oficleide, Timpani, 2 Violins, Viola, Cello, Contrabass, …

(61 Lieder for Voice and Piano). By Various. Arranged by Paul Lohmann. High Voice. Schott. 96 pages. Schott Music #ED2907. Published by Schott Music

(Ein Oratorium nach Worten des Alten Testaments). By Felix Bartholdy Mendelssohn (1809-1847). Edited by R. Larry Todd. For Soli SATB, SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 4 Horn, 2 Trumpets, 3 Trombones, Oficleide, Timpani, 2 Violins, Viola, Cello, Contrabass, …