In The Form Of A Partita In Seven Movements For Double Bass. Par GLASS PHILIP. The Not-Doings of an Insomniac -Partita for Solo Double Bass with spoken texts-was premiered by Robert Black at the International Society of Bassist Convention at the Griffin Concert Hall in Fort Collins, Colorado. The Not-Doings of an Insomniac developed as a result of Philip Glass's frequent travels to unfamiliar citi…

Par SAINT-SAENS CAMILLE. Far from being an isolated work in Camille Saint-Saens’ production, Le Retour de Virginie (Virginia’s Return) belongs to a small set written at the beginning of his career in the particular context of the competition for the Prix de Rome that was established in 1803 then cancelled following the events of May 1968. It had been for more than a century and a half, the most co…

Interconnecting text by Eugen Bauer. Par WEIDLE. German/ Répertoire / Choeur Mixte à 4 Voix, Récitant, Petit Orchestre o

Ed. Critica Di C. Toscani - Reduction For Voice And Piano By Antonio Frigé. Par PERGOLESI GIOVANNI BATTISTA. The present reduction derives from the critical edition of the score, also published in this catalog on Novembre 2012 (NR 139699). The critical edition returns the text of the Stabat mater thanks to a study of a particular scientifi c authority andphilological rigor: as main source the edit…

Par BYRD WILLIAM. SATB unaccompanied English text by S. Townsend Warner./ Répertoire / SATB a Cappella

Aus tiefer Not. Par RENTZSCH FRIEDHELM. Friedhelm Rentzsch, long a cellist in the Dresden Philharmonic, set Psalm 130, whose character of penitence is especially impressive here, through the reduction of the musical forces to a solo alto with orchestral accompaniment, and this in a most unique, urgent manner. Through the addition of a sombre text by Erich Arendt the subective manner of the song is…

Aus tiefer Not. Par RENTZSCH FRIEDHELM. Friedhelm Rentzsch, long a cellist in the Dresden Philharmonic, set Psalm 130, whose character of penitence is especially impressive here, through the reduction of the musical forces to a solo alto with orchestral accompaniment, and this in a most unique, urgent manner. Through the addition of a sombre text by Erich Arendt the subective manner of the song is…

Aus tiefer Not. Par RENTZSCH FRIEDHELM. Friedhelm Rentzsch, long a cellist in the Dresden Philharmonic, set Psalm 130, whose character of penitence is especially impressive here, through the reduction of the musical forces to a solo alto with orchestral accompaniment, and this in a most unique, urgent manner. Through the addition of a sombre text by Erich Arendt the subective manner of the song is…

Aus tiefer Not. Par RENTZSCH FRIEDHELM. Friedhelm Rentzsch, long a cellist in the Dresden Philharmonic, set Psalm 130, whose character of penitence is especially impressive here, through the reduction of the musical forces to a solo alto with orchestral accompaniment, and this in a most unique, urgent manner. Through the addition of a sombre text by Erich Arendt the subective manner of the song is…

Par FRANCES-HOAD CHERYL. Thinking I Hear Thee Call by Cheryl Frances-Hoad is inspired by the life of Florence Attridge, an Essex woman who, whilst working at the Marconi factory in Chelmsford during WWII, helped to make secret radio sets for spys. In this piece for soprano, speaker and electronics, we hear Florence recount her experiences, whilst, in another, secret location, in another time, a sp…

(Non nobis Domine / Nicht unserm Namen, Herr). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Todd, R. Larry. For Soli STBar, SSAATTBB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Violins, Viola, Cello, Contrabass. This edition: paperbound. Psalms, German,…

By Felix Bartholdy Mendelssohn (1809-1847). Edited by Todd, R. Larry. For SSATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello/Contrabass. Full score available separately - see item CA.4048200. Mass Sections; …

By Johannes Brahms. Edited by R. Pascall And M. Struck. STUDY EDITION. Pages: XIIII and 225. Urtext edition (Paper-bound). Published by G. Henle.

(Oratorienfragment. Teil I: Die Geburt Christi; Teil II: Das Leiden Christi). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Todd, R. Larry. For Tenor Solo, SATTBB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viol…

By J. Peacey. Sacred. Hymn Texts. Author's Collections

(For SAB Voices with Keyboard). By Anonymous. Arranged by Crawford R. Thoburn. Mixed chorus. For SAB, Keyboard. Music of Crawford Thoburn. Choral. Piano/Vocal Score. Standard notation. 8 pages

By Felix Bartholdy Mendelssohn (1809-1847). Edited by Gerhard Schuhmacher. For 2 Violins, Viola, Cello. This edition: 2 Violins, Viola, Cello. Paperback. Deutscher Verlag fuer Musik. Urtext edition. 66 pages

By Ferruccio Busoni (1866-1924). Edited by Joachim Draheim. For Clarinet, 2 Violin, Viola, Cello. This edition: Clarinet, 2 Violin, Viola, Cello. Paperback. Breitkopf Kammermusik-Bibliothek. Urtext edition. 18 pages

(Oratorium. Bearbeitung von Wolfgang Amadeus Mozart. Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe). By George Frideric Handel (1685-1759). Edited by Andreas Holschneider. Arranged by Ernst R. Barthel. For Soprano Solo (2), Alto Solo, Tenor Solo, Bass Solo, Mixed Choir: …

By John R. Sweney. Arranged by James C. Kasen. Text: James Nicholson. For SSAATBB Choir. Duration 3:15. Published by Jackman Music Corporation.
Level: Medium Difficult / Medium (accompaniment).

By Marcus Smith, H. R. Palmer, Murray Boren, David A. Zabriskie, Royce Isham, Robert P. Manookin, Reid Nibley, Robert Galbraith, Tracy Y. Cannon, Robert Cundick, Charles H. Gabriel, Harrison Millard, Lorin F. Wheelwright And Philip Paul Bliss. Arranged by Compiled By Clayne W. Ro…

By Franz Schubert. Edited by Fischer-Dieskau(Urtext). For medium voice, piano. (D.795,911,957)(Urtext Edition by Dietrich Fischer-Dieskau with musicological revisions by Elmar Budde)(Ger). Published by C.F. Peters.

By Londonderry Air. Arranged by R. Paul Thompson. Text: Frederick E. Wetherby. For Keyboard accompaniment. (SATB). Folk, Secular. Level: Medium Adult. 8 pages. Duration 3 min, 8 sec. Published by Hinshaw Music Inc.